Professor of Rock

Coming up, Simple Man was a track on one of the greatest debut albums of the rock era, Lynyrd Skynyrd's (Pronounced 'Lĕh-'nérd 'Skin-'nérd). And it’s been streamed over a billion times and is one of the most beloved songs of rock’s most storied genres. But despite its popularity, Simple Man never actually charted on the Hot 100. The only reason it wasn’t a hit is that the band failed to release it as a single. But that finally charted decades later. Funny story: Apparently, Skynyrd’s producer didn’t want them to record the song. He put his foot down and denied them. But the guys got together and hatched a plan; they coaxed him outside and then locked him out of the studio... and told him not to come back until they were done. At the time, Lynyrd Skynyrd and their producer were at each other’s throats all the time. But somehow, despite the constant fighting, they managed to put together a historic debut album. And Simple Man is some of the best advice for a happy life as it came from several of the band members' loved ones... to be precise their grandma and mother. It’s the story of a tear-jerker from one of rock’s toughest frontmen next on Professor of Rock.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coming up next was Human League, a new wave band that came out of nowhere to rule the charts in 1982 with the #1 hit Don't You Want Me, which kicked off the second British invasion. But 4 years later, the pressure was on to replicate the success in America after a failed album and a song that didn't make the top 50. So they came up with another left-field idea, trading in their robotic sound for a smooth and emotive track where the singer admits to his girlfriend he cheated on her and is shocked to find out that she is forgiving because she cheated on him too… That song is called Human. Up next, the legendary cowriter and producer of Human tells the story of working with the new romantic new wave band and how he transformed the robotic singer into one of the most moving performances of the 80s. And how Human hit #1, ruled 4 major charts, and has become one of the foundational tracks of the 80s, next on Professor of Rock.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coming up, it’s the latest edition of our Taboo Songs countdown. That’s right today we’re exploring the stories behind five controversial tracks that deeply offended certain segments of society. One was a hilarious double entendre song by Chuck Berry that sounded like a nursery rhyme, and it came under fire from a teacher-turned-crusader who tried to ban it from the airwaves. But it only made it his most popular song. One track by Matchbox Twenty was accused of glorifying domestic abuse, but it was the complete opposite of what it was accused of. Another song by Carl Douglas got a man arrested just for playing it. And then there is the kid's song by Peter, Paul; and Mary that supposedly contained hidden messages promoting drug use. They’re tracks that had the morality police hyperventilating, melting down, and losing their freaking minds… and their stories are coming up NEXT on the Professor of Rock. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coming up, a candidate for the most famous #2 hit of all-time and the song that was almost lost in the vaults: Start Me Up… It was written by the Rolling Stones in the 70s. In fact, the Stones did about 70 takes of Start Me Up and most of them were a very sad attempt at creating a reggae song. They crashed and burned, but on one of the takes, they did a straight-ahead rock version. Well, in the 80s, the Rolling Stones really needed a hit and songs for their new album. Luckily, their engineer remembered the one take they did that was a diamond in the rough and knew it could be a hit. But going back to the vaults, it was like searching for a needle in a haystack. It’s the story of a song that sat on the shelf for years, and then the Stones had to be convinced to play it straight… Find out what happened next on Professor of Rock.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coming up, we’re exploring one of the most polarizing yet powerful forces in rock history—the power ballad. Loved by fans, loathed by many artists, and even dismissed by record labels who feared it would drive listeners away. Yet, this so-called guilty pleasure became a defining sound of generations… one of these hit songs by the Scorpions was so powerful it started a baby boom in one part of the country and another one by Motley Crue was so beloved it forced a cable network to stop playing it to give other bands a change and yet another that had one of the most electrifying vocals ever because the band Nazareth transposed it in the wrong key forcing the singer to sing a full two steps above his vocal range. —NEXT on Professor of Rock!.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The year we are traveling back to today was a year of seismic pop culture shifts—Jimmy Carter was in the Oval Office, Star Wars took over theaters, and Saturday Night Fever lit up the dance floor. New York City went dark in a massive blackout, but the music scene was burning bright. One of the biggest rock songs of the year by Ram Jam came from the 1800s. Another by Heart came when a sleazy radio promoter’s dirty innuendo pissed off Ann Wilson, causing her to write one of the greatest rock songs in mere minutes… another song by Paul McCartney was released on an album 7 years earlier but a live version of the song hit the top of the charts and another one by Fleetwood Mac came from one of the greatest soap opera’s in music history. It made today’s year a revelation… see if you can guess the year in today’s top 10 countdown coming up next! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today’s legend Warren Zevon was told by one of the founding fathers of rock, that he should write a novelty song and not just any novelty song. He reasoned it could be about an old horror movie he had just watched on TV the night before. So Warren followed his advice and wrote Werewolves of London… a silly song he called a piece of crap. And even though Warren would become a legend, this novelty song became his only hit! Werewolves of London is about a mysterious, sophisticated gent who could be seen dining at Chinese restaurants and drinking Pina Coladas in posh areas of the city. He’s a dapper fellow, with tailored suits and perfectly coiffed hair. But don’t let appearances fool you….Despite his dashing looks, you best keep your distance... cause he’ll rip your lungs out. Up next. the story of a song that a tortured legend wrote on a dare and loathed his whole life, but we all adore it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today’s featured foursome The Monkees was cast as a fictional TV band, hired to sing and paid not to play. They were expected to follow the script, but their career would be anything but scripted. It’s the unlikely saga of four actors turned rock stars who then fought to control their musical destiny. Along the way, they scored some of the most iconic hits of the 1960s (outselling the Beatles on a few occasions)... including The Last Train to Clarksville, a secret protest song that snuck past the censors and came from their main rival’s misheard lyrics… another called (I'm Not Your) Steppin' Stone that was a forgotten B-side that became a garage-rock classic, and the #1 hit I'm a Believer that one of the singers called absolute Crap, begging the band not to do it… in fact he was so upset that he had to be kicked out of the studio, and yet another song where the wrong lyrics were sung due to bad penmanship. In this episode, we’re tracking the wild ride of The Monkees, a band that started out pretending—and ended up proving they were the real thing… NEXT on the Professor of Rock.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Go to https://geolog.ie/PROFESSOROFROCK70 or scan QR Code on the screen and use code PROFESSOROFROCK70 to get 70% off your custom skincare starter set. Plus, you can grab any add-on of your choice absolutely free. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Back when the Grammys actually meant something in the 80s, no single artist had swept the big four awards… Song of the Year, Record of the Year, Album of the Year, and Best New Artists… Until Christopher Cross… The most unlikely star of that year, he was facing some fierce competition: Pink Floyd, Frank Sinatra, Billy Joel, Lionel Richie, and Barry Gibb of the Bee Gees. But his song Sailing was so heart-shaking and smooth that it would invent a genre that wouldn’t be named for 30 years in fact: Yacht Rock. In the end Christopher not only beat that fierce batch of artists, but he had such a career year that nobody in their right mind could ever dream of topping it with an Oscar and 5 Grammys. But in the end, he banished the awards to his garage and wondered if was worth it. To this day he remains one of the most distinct voices in history… Nobody has ever been able to mimic it and Christopher's debut album is in a category all by itself. The story is next on Professor of Rock. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.