Pablo Held Investigates

Scott Colley is an amazing musician. He always serves the music in a very engaging and creative way, never letting his incredible facility on the instrument getting the best of him. This is one of the many things I admire about him, so naturally I am glad I could talk to him about that. We also cover his longtime relationships with Herbie Hancock, Andrew Hill, Jim Hall and Chris Potter, as well as the special occasion when Scott subbed in the Wayne Shorter quartet. We listen to a track from “Empire” together, my favorite Scott Colley album. Scott reacts spontaneously to what we hears, which is something I always like. And he shares his memories of studying with Charlie Haden and Fred Tinsley, working with drummers Bill Stewart & Brian Blade and gives great insights into his compositional process and musical mindset. I’m glad to share this with all of you now. Enjoy! If you like this series, please consider supporting me on Patreon.

I heard about Mike Gibbs through my good friend Sebastian Gille, who invited Mike to arrange his music for a special project with the NDR Bigband. I was amazed by Mike’s writing right away. Everything he does sounds so rich and full yet very open at the same time. He’s a true master who has worked with so many of my personal heroes: Joni Mitchell, Jaco Pastorius, John Scofield, Kenny Wheeler, John Taylor, Bill Frisell, John McLaughlin, Steve Swallow and so many more. After a while we got in touch and we embarked on a deep exchange via email, talking a lot about our shared love of Gil Evans’ writing, sending each other music to listen to and exchanging lots of sheet music. I asked him so many questions about all of his encounters with the great masters and he always took his time to answer very thoroughly. On the other hand he seemed very interested in my trio and our way of playing together, asking for lead sheets of my tunes and commenting in depth about our newest recordings. He even turned up out of the blue on a trio gig at the Vortex in London and after that followed the trio to Almeria, Spain where we hung out for three days. It’s very inspiring to see him staying that interested in the current scene, eager on learning more and deeply immersing himself in the music all the time. I want to be like that when I’m at his age!

When Larry Goldings told me that “we should do another podcast where we talk about our classical influences”, I was beyond excited. In this 3-hour conversation about our musical upbringings and influences we also play a lot of piano for each other. As you can imagine, this is exactly what I was dreaming of all my life: talk to my heroes about their process and have them show me what they’re doing. This is why I started this podcast in the first place. Join me and Larry, talking about music, playing piano and hanging out.

Pablo Held talking about the creation of his solo album “Embracing You”. Supported by NICA artist development, a program funded by

Percussionist & composer Marilyn Mazur is like a magician. Through her imaginative playing and her rich palette of sounds she casts spells on the music, her bandmates and us as listeners. When I listen to her I feel transported into places that I didn’t know existed and that’s something I’m fascinated by. How does one do that? I’m so happy I got to talk to her about her process, leading a band, composing, finding her way in the bands of Miles Davis & Wayne Shorter, my late teacher John Taylor, Norma Winstone and much more.

Kevin Hays is one of my absolute favorite piano players, period! The first time I saw him live was in 1996 on a concert of John Scofield‘s Quiet Band and this made a deep impression on me. I’ve been following Kevin’s playing very closely since then. Out of his own records “Andalucia”, “Seventh Sense”,“El Matador” and “For Heaven’s Sake” are my personal favorites, but I do love all the other ones, too! If those records would have been LPs I think I would have worn them all out a couple of times by now. I’ve studied Kevin’s work with Chris Potter, Al Foster, Bill Stewart, Bob Belden, Seamus Blake and many more. He’s outstanding as a soloist as well as an accompanist, a complete musician! In our conversation we talk about his work with John Scofield, Sonny Rollins and Roy Haynes, his touch, rhythmic variety in his playing, going for a personal approach on standards and a lot more. However, the main theme throughout seemed to be finding one’s own voice. Hope you enjoy!

Master drummer Peter Erskine is on so many of my all-time favorite recordings that it’s almost ridiculous! I love everything that he’s done with Weather Report, Jaco Pastorius, Joni Mitchell, John Abercrombie, Joe Henderson, Marc Johnson, Vince Mendoza, Kenny Wheeler, Michael Brecker and SO many more! Of course, let’s not forget his own records!! Especially “You never know” with Palle Danielsson and my late teacher John Taylor is one of my absolute favorite piano trio recordings! I also highly recommend his fantastic book “No Beethoven: An Autobiography & Chronicle of Weather Report” check it out if you don’t know it yet! I’m very happy he accepted to do this interview with me, it was a real pleasure to talk to him. Enjoy!

Sam Amidon is one of the most open minded artists I know. Right away I was struck not only by his beautiful music, I was also amazed by the vast range of things he welcomes into his world. Every Sam Amidon album is a winner. They build on top of each other and yet each one stands on its own. There’s a very specific Amidon-vibe. A vibe that nobody else but Sam can create, and he doesn’t even have to do much to create it. It is just there, from the moment he starts a song — effortless. When I wrote to Sam to tell him how much I liked his music, I was surprised to hear that he’d been checking out my podcast for a while. He even became my supporter on Patreon! We kept in touch and made plans to do an interview in the future. When in the summer of 2021 Sam spent a couple of days in Cologne, I was so happy that we could do the interview in person and hang out at my place… and play! Thanks for doing this with me Sam!

My dear friend and trio colleague Jonas Burgwinkel and I went into the studio to talk about the recording process of my first-ever album Forest Of Oblivion.  It was pure time-travel and I stayed in nostalgia-mode for the following days, reminiscing about the past and our journey as a trio. As I often tell, it’s like looking at old photographs of yourself… it’s sometimes hard, often funny but in the end — it’s you! Anyways, I hope you enjoy this one! Supported by NICA artist development, a program funded by

I had been following Johanna’s playing for quite a while, ever since my buddy Robert Landfermann told me to check her out. – If you don’t know Johanna’s music yet, a great place to start is her album “Schumann Kaleidoskop” , where she interprets Robert Schumann’s music in her very own adventurous ways. To me Johanna is an excitingly unique voice on the piano and a fearless improviser. This interview was in fact the first time we really hung out and also (spoiler alert) played a bit, as you will see at the end of the episode. Playing duo with Johanna felt so great that I immediately invited her to play with me again as part of my concert series “Pablo Held Meets”. You can still check out the whole concert here.