Big History seeks to retell the human story in light of scientific advances by such methods as radiocarbon dating and genetic analysis. Brian Villmoare's book The Evolution of Everything: The Patterns and Causes of Big History (Cambridge UP, 2023) provides a deep, causal view of the forces that have shaped the universe, the earth, and humanity. Starting with the Big Bang and the formation of the earth, it traces the evolutionary history of the world, focusing on humanity's origins. It also explores the many natural forces shaping humanity, especially the evolution of the brain and behaviour. Moving through time, the causes of such important transformations as agriculture, complex societies, the industrial revolution, the enlightenment, and modernity are placed in the context of underlying changes in demography, learning, and social organization. Humans are biological creatures, operating with instincts evolved millions of years ago, but in the context of a rapidly changing world, and as we try to adapt to new circumstances, we must regularly reckon with our deep past.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our contributors discuss their work in the arts and sciences, which is showcased in the new article collection, Water Is in the Air: Physics, Politics, and Poetics of Water in the Arts. Water Is in the Air explores the ways that artists, from all over the world, working at the cutting edge of science and engineering, create work that addresses critical issues of water in culture and society. This conversation was recorded on March 19, 2014. Jean-Marc Chomaz, CNRS research director at the École Polytechnique Hydrodynamics Laboratory (Ladhyx) and professor at École Polytechnique. He is a member of the artist group Labofactory. Mikael Fernström and Sean Taylor, the art-science collaborators behind Softday. Fernström and Taylor teach at the University of Limerick. Listen to their sound art piece, "Hypoxia Hibernalis," a shortened version of "Marbh Chrios.” Annick Bureaud, independent art critic, curator and event organizer, researcher and teacher in art and technosciences. She is the director of Leonardo/OLATS, European sister organization to Leonardo/ISAST. Roger Malina, physicist, astronomer, editor-in-chief of Leonardo, and distinguished professor at the University of Texas, Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scientists discovered that some stars have heartbeats and that some of them can be used to measure the longest distances that exist.This episode was produced by Andrew Middleton  and Liya Rechtman. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re hitting up against the very nature of measurement: How can we best describe the world around us, in its infinite complexity, with finite measures? In other words, how hard are rocks?This episode was produced by Andrew Middleton and Liya Rechtman.Measure for Measure is a limited series from Ministry of Ideas. Learn more about your ad choices. Visit megaphone.fm/adchoices

The detection of gravitational waves in 2015 rocked the science community. In this episode, Chris Gondek spoke with author Harry Collins, whose book Gravity's Kiss centers around the incredible discovery.Scientists have been trying to confirm the existence of gravitational waves for fifty years. Then, in September 2015, came a "very interesting event" (as the cautious subject line in a physicist's email read) that proved to be the first detection of gravitational waves. In Gravity's Kiss, Harry Collins--who has been watching the science of gravitational wave detection for forty-three of those fifty years and has written three previous books about it--offers a final, fascinating account, written in real time, of the unfolding of one of the most remarkable scientific discoveries ever made.Predicted by Einstein in his theory of general relativity, gravitational waves carry energy from the collision or explosion of stars. Dying binary stars, for example, rotate faster and faster around each other until they merge, emitting a burst of gravitational waves. It is only with the development of extraordinarily sensitive, highly sophisticated detectors that physicists can now confirm Einstein's prediction. This is the story that Collins tells.Collins, a sociologist of science who has been embedded in the gravitational wave community since 1972, traces the detection, the analysis, the confirmation, and the public presentation and the reception of the discovery--from the first email to the final published paper and the response of professionals and the public. Collins shows that science today is collaborative, far-flung (with the physical location of the participants hardly mattering), and sometimes secretive, but still one of the few institutions that has integrity built into it. Learn more about your ad choices. Visit megaphone.fm/adchoices

How useful will nuclear fusion be? In a major breakthrough last year at the National Ignition Facility in California, 192 lasers achieved fusion – and created energy - for the first time. It was clearly an important moment. But might the development of fusion technology come too late? Owen Bennett Jones speaks with Sharon Ann Holgate, author of Nuclear Fusion: The Race to Build a Mini Sun on Earth (Icon Books, 2022).Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

What human qualities are needed to make scientific discoveries, and which to make great art? Many would point to 'imagination' and 'creativity' in the second case but not the first. Tom McLeish's The Poetry and Music of Science: Comparing Creativity in Science and Art (Oxford UP, 2021) challenges the assumption that doing science is in any sense less creative than art, music or fictional writing and poetry, and treads a historical and contemporary path through common territories of the creative process. The methodological process called the 'scientific method' tells us how to test ideas when we have had them, but not how to arrive at hypotheses in the first place. Hearing the stories that scientists and artists tell about their projects reveals commonalities: the desire for a goal, the experience of frustration and failure, the incubation of the problem, moments of sudden insight, and the experience of the beautiful or sublime.Selected themes weave the practice of science and art together: visual thinking and metaphor, the transcendence of music and mathematics, the contemporary rise of the English novel and experimental science, and the role of aesthetics and desire in the creative process. Artists and scientists make salient comparisons: Defoe and Boyle; Emmerson and Humboldt, Monet and Einstein, Schumann and Hadamard. The book draws on medieval philosophy at many points as the product of the last age that spent time in inner contemplation of the mystery of how something is mentally brought out from nothing. Taking the phenomenon of the rainbow as an example, the principles of creativity within constraint point to the scientific imagination as a parallel of poetry.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to this interview of David Lindsay, emeritus professor of the University of Western Australia. We talk about his book Scientific Writing = Thinking in Words (CSIRO Publishing, 2020) and how your hypothesis can save the communication of your research.David Lindsay : "It's quite unfortunate that we're training our undergraduates in science this way. I mean, undergraduates know that when they write something, for example, a protocol to be graded—undergraduates know that their professors are seeking to find out whether the student knows something about the subject. So, as long as there's any semblance at all in the text that the student knows something about the subject, well, then the professor ticks a box and marks the student accordingly. This just encourages undergraduates to dump knowledge, to be writing any sort of rubbish just so long as something substantial-like bubbles out of it that seems to suggest that they have a reasonable understanding of the subject. But when these same undergrads get to the point of writing this way for scientific publication, well, then it all comes crashing down, because they can't just throw information together and hope that reviewers or editors will say, 'Oh, yeah, I think I can see what you mean. You know stuff.'" Learn more about your ad choices. Visit megaphone.fm/adchoices

Just over half a century since Neil Armstrong first stepped foot on the lunar surface, a new space race to the Moon is well underway and rapidly gaining momentum. Laying out a vision for the next fifty years, Back to the Moon: The Next Giant Leap for Humankind (Princeton UP, 2022) is astrophysicist Joseph Silk's persuasive and impassioned case for putting scientific discovery at the forefront of lunar exploration.The Moon offers opportunities beyond our wildest imaginings, and plans to return are rapidly gaining momentum around the world. NASA aims to build a habitable orbiting space station to coordinate lunar development and exploration, while European and Chinese space agencies are planning lunar villages and the mining of precious resources dwindling here on Earth. Powerful international and commercial interests are driving the race to revisit the Moon, but lunar infrastructures could also open breathtaking vistas onto the cosmos. Silk describes how the colonization of the Moon could usher in a thrilling new age of scientific exploration, and lays out what the next fifty years of lunar science might look like. With lunar telescopes of unprecedented size situated in permanently dark polar craters and on the far side of the Moon, we could finally be poised to answer some of the most profound questions confronting humankind, including whether we are alone in the Universe and what our cosmic origins are.Addressing both the daunting challenges and the immense promise of lunar exploration and exploitation, Back to the Moon reveals how prioritizing science, and in particular lunar astronomy, will enable us to address the deepest cosmic mysteries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Freeman Dyson (1923–2020)—renowned scientist, visionary, and iconoclast—helped invent modern physics. Not bound by disciplinary divisions, he went on to explore foundational topics in mathematics, astrophysics, and the origin of life. General readers were introduced to Dyson’s roving mind and heterodox approach in his 1979 book Disturbing the Universe, a poignant autobiographical reflection on life and science. "Well, Doc, You're In": Freeman Dyson’s Journey through the Universe (MIT Press, 2022) (the title quotes Richard Feynman’s remark to Dyson at a physics conference) offers a fresh examination of Dyson’s life and work, exploring his particular way of thinking about deep questions that range from the nature of matter to the ultimate fate of the universe. The chapters—written by leading scientists, historians, and science journalists, including some of Dyson’s colleagues—trace Dyson’s formative years, his budding interests and curiosities, and his wide-ranging work across the natural sciences, technology, and public policy. They describe Dyson’s innovations at the intersection of quantum theory and relativity, his novel nuclear reactor design (and his never-realized idea of a spacecraft powered by nuclear weapons), his years at the Institute for Advanced Study, and his foray into cosmology. In the coda, Dyson’s daughter Esther reflects on growing up in the Dyson household. “Well, Doc, You’re In” assesses Dyson’s successes, blind spots, and influence, assembling a portrait of a scientist’s outsized legacy. Contributors: Jeremy Bernstein, Robbert Dijkgraaf, Esther Dyson, George Dyson, Ann Finkbeiner, Amanda Gefter, Ashutosh Jogalekar, David Kaiser, Caleb Scharf, William Thomas.Matthew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future. Learn more about your ad choices. Visit megaphone.fm/adchoices