Scaling Laws

The internet is increasingly emerging as a source for identification and documentation of war crimes, as the Russian invasion of Ukraine has devastatingly proven yet again. But how does an image of a possible war crime go from social media to before a tribunal in a potential war crimes prosecution? On a recent episode of Arbiters of Truth, our series on the online information ecosystem, Evelyn Douek and Quinta Jurecic spoke with Nick Waters, the lead on Justice and Accountability at Bellingcat, about how open-source investigators go about documenting evidence of atrocity. This week on the show, Evelyn and Quinta interviewed Alexa Koenig, the executive director of the Human Rights Center at the University of California, Berkeley, and an expert on using digital evidence for justice and accountability. They talked about how international tribunals have adapted to using new forms of evidence derived from the internet, how social media platforms have helped—and hindered—collection of this kind of evidence, and the work Alexa has done to create a playbook for investigators downloading and collecting material documenting atrocities.Because of the nature of the conversation, this discussion contains some descriptions of violence that might be upsetting for some listeners.  Hosted on Acast. See acast.com/privacy for more information.

We’re taking a look back at one of the stranger stories about social media platforms and the role of the press in the last presidential election. In the weeks before the 2020 election, the New York Post published an “October Surprise”: a set of stories on the business and personal life of Hunter Biden, the son of Democratic presidential candidate Joe Biden, based on emails contained on a mysterious laptop. A great deal was questionable about the Post’s reporting, including to what extent the emails in question were real and how the tabloid had obtained them in the first place. The mainstream press was far more circumspect in reporting out the story—and meanwhile, Twitter and Facebook sharply restricted circulation of the Post’s stories on their platforms. It’s a year and half later. And the Washington Post just published a lengthy report verifying the authenticity of some of the emails on the mysterious laptop—though a lot still remains unclear about the incident. In light of this news, how should we understand Facebook and Twitter’s actions in 2020? Washington Post technology reporter Will Oremus weighed in on this question in his own reflection for the paper. This week on Arbiters of Truth, our series on the online information ecosystem, Evelyn Douek and Quinta Jurecic asked him on the show to discuss the story. Did the social media platforms go too far in limiting access to the New York Post’s reporting? How did the mainstream press deal with the incident? What have we learned from the failures of how the press and social media responded to information operations around the 2016 election, and what can we learn from how they behaved differently in 2020? Hosted on Acast. See acast.com/privacy for more information.

This week on Arbiters of Truth, our series on the online information environment, we’re turning our attention to the United Kingdom, where the government has just introduced into Parliament a broad proposal for regulating the internet: the Online Safety Bill. The U.K. government has proclaimed that the Bill represents new “world-first online safety laws” and includes “tougher and quicker criminal sanctions for tech bosses.” So … what would it actually do?To answer this question, Evelyn Douek and Quinta Jurecic spoke with Ellen Judson, a senior researcher at the Centre for the Analysis of Social Media at Demos, a U.K. think tank. Ellen has been closely tracking the legislation as it has developed. And she helped walk us through the tangled system of regulations created by the bill. What new obligations does the Online Safety Bill create, and what companies would those obligations apply to? Why is the answer to so many questions “yet to be defined”—a phrase we kept saying again and again throughout the show—and how much of the legislation is just punting the really difficult questions for another day? What happens now that the bill has been formally introduced in Parliament? Hosted on Acast. See acast.com/privacy for more information.

Over the last few weeks, we’ve talked a lot about the war in Ukraine on this series—how the Russian, Ukrainian and American governments are leveraging information as part of the conflict; how tech platforms are navigating the flood of information coming out of Ukraine and the crackdown from the Kremlin; and how open-source investigators are documenting the war. This week on Arbiters of Truth, our series on the online information environment, we’re going to talk about getting information into Russia during a period of rapidly increasing repression by the Russian government. Evelyn Douek and Quinta Jurecic spoke with Thomas Kent, a former president of the U.S. government-funded media organization Radio Free Europe/Radio Liberty, who now teaches at Columbia University. He recently wrote an essay published by the Center for European Policy Analysis on “How to Reach Russian Ears,” suggesting creative ways that reporters, civil society and even the U.S. government might approach communicating the truth about the war in Ukraine to Russians. This was a thoughtful and nuanced conversation about a tricky topic—whether, and how, democracies should think about leveraging information as a tool against repressive governments, and how to distinguish journalism from such strategic efforts. Hosted on Acast. See acast.com/privacy for more information.

Open-source investigations—sometimes referred to as OSINT, or open-source intelligence—have been crucial to public understanding of the Russian invasion of Ukraine. An enormous number of researchers have devoted their time to sifting through social media posts, satellite images, and even Google Maps to track what’s happening in Ukraine and debunk false claims about the conflict. This week on Arbiters of Truth, our series on the online information ecosystem, we devoted the show to understanding how open-source investigations work and why they’re important. Evelyn Douek and Quinta Jurecic spoke to Nick Waters, the lead on Justice and Accountability at Bellingcat, one of the most prominent groups devoted to conducting these types of investigations. They talked about the crucial role played by open-source investigators in documenting the conflict in Syria—well before the war in Ukraine—and how the field has developed since its origins in the Arab Spring and the start of the Syrian Civil War. And Nick walked us through the mechanics of how open-source investigations actually happen, and how social media platforms have helped—and hindered—that work. Hosted on Acast. See acast.com/privacy for more information.

As Russia’s brutal war in Ukraine continues, tech platforms like Facebook and Twitter have been key geopolitical players in the conflict. The Kremlin has banned those platforms and others as part of a sharp clampdown on freedoms within Russia. Meanwhile, these companies must decide what to do with state-funded Russian propaganda outlets like RT and Sputnik that have accounts on their platforms—and how best to moderate the flood of information, some of it gruesome or untrue, that’s appearing as users share material about the war.This week on Arbiters of Truth, our podcast series on the online information ecosystem, Evelyn Douek and Quinta Jurecic spoke with Alex Stamos, director of the Stanford Internet Observatory. They discussed how various platforms, from Twitter to TikTok and Telegram, are moderating the content coming out of Russia and Ukraine right now; the costs and benefits of Western companies pulling operations out of Russia during a period of increasing crackdown; and how the events of the last few weeks might shape our thinking about the nature and power of information operations. Hosted on Acast. See acast.com/privacy for more information.

Almost immediately since he was banned from Twitter and Facebook in January 2021, Donald Trump has been promising the launch of a new, Trump-run platform to share his thoughts with the world. In February 2022, that network—Truth Social—finally launched. But it’s been a debacle from start to finish, with a lengthy waitlist and a glitchy website that awaits users who finally make it online. Drew Harwell, who covers technology at the Washington Post, has been reporting on the less-than-smooth launch of Truth Social. This week on Arbiters of Truth, our podcast series on the online information ecosystem, Evelyn Douek and Quinta Jurecic spoke with him about who, exactly, this platform is for and who is running it. What explains the glitchy rollout? What’s the business plan … if there is one? And how does the platform fit into the ever-expanding universe of alternative social media sites for right-wing users? Hosted on Acast. See acast.com/privacy for more information.

Over the last several weeks, Russian aggression toward Ukraine has escalated dramatically. Russian President Vladimir Putin announced on Feb. 21 that Russia would recognize the sovereignty of two breakaway regions in Ukraine’s east, Donetsk and Luhansk, whose years-long effort to secede from Ukraine has been engineered by Russia. Russian troops have entered eastern Ukraine as supposed “peacekeepers,” and the Russian military has taken up positions along a broad stretch of Ukraine’s border.Along with the military dimensions of the crisis, there’s also the question of how various actors are using information to provoke or defuse violence. Russia has been spreading disinformation about supposed violence against ethnic Russians in Ukraine. The United States and its Western partners, meanwhile, have been releasing intelligence about Russia’s plans—and about Russian disinformation—at a rapid and maybe even unprecedented clip.So today on Arbiters of Truth, our series on the online information ecosystem, we’re bringing you an episode about the role of truth and falsehoods in the Russian attack on Ukraine. Evelyn Douek and Quinta Jurecic spoke with Olga Lautman, a non-resident senior fellow at the Center for European Policy Analysis—who has been tracking Russian disinformation in Ukraine—and Shane Harris, a reporter at the Washington Post—who has been reporting on the crisis. Hosted on Acast. See acast.com/privacy for more information.

Brandon Silverman is a former Facebook executive and founder of the data analytics tool CrowdTangle. Brandon joined Facebook in 2016 after the company acquired CrowdTangle, a startup designed to provide insight into what content is performing well on Facebook and Instagram, and he left in October 2021, in the midst of a debate over how much information the company should make public about its platform. As the New York Times described it, CrowdTangle “had increasingly become an irritant” to Facebook’s leadership “as it revealed the extent to which Facebook users engaged with hyperpartisan right-wing politics and misleading health information.”This week on Arbiters of Truth, our series on the online information ecosystem, Evelyn Douek and Quinta Jurecic spoke with Brandon about what we mean when we talk about transparency from social media platforms and why that transparency matters. They also discussed his work with the Congress and other regulators to advise on what legislation ensuring more openness from platforms would look like—and why it’s so hard to draft regulation that works. Hosted on Acast. See acast.com/privacy for more information.

The Joe Rogan Experience is perhaps the most popular podcast in the world—and it’s been at the center of a weeks-long controversy over COVID misinformation and content moderation. After Rogan invited on a guest who told falsehoods about the safety of COVID vaccines, outrage mounted toward Spotify, the podcasting and music streaming company that recently signed an exclusive deal with Rogan to distribute his show. Spotify came under pressure to intervene, as nearly 300 experts sent the company a letter demanding it take action, and musicians Neil Young and Joni Mitchell pulled their music from Spotify’s streaming service. And the controversy only seems to be growing. This week on Arbiters of Truth, our series on the online information ecosystem, Evelyn Douek and Quinta Jurecic spoke with Ashley Carman, a senior reporter at The Verge who writes the newsletter Hot Pod, covering the podcast and audio industry. She’s broken news on Spotify’s content guidelines and Spotify CEO’s Daniel Ek’s comments to the company’s staff, and we couldn’t think of a better person to talk to about this slow-moving disaster. How has Spotify responded to the complaints over Rogan, and what does that tell us about how the company is thinking about its responsibilities in curating content? What’s Ashley’s read on the state of content moderation in the podcast industry more broadly? And … is this debate even about content moderation at all? Hosted on Acast. See acast.com/privacy for more information.