The Bike Shed

It's Calls for Proposals (CFP) season, and in the process of helping our friends and colleagues flesh out their CFPs, we came up with a few questions to help them frame their proposals for success. After learning about the importance of finding your audience and angle of approach for your CFP, we dive into today's main topic – our Git and GitHub workflows. Joel and Stephanie walk us through their current workflows before exploring the differences between main branch and future branch commits. Then, we explore commits editing and why it's okay to make mistakes, commit messages versus GitHub pull requests (PR), what you need to know if you're new to Git, and what you need to understand about PR sizes and Git merge strategies. To end, Joel shares the commit messages that satisfy him the most, and we discover how to make one's life easier when reviewing PRs. Key Points From This Episode: Our CFP framework of questions to help you build a winning proposal. Why it's important to understand who your audience is and who you're speaking to. Ascertaining your angle of approach - how will you tell your story? The ins and outs of Stephanie's current work life. How discipline and particularly, self-discipline relate to our Git and GitHub workflows. Understanding Joel and Stephanie's workflows - how they're similar and how they differ. The differences between main branch and future branch commits. Editing commits and editing commits history, and why it's okay to make mistakes. Commit messages versus GitHub pull requests (PR). Some advice and strategies for those who are new to Git. Discussing Git merge strategies, PR sizes, and online changes. Joel details the types of commit messages that he finds most satisfying. How to make your life easier when reviewing PRs. Links Mentioned in Today’s Episode: RubyConf Rubric 'Working Iteratively’ Good Commit Messages Shotgun Surgery 'Episode 401: Making the Right Thing Easy’ Joel Quenneville on X Joel Quenneville on LinkedIn Support The Bike ShedSupport The Bike Shed

Join Kasper Timm Hansen, long-time Ruby developer and former Rails core team member, as he discusses his 'riffing' approach to code development. Learn about improvisation in coding, domain modeling, collaboration enhancement, and the value of exploring alternative solutions. Dive into the magic of riffing and enhance your coding skills with Kasper!

Hosts Joël and Stephanie discuss the implications of projecting extra meanings onto nil in programming, leading to bugs and confusion. They explore solutions like introducing objects for readability and caution against overloading nil with additional semantics. Examples include managing nil values effectively in code and modeling a card deck. The episode highlights the pitfalls of using nullable Booleans and emphasizes using nil only for truly optional data.

Stephanie discusses naming conventions using 'Classnames' for design. Joël talks about AI for D&D names and his interest in Roman history. They stress the importance of asking questions in development for workflow understanding, trust building, and collaboration with juniors. They delve into questioning assumptions, maintaining a curious mindset, and using questions during PR reviews for continuous improvement.

Discussion on RubyConf CFP and refactoring projects. Challenges of test suite maintenance. Strategies for efficient testing and reducing flakiness. Importance of separating side effects for better testing. Addressing testing pain points and adding value to tests.

Stephanie has a newfound interest in urban foraging for serviceberries in Chicago. Joël discusses how he uses AI tools like ChatGPT to generate creative Dungeons & Dragons character concepts and backstories, which sparks a broader conversation with Stephanie about AI's role in enhancing the creative process. Together, the hosts delve into professional growth and experience, specifically how to leverage everyday work to foster growth as a software developer. They discuss the importance of self-reflection, note-taking, and synthesizing information to enhance learning and professional development. Stephanie shares her strategies for capturing weekly learnings, while Joël talks about his experiences using tools like Obsidian's mind maps to process and synthesize new information. This leads to a broader conversation on the value of active learning and how structured reflection can turn routine work experiences into meaningful professional growth. Obsidian Zettelkasten Mindmaps in Mermaid.js Module Docs episode Writing Quality Method docs blog post Notetaking for Developers episode Learning by Helping blog post Transcript:  JOËL: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Joël Quenneville. STEPHANIE: And I'm Stephanie Minn. And together, we're here to share a bit of what we've learned along the way. JOËL: So, Stephanie, what's new in your world? STEPHANIE: So, as of today, while we record this, it's early June, and I have started foraging a little bit for what's called serviceberries, which is a type of tree/shrub that is native to North America. And I feel like it's just one of those, like, things that more people should know about because it makes these little, tiny, you know, delicious fruit that you can just pick off of the tree and have a little snack. And what's really cool about this tree is that, like I said, it's native, at least to where I'm from, and it's a pretty common, like, landscaping tree. So, it has, like, really pretty white flowers in the spring and really beautiful, like, orange kind of foliage in the fall. So, they're everywhere, like, you can, at least where I'm at in Chicago, I see them a lot just out on the sidewalks. And whenever I'm taking a walk, I can just, yeah, like, grab a little fruit and have a little snack on them. It's such a delight. They are a really cool tree. They're great for birds. Birds love to eat the berries, too. And yeah, a lot of people ask my partner, who's an arborist, like, if they're kind of thinking about doing something new with the landscaping at their house, they're like, "Oh, like, what are some things that I should plant?" And serviceberry is his recommendation. And now I'm sharing it with all of our Bike Shed listeners. If you've ever wondered about [laughs] a cool and environmentally beneficial tree [laughs] to add to your front yard, highly recommend, yeah, looking out for them, looking up what they look like, and maybe you also can enjoy some June foraging. JOËL: That's interesting because it sounds like you're foraging in an urban environment, which is typically not what I associate with the idea of foraging. STEPHANIE: Yeah, that's a great point because I live in a city. I don't know, I take what I can get [laughs]. And I forget that you can actually forage for real out in, you know, nature and where there's not raccoons and garbage [laughs]. But yeah, I think I should have prefaced by kind of sharing that this is a way if you do live in a city, to practice some urban foraging, but I'm sure that these trees are also out in the world, but yeah, have proved useful in an urban environment as well. JOËL: It's really fun that you don't have to, like, go out into the countryside to do this activity. It's a thing you can do in the environment that you live in. STEPHANIE: Yeah, that was one of the really cool things that I got into the past couple of years is seeing, even though I live in a city, there's little pieces of nature around me that I can engage with and picking fruit off of people's [inaudible 03:18] [laughs], like, not people's, but, like, parkway trees. Yeah, the serviceberry is also a pretty popular one here that's planted in the Chicago parks. So, yeah, it's just been like, I don't know, a little added delight to my days [laughs], especially, you know, just when you're least expecting it and you stumble upon it. It's very fun. JOËL: That is really fun. It's great to have a, I guess, a snack available wherever you go. STEPHANIE: Anyway, Joël, what is new in your world? JOËL: I've been intersecting two, I guess, hobbies of mine: D&D and AI. I've been playing a lot of one-shot games with friends, and that means that I need to constantly come up with new characters. And I've been exploring what AI can do to help me develop more interesting or compelling character concepts and backstories. And I've been pretty satisfied with the result. STEPHANIE: Cool. Yeah. I mean, if you're playing a lot and having to generate a lot of new ideas, it can be hard if you're, you know, just feeling a little empty [laughs] in terms of, you know, coming up with a whole character. And that reminds me of a conversation that you and I had in person, like, last month as we were talking about just how you've been, you know, experimenting with AI because you had used it to generate images for your RailsConf talk. And I think I connected it to the idea of, like, randomness [laughs] and how just injecting some of that can help spark some more, I think, creativity, or just help you think of things in a new way, especially if you're just, like, having a hard time coming up with stuff on your own. And even if you don't, like, take exactly what's kind of provided to you in a generative AI, it at least, I don't know, kind of presents you with something that you didn't see before, or yeah, it's just something to react to. JOËL: Yeah, it's a great tool for getting unstuck from that kind of writer's block or that, like, blank page feeling. And oftentimes, it'll give you a thing, and you're like, that's not really exactly what I wanted. But it sparks another idea, which is what I actually want. Or sometimes you can be like, "Hey, here's an idea I have. I'm not sure what direction to take it in. Give me a few options." And then, you see that, and you're like, "Oh, that's actually pretty interesting." One thing that I think is interesting is once I've come up with a little bit of the character concept, or maybe even, like, a backstory element...so, I'm using ChatGPT, and it has that concept of memory. And so, throughout the conversation, it keeps bringing it back. So, if I tell it, "Look, this is an element that's going to be core to the character," and then later on, I'm like, "Okay, help me brainstorm some potential character flaws for this character," it'll actually find things that connect back to my, like, core concept, or maybe an element of the backstory. And it'll give me like, you know, 5 or 10 different ideas, and some of them can be actually really good. So, I've really enjoyed doing that. It's not so much to just generate me a character so much as it is like a conversation back and forth of like, "Okay, help me come up with a vibe for it. Okay, now that I have a vibe or a backstory element or, like, a concept, help me workshop this thing. And what about that?" And if I want to say, "It's going to be this character class, what are maybe some ways I could develop it that are unusual?" and just sort of step by step kind of choose your own adventure. And it kind of walking me through the process has been really fun. STEPHANIE: Nice. Yeah, the way you're talking about it makes a lot of sense to me how asking it to help you, not necessarily do all of it, like, you know, kind of just spit out something that you're like, okay, like, that's what I'm going to use, approaching it as a tool, and yeah, that's really fun. Have you had good experiences then playing with those characters [chuckles]? JOËL: I have. I think it's also really great for sort of padding out some of the content. So, I had a character I played who was a washed-up politician. And at one point, I knew that I was going to have to make a campaign speech. And I asked ChatGPT, "Can you help me, like...here are the themes I want to hit. Give me a, like, classic, very politician-sounding speech that sounds inspiring but also says nothing at the same time." And it did a really good job of that. And you can tell it, "Oh, that's too long. That's too short. I want three sentences. I want five sentences." And that was great. So, I saved that, brought it to the table, and read out my campaign speech, and it was a hit. STEPHANIE: Amazing. That's really fun. I like that because, yeah, I don't think...I am so poor at just improvising things like that, even though, like, I want to really embody the character. So, that's cool that you found a way to help you be able to do that because that just feels like kind of what playing D&D can be about. JOËL: I've never DM'd, but I could imagine a situation where, because the DMs have to improv so much, and you know what the players do, I could imagine having a tool like that available behind the DM screen being really helpful. So, all of a sudden, someone's just like, "Oh, I went to a place," and, like, all of a sudden, you have to, like, sort of generate a village and, like, ten characters on the spot for people that you didn't expect, or an organization or something like that. I could imagine having a tool like that, especially if it's already primed with elements from your world that you've created, being something really helpful. That being said, I've never DM'd myself, so I have no idea what it actually is like to be on the other side of that screen. STEPHANIE: Cool. I mean, if you ever do try that or have a DM experience and you're like, hmm, I wonder kind of how I might be able to help me here, I bet that would be a very cool experience to share on the show. JOËL: I definitely have to report back here. Something that I've been thinking about a lot recently is the difference between sort of professional growth and experience, so the time that you put into doing work. Particularly maybe because, you know, we spend part of our week doing client work, and then we have part of the week that's dedicated to maybe more directly professional growth: our investment day. How do we grow from that, like, four days a week where we're doing client work? Because not all experience is created equal. Just because I put in the hours doesn't mean that I'm going to grow. And maybe I'm going to feel like I'm in a rut. So, how do I take those four days a week that I'm doing code and transform that into some sort of growth or expansion of my knowledge as a developer? Do you have any sort of tactics that you like to use or ways you try to be a little bit more mindful of that? STEPHANIE: Yeah, this is a fun question for me, and kind of reminds me of something we've talked a little bit about before. I can't remember if it was, like, on air or just separately, but, you know, we talk a lot about, like, different learning strategies on the show, I think, because that's just something you and I are very into. And we often, like, lean on, you know, our investment day, so our Fridays that we get to not do client work and kind of dedicate to professional development. But you and I also try to remember that, like, most people don't have that. And most people kind of are needing to maybe find ways to just grow from the day-to-day work that they do, and that is totally possible, I think. And some of the strategies that I have are, I guess, like, it is really...it can be really challenging to, like, you know, be like, okay, I spent 40 hours doing this, and like, what did I learn [chuckles]? Feeling like you have to have something to show for it or something to point to. And one thing that I've been really liking is these automated check-ins we have at the end of the week. And, you know, I suspect that this is not that uncommon for just, like, a workplace to be like, "Hey, like, how did your week go? Like, what are some ways that it was successful? Like, what are your challenges? Like, where do you need support or help?" And I think I've now started using that as both, like, space for giving an update on just, like, business-y things. Like, "Here's the status of this project," or, like, "Here's, you know, a roadblock that we faced that took some extra time," or whatever. Then also being like, oh, this is a great time to make this space for myself, especially because...I don't know about you, but whenever I have, like, performance review time and I have to write, like, a self-review, I'm just like, did I do anything in the last six months [laughs], or how have I grown in the last six months? It feels like such a big question, kind of like you were talking about that blank page syndrome a little bit. But if I have kind of just put in the 10 minutes during my Friday to be like, is there something that was kind of just for me that I can say in my check-in? I can go back and, yeah, just kind of start to see just, like, you know, pick out or just pay attention to how, like, my 40 hours is kind of serving me in growing in the ways that I want to and not just to deliver code [laughs]. JOËL: What you're describing there, that sort of weekly check-in and taking notes, reminds me of the practice of journaling. Is that something that you've ever tried to do in your, like, regular life? STEPHANIE: Oh yeah, very much so. But I'm not nearly as, like, routine about it in my personal life. But I suspect that the routine is helpful in more of a, like, workplace setting, at least for me, because I do have, like, more clear pathways of growth that I'm interested in or just, like, something that, I don't know, not that it's, like, expected of everyone, but if that is part of your goals or, like, part of your company's culture, I feel like I benefit from that structure. And yeah, I mean, I guess maybe that's kind of my way of integrating something that I already do in my personal life to an environment where, like I said, maybe there is, like, that is just part of the work and part of your career progression. JOËL: I'm curious about the frequency. You mentioned that you sort of do this once a week, sort of a check-in at the end of the week. Do you find that once a week is about the right frequency versus maybe something like daily? I know a lot of these sort of more modern note-taking systems, Roam Research, or Obsidian, or whatever, have this concept of, like, a daily note that's supposed to encourage something that's kind of like journaling. Have you ever tried something more on a daily basis, or do you feel like a week is about...or once a week is about the right cadence for you? STEPHANIE: Listen, I have, like, complicated feelings about this because I think the daily note is so aspirational for me [laughs] and just not how I work. And I have finally begrudgingly come to accept this no matter how much, like, I don't know, like, bullet journal inspirational content I consume on the internet [laughs]. I have tried and failed many a time to have more frequency in that way. But, I don't know, I think it almost just, like, sets me up for failure [laughs] because I have these expectations. And that's, like, the other thing. It's like, you can't force learning necessarily. I don't know if this is, like, a strategy, but I think there is some amount of, like, making sure that I'm in the right headspace for it and, you know, like, my environment, too, kind of is conducive to it. Like, I have, like, the time, right? If I'm trying to squeeze in, I don't know, maybe, like, in between meetings, 20 minutes to be like, what did I learn from this experience? Nothing's coming out [laughs]. That was another thing that I was kind of mulling over when he had this topic proposed is this idea of, like, mindset and environment being really important because you know when you are saying, like, not all time is created equal, and I suspect that if, you know, either you or, like, the people around you and the environment you're in is not also facilitating growth, and, like, how much can you really expect for it to be happening? JOËL: I mean, that's really interesting, right? The impact of sort of a broader company culture. And I think that definitely can act as a catalyst for growth, either to kind of propel you forward or to pull you back. I want to dig into a little bit something you were saying about being in the right headspace to capture ideas. And I think that there's sort of almost, like, two distinct phases. There's the, like, capturing data, and information, and experiences, and then, there's synthesizing it, turning information into learning. STEPHANIE: Yes. JOËL: And it sounds like you're making a distinction between those two things, specifically that synthesis step is something that has to happen separately. STEPHANIE: Ooh, I don't even...I don't know if I would necessarily say that I'm only talking about synthesis, but I do like that you kind of separated those categories because I do think that they are really important. And they kind of remind me a lot about the scientific method a little bit where, you know, you have the gathering data and, like, observations, and you have, you know, maybe some...whatever is precipitating learning that you're doing maybe differently or new. And that also takes time, I think, or intention at least, to be like, oh, do I have what I need to, like, get information about how this is going? And then, yeah, that synthesis step that I think I was talking about a little bit more. But I don't think either is just automatic. There is, I think, quite a bit of intention involved. JOËL: I think maybe the way I think about this is colored by reading some material on the Zettelkasten method of note-taking, which splits up the idea of fleeting notes and literature notes, which are sort of just, like, jotting down ideas, or things you've seen, things that you've learned, maybe a thought you had when you read a particular paragraph in a blog post, something like that. And then, the permanent notes, which are more, like, fully formed thoughts that arise out of the more fleeting ones. And so, the idea is that the fleeting ones maybe you're taking those in a notebook if you're doing it pen and paper. You could be doing it in some sort of, like, daily note, or something like that. And then, those are temporary. They were there to just capture information. Later on, you process that, and then you can throw them out if you need to. STEPHANIE: Yeah, that makes a lot of sense. This has actually been a shift for me, where I used to rely a lot more on memory and perhaps, like, didn't have a great system for taking things like fleeting notes and, like, documenting kind of [inaudible 18:28] what I was saying earlier about how do I make sure that the information is recorded, you know, for me to synthesize later? And I have found a lot more success lately in that fleeting note style of operating. And thanks to Obsidian honestly, now it's so easy to be like, oh, I'm just going to open a quick new file. And I need as little friction as possible to, like, put stuff somewhere [laughs]. And, actually, I'm excited to talk a little bit more about this with you because I think you're a little bit different where you somehow find the time [laughs] and care to create your diagrams. I'm like, if I can, for some reason, even get an Obsidian file open, I'll tab to Slack. And I send myself a lot of notes in my just own personal DM space. In fact, it's actually kind of embarrassing because I use the Command+K shortcut to navigate to my own personal DMs, which you can get to by typing me, like, M-E. And sometimes I've accidentally just entered that into a channel chat [laughs], and then I have to delete it really quick later when I realize what I've done. So, yeah, like, I meant to navigate to my personal notes, and I just put in our team chat, "Me [laughs]." And, I don't know, I have no idea how that comes up [laughs], what people think is going on. But if anyone's listening to this podcast from thoughtbot and has seen that of me, that's what happened. JOËL: You may not be the only one who's done that. STEPHANIE: Thank you. Yeah [laughs], that's good to know. JOËL: I want to step back a little bit because we've been talking about, like, introspection, and synthesis, and finding moments to capture information. And I think we've sort of...there's an unspoken assumption here that a way to kind of turbocharge learning from day-to-day experience is some form of synthesis or self-reflection. Would you agree with that statement? STEPHANIE: Okay. This is another thing that I am perhaps, like, still trying to figure out, and we can figure it out together, which is separating, like, self-driven learning and, like, circumstance-driven learning. Because it's so much easier to want to reflect on something and find time to be, like, oh, like, how does this kind of help my goals or, like, what I want to be doing with my work? Versus when you are just asked to do something, and it could still be learning, right? It could still be new, and you need to go do some research or, you know, play around with a new tool. But there's less of that internal motivation or, like, kind of drive to integrate it. Like, do you have this distinction? JOËL: I've definitely noticed that when there is motivation, I get more out of every hour of work that I put in in terms of learning new things. The more interest, the more motivation, the more value I get per unit of effort I put in. STEPHANIE: Yeah. I think, for me, the other difference is, like, generative learning versus just kind of absorbing information that's already out there that someone else's...that is kind of, yeah, just absorbing rather than, like, creating something new from, like, those connections. JOËL: Ooh. STEPHANIE: Does that [chuckles] spark something for you? JOËL: The gears are turning in my head because I'm almost hearing that as, like, a passive versus active learning thing. But just sort of like, I'm going to let things happen to me, and I will come out of that with some experience, and something is going to happen. Versus an active, I am going to, like, try to move in a direction and learn from that and things like that. And I think this maybe connects back to the original question. Maybe this sort of, like, checking in at the end of the week, taking notes is a way to convert something that's a bit more of a passive experience, spending four days a week doing a project for a client, into something that's a little bit of a more active learning, where you say, "Okay, I did four weeks of this particular type of Rails work. What do I get out of it? What have I learned? What is something new that I've seen? What are some opinions I have formed, patterns I like or dislike?" STEPHANIE: Yeah, I like that distinction because, you know, a few weeks ago, we were at RailsConf. We had kind of recapped it in a previous episode. And I think we had talked about like, oh, do we, like, to sit in talks or participate in workshops? And I think that's also another example of, like, passive versus active, right? Because I 100%, like, don't have the same type of learning by just, you know, listening to a talk that I do with maybe then going to look up, like, other things this person has put out in the world, finding them to talk to them about it, like, doing something with the content, right? Otherwise, it's just like, oh yeah, I heard this talk. Maybe one day I'll remember it when the need arises [laughs]. I, like, have a pointer to it in my brain. But until then, it probably just kind of, like, sits there, and nothing's really happened with it. JOËL: I think maybe another thing that's interesting in that passive versus active distinction is that synthesis is inherently an act of creation. You are now creating new ideas of your own rather than just capturing information that is being thrown at you, either by sitting in a talk or by shipping tickets. The act of synthesizing and particularly, I think, making connections between ideas, either because something that, let's say you're in a talk, a speaker said that sparks an idea for yourself, or because you can connect something that speaker said with another idea that you already have or an idea that you've seen elsewhere. So, you're like, oh, the thing this person is saying connects to this thing I read in a book or something another speaker said in an earlier session, or something like that. All of a sudden, now you're creating these new bits of knowledge, new perspectives, maybe even new mental models. We talked about mental models last week. And so, knowledge is not just the facts that you absorb or memorize. A lot of it is building the connections between those facts. And those are things that are not always given to you. You have to create them yourself. STEPHANIE: Yeah, I am nodding my head a lot because that's resonating with, like, an experience that I'm having kind of coaching and mentoring a client developer on my team who is earlier in her career. And one thing that I've been really, like, working on with her is asking like, "Oh, like, what do you think of this?" Or like, "Have you seen this before? What are your reactions to this code, or, like this comment?" or whatever. And I get the sense that, like, not a lot of people have prompted her to, like, come up with answers for those kinds of questions. And I'm really, really hopeful that, like, that kind of will help her achieve some of the goals that she's, like, hoping for in terms of her technical growth, especially where she's felt like she's stagnated a little bit. And I think that calls back really well to what you said at the beginning of, like, you can spend years, right? Just kind of plugging away. But that's not the same as that really active growth. And, again, like, that's fine if that's where you're at or want to be at for a little while. But I suspect if anyone is kind of, like, wondering, like, where did that time go [laughs]...even for me, too, like, once someone started asking me those questions, I was like, oh, there's still so much to figure out or explore. And I think you're actually really good at doing that, asking questions of yourself. And then, another thing that I've picked up from you is you ask questions about, like, what are questions other people would have? And that's a skill that I feel like I still have yet to figure out. I'm [chuckles] curious what you think about that. JOËL: That's interesting because that kind of goes to another level. I often think of the questions other people would have from a more, like, pedagogical sense. So, I write a lot of blog posts. I write a lot of talks that I give. So, oftentimes when I'm creating that kind of material, there's a bit of an inner critic who's trying to, you know, sitting in the audience listening to myself speak, and who's going to maybe roll their eyes at certain points, or just get lost, or maybe raise their hand with a question. And that's who I try to address those things so that then when I go through it the next time, that inner critic is actually feeling engaged and paying attention. STEPHANIE: Do you find that you're able to do that because you've seen that happen enough times where you're like, oh, I can kind of predict maybe what someone might feel confused about? I'm curious, like, how you got from being, like, well, I know what I would be confused about to what would someone else be unsure or, like, want more information about. JOËL: Part of the answer there is that I'm a very harsh critic myself. STEPHANIE: [laughs] Yes. JOËL: So, I'm sitting in somebody else's talk, and there are probably parts where I'm rolling my eyes or being like, wait a minute, how did you get from this idea to this other thing? That doesn't follow. And so, I try to turn that back towards myself and use that as fuel to make my own work better. STEPHANIE: Yeah, that's cool. I like that. Even if it's just framed as, like, a missed opportunity for people to have better or more comprehensive understanding. I know that's something that you're, like, very motivated to help kind of spread more of [laughs]. Understanding and learning is just important to you and to me. So, I think that's really cool that you're able to find ways to do that. JOËL: Well, you definitely want to, I think, to keep a sort of beginner's mindset for a lot of these things, and one of the best ways to do that is to work with beginners. So, I spent a lot of time, back in the day, for example, in the Elm language chat room, just helping people answer basic questions, looking up documentation, explaining sort of basic concepts. And that, I think, helped me get a sense of like, where were newcomers to the language getting stuck? And what were the explanations of those concepts that really connected? Which I could then translate into my work. And I think that that made me a better developer and helped me build this, like, really deep understanding of the underlying concepts in a way that I wouldn't have had just writing code on my own. STEPHANIE: Wow, forum question answering hero. I have never thought to do that or felt compelled to do that. But I remember my friend was telling me, she was like, "Yeah, sometimes I just want to feel good about myself. And I remember that I know things that other people, like, are wanting to find out," and she just will answer some easy questions on Stack Overflow, you know, about, like, basic Rails stuff or something. And she is like, "Yeah, and that's doing my good deed [laughs]." And yeah, I think that it also, you know, has the same benefits that you were just saying earlier about...because you want to be helpful, you figure out how to actually be helpful, right? JOËL: There's maybe a sense as well that helping others, once more, forces you into more of an active mindset for growth in the same way that interrogating yourself does, except now it's a beginner who's interrogating you. And so, it forces you to think a little bit more about those whys or those places where people get stuck. And you've just sort of assumed it's a certain way, but now you have to, like, explain it and really get into some of the concepts. STEPHANIE: So, on the show, we've talked a lot about the fun things you share in the dev channel in our Slack workspace. But I recently discovered that someone (Was it you?) created an Obsidian MD channel for our favorite note-taking software. And in it, you shared a really cool tool that is available in Obsidian called mind maps. JOËL: Yeah, so mind maps are a type of diagram. They're effectively a tree structure, but they don't really look like that when you draw them out. You start with a sort of topic in the center, and then you just keep drawing branches off of that, going every direction. And then, maybe branches off branches and keep going as you add more content. Turns out that Mermaid.js supports mind maps as a graph type, and Obsidian embeds Mermaid diagrams. So, you can use Mermaid's little language to express a mind map. And now, all of a sudden, you have mind mapping as a tool available for you within Obsidian. STEPHANIE: And how have you been using that to kind of process and experience or maybe, like, end up with some artifacts from, like, something that you're just doing in regular day-to-day work? JOËL: So, kind of like you, I think I have the aspiration of doing some kind of, like, daily note journaling thing and turning that into bigger ideas. In practice, I do not do that. Maybe that's the thing that I will eventually incorporate into my practice, but that's not something that I'm currently doing. Instead, a thing that I've done is a little bit more like you, but it's a little bit more thematically chunked. So, for example, recently, I did several weeks of work that involved doing a lot of documentation for module-level documentation. You know, I'd invested a lot of time learning about YARD, which is Ruby's documentation system, and trying to figure out, like, what exactly are docs that are going to be helpful for people? And I wanted that to not just be a thing I did once and then I kind of, like, move on and forget it. I wanted to figure out how can I sort of grow from that experience maximally? And so, the approach I took is to say, let's take some time after I've completed that experience and actually sort of almost interrogate it, ask myself a bunch of questions about that experience, which will then turn into more broad ideas. And so, what I ended up doing is taking a mind-mapping approach. So, I start that center circle is just a circle that says, "My experience writing docs," and then I kind of ring it with a series of questions. So, what are questions that might be interesting to ask someone who just recently had experience writing documentation? And so, I come up with 4,5,6 questions that could be interesting to ask of someone who had experience. And here I'm trying to step away from myself a little bit. And then, maybe I can start answering those questions, or maybe there are sub-questions that branch off of that. And maybe there are answers, or maybe there are answers that are interesting but that then trigger follow-up questions. And so I'm almost having a conversation with myself and using the mind map as a tool to facilitate that. But the first step is putting that experience in the center and then ringing it with questions, and then kind of seeing where those lead. STEPHANIE: Cool. Yeah, I am, like, surprised that you're still following that thread because the module docs experience was quite a little bit a while ago now. We even, you know, had an episode on it that I'll link in the show notes. How do you manage, like, learning new things all the time and knowing what to, like, invest energy and attention into and what to kind of maybe, like, consider just like, oh, like, I don't know, that was just an experience that I had, and I might not get around to doing anything with it? JOËL: I don't know that I have a great system. I think sometimes when I do, especially a more prolonged chunk of time doing a thing, I find it really worthwhile to say, hey, I don't want that to sort of just be a thing that was in my memory, and then it moves out. I'd like to pull out some more maybe practical or long-term ideas from it. Part of that is capture, but some of that is also synthesis. I just spent two weeks or I just spent a month using a particular technology or doing a new kind of task. What do I have to show for it? Are there any, like, bigger ideas that I have here? Does this connect with any other technologies I've done or any other ideas or theories? Did I come up with any opinions? Did I like this technology? Did I not? Are there elements that were inspirational? And then capturing some of that eventually with the idea of...so I do a sort of Zettelkasten-style permanent note collection, the idea to create at least a few of those based off of the experience that I can then connect to other things. And maybe it eventually turns into other content. Maybe it's something I hold onto for a while. In the case of the module docs, it turned into a Bike Shed episode. It also turned into a blog post that was published this past week. And so, it does have a way of coming back. STEPHANIE: Yeah. Yeah. One thing that sparked for me was that, you know, you and I spend a lot of time thinking about, like, the practice of writing software, you know, in the work we do as consultants, too. But I find that, like, you can also apply this to the actual just your work that you are getting paid for [laughs]. This was, I think, a nascent thought in the talk that I had given. But there's something to the idea of, like, you know, if you are working in some code, especially legacy code, for a long time, and you learn so much about it, and then what do you have to show for it [chuckles], you know? I have really struggled with feeling like all of that work and learning was useful if it just, like, remains in my memory and not necessarily shared with the team or, I don't know, just, like, knowing that if I leave, especially since I am a contractor, like, just recognizing that there's value in being like, oh, I spent an hour or, like, half a day sifting through this complex legacy code just to make, like, a small change. But that small change is not the full value of all of the work that I did. And I suspect that, like, just the mind mapping stuff would be really interesting to apply to more. It's not, like, just practical work, but, like, more mundane, I don't know, like, labor [laughs], if you will. JOËL: I can think of, like, sort of two types of knowledge that you can take out of something like that. Some of it is just understanding how this legacy system works, saying, oh, well, they have this user model that's connected to this old persona table, which is kind of unused, but we sometimes rely for in this legacy case. And you've got to have this permission flag turned on and, like, all those things that you had to just discover by reading the code and exploring. And that's going to be useful to you as long as you work in that legacy codebase, as long as you work through that path. But when you move on to another project, that knowledge probably doesn't serve you a whole lot. There are things that you did throughout that journey, though, that you can probably pull out that are going to be useful to you on other projects. And that might be maybe you came up with a new way of navigating the code or a new way of, like, finding how different pieces were connected. Maybe it was a diagramming tool; maybe it was some sort of gem. Maybe it was just a, oh, a heuristic, like, when I see a model, I like to follow the associations first. And I always go for the has_manys over the belongs_tos because those generally lead me in the right direction. Like, that's really interesting insight, and that's something that might serve you on a following project. You can also pull out bigger things like, are there refactoring techniques that you experimented with or that you learned on this project that you would use again elsewhere? Are there ways of maybe quarantining scary code on a legacy project that are a thing that you would want to make more consistent part of your practice? Those are all great things to pull out of, just a like, oh yeah, I did some work on a, like, old legacy part of an app. And what do I have to show for it? I think you can actually have a lot to show for it. STEPHANIE: Yeah, that's really cool. That sounds like a sure way of multiplying the learning. And I think I didn't really consider that when I was first talking about it, too. But yeah, there are, like, both of those things kind of available to you to, like, learn from. Yeah, it's like, that time is never just kind of, like, purely wasted. Oh, I don't know, sometimes it really feels like that [laughs] when you are debugging something really silly. But yeah, like, I would be interested in kind of thinking about it from both of those lenses because I think there's value in what you learn about that particular system in that moment of time, even if it might not translate to just future works or future projects. And, like, that's something that I think we would do better at kind of capturing, and also, there's so much stuff, too, kind of to that higher level growth that you were speaking to. JOËL: I think some of the distinctions we're talking about here is something that was explored in an older episode on note-taking with Amanda Beiner, where we sort of explored the difference between exploratory notes, debugging notes, idea notes, and how note-taking is not a single thing. It can serve many purposes, and they can have different lifespans. And those are all just ways to aid your thinking. But being maybe aware of the kind of thinking that you're trying to do, the kind of notes you're trying to take can help you make better use of that time. STEPHANIE: I have one last question for you before we wrap up, which is, do you find, like, the stuff we're talking about to be particularly true about software development, or it just happens to be the thing that you and I both do, and we also love to learn, and so, therefore, we are able to talk about this for, like, 50 minutes [laughs]? Are you able to make any kind of distinction there, or is it just kind of part of pedagogy in general? JOËL: I would say that that sort of active versus passive thing is a thing that's probably true, just about anything that you do. For example, I do a lot of bouldering. Just going spending a lot of time on the wall, climbing a lot; that's going to help me get better. But a classic way that people try to improve is filming themselves or having a friend film themselves, and then you can look at it, and then you evaluate, oh, that's what I did. This is where I was struggling to get the next hold. What if I try to do something different? So, building in an amount of, like, self-reflection into the loop all of a sudden catalyzes that learning and helps you grow at a rate that's much more than if you're just kind of mindlessly putting time into it. So, I would go so far as to say that self-reflection, synthesis—those are all things that are probably going to catalyze growth in most areas of your life if you're being a little bit more self-aware. But I've found that it's been particularly useful for me when it comes to trying to get better at the job that I do every week. STEPHANIE: Yeah, I think, for me, it's like, yeah, getting better at being a developer rather than being, you know, a software developer at X company. Like, not necessarily just getting better at working at that company but getting better at the skill itself. JOËL: And those two things have a way of sort of, like, folding back into themselves, right? If you're a better software developer in general, you will probably be a better developer at that company. Yes, you want domain knowledge and, like, a deep understanding of how the system works is going to make you a better developer at that company. But also, if you're able to find more generic approaches to onboard onto new things, or to debug more effectively, or to better read or understand unknown code of high complexity, those are all going to make you much better at being a developer at that company as well. And they're transferable skills, so they're all really good things to have. STEPHANIE: On that note. Shall we wrap up? JOËL: Let's wrap up. STEPHANIE: Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeee!!!!!! AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.Support The Bike Shed

Joël explains his note-taking system, which he uses to capture his beliefs and thoughts about software development. Stephanie recalls feedback from her recent RailsConf talk, where her confidence stemmed from deeply believing in her material despite limited rehearsal. This leads to a conversation about the value of mental models in building a comprehensive understanding of a topic, which can foster confidence and adaptability during presentations and discussions. The episode then shifts focus to the practical application of enumerators in Ruby, exploring various mental models to understand their functionality better. Joël introduces several metaphors, such as enumerators as cursors, lazy collections, and sequence generators, which help demystify their use cases. Episode on note-taking What we believe about software Ruby Enumerators Enumerator Lazy Modeling a Paginated API as a lazy stream Solving a memory performance issue with enumerator Find in batches Binary tree implementation with different traversals Teaching Ruby to Count Transcript:  STEPHANIE: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Stephanie Minn. JOËL: And I'm Joël Quenneville, and together, we're here to share a bit of what we've learned along the way. STEPHANIE: So, Joël, what's new in your world? JOËL: So, what's new in my world isn't exactly a new thing. I've talked about it on the podcast here before, and it's my note-taking system. I have a system where I try to capture notes that are things I believe about software or things I think are probably true about software. They're chunked up in really small pieces, such that every note is effectively one small thesis statement and a paragraph of text, and maybe a diagram or a code snippet to support that. And then, it's highly hyperlinked to other notes. So, I sort of build out some thoughts on software that way. A thing that I've done recently that's been pretty exciting with that is introducing a sort of separate set of notes that connect to my sort of opinion notes. So, I create individual notes for public works that I've done, things like blog posts or conference talks. Because a lot of those are built on top of ideas that have been sitting in my note system for a while. Readers and listeners get to sort of see the final product, but often sort of built up over several months or even a couple of years as I added different notes that kind of circled a topic and then eventually got to a thing. What I did, though, was actually making those connections explicit. And so I use Obsidian. Obsidian has this cool graph view where it just sort of shows all of the notes, and it circles them with, like, connections between them where the notes connect. So, I can now see in a visual format how my thoughts cluster in different topics, but then also which clusters have talks and blog posts hanging off of them and also which ones don't, which ones are like, oh, I have a lot of thoughts on this topic, and I've not yet written about it in a public forum; maybe that would be a thing to explore. So, seeing that visual got me really excited. I was having a good time. STEPHANIE: Yes, I have several thoughts coming to mind in response, which is, I know you love a visual. I really like the system of, even if you have created content for it, like, you have a space for, like, thoughts about it to evolve. Because you said, like, sometimes content comes out of notes that you've been...or, like, thoughts you've been having over years, but it's like, even afterwards, I'm sure there will still be new thoughts about it, too. I always have a hard time finding a place for that thing kind of once I, I don't know, it's like some of that stuff is never really considered done, right? So, that is really cool. And I also was just thinking about an old episode of The Bike Shed back when Chris Toomey and Steph Viccari hosted the podcast called "What We Believe About Software," I think, is the title. And I was just thinking about how, like, if only we could just dump all of your notes [laughs] into some, you know, stream [laughs], and that would be really cool. If we ever do, like, an episode like that, that would be really fun. And I'm sure, you know, you already have this, like, huge bank of ideas [laughs]. JOËL: Yes. It is really fun because I build up...the thoughts are often sort of interconnected, and so they might have a topic, but they are very focused. So, I might have, like, three or four things I believe about a particular topic that cluster together. So, we could...and, actually, I have used, in the past, some of those clusters as initial food for thought for a Bikeshed episode. STEPHANIE: Yeah, that's really neat. I like this idea of a kind of just, like, a repository for putting down what you believe about software as kind of, like, guiding principles for yourself as a developer a little bit. I remember a piece of feedback I got about my RailsConf talk that I gave a few weeks ago, and someone said like, "Oh, you sounded really confident in what you were talking about." And that surprised me because I, like, didn't practice rehearsing giving the talk all that much [laughs]. It's because they had asked like, "Oh, like, did you practice a lot?" or something like that. And I think I realized that I, like, really believed in what I was sharing and kind of that, I think, was perhaps what they were picking up on. And even though, like, maybe the rehearsal of the presentation itself was not where I had spent a lot of time on, I had spent a lot of time thinking about what I wanted to share and just building up my confidence around that. So, I thought that was an interesting connection. JOËL: Yeah, you fully developed the idea. You kind of explored all the side trails, maybe a little bit on your own as well. You're on very familiar terrain. And so, that is a way of building confidence separate from just sort of memorizing a talk. STEPHANIE: Yeah, yeah. Exactly. JOËL: In a sense, I almost feel like that's a better sense of confidence because then you can sort of...you can roll with the punches. You know, if a slide is out of order or something, sure, it maybe messes up a little bit of the narrative that you're trying to say. But you're not like, "Oh no, what is this content?" You're like, "Oh yeah, this thing," and you can dive right into it. Somebody asks you a question, and you're not like, "Oh no, that was not in the script," because, again, you've sort of mastered your topic. You know the area as a whole, even sort of the blurry edges beyond the talk, and can react in a way that is pretty confident. STEPHANIE: Yeah. I still definitely fear the open Q&A. I've never done it before, but maybe one day I will be able to because I just, you know, know my topic so well inside and out [laughs] that I can roll with the punches, as you say. JOËL: Open Q&A is just...it's a roll of the dice. Sometimes, you get some really good conversation topics there, and sometimes, it's just a waste of everyone's time. STEPHANIE: I like that take [laughs]. JOËL: Maybe that should go into the things I believe about software. So, other than receiving feedback about your RailsConf talk, what is new in your world? STEPHANIE: Yeah, so I am wrapping up a pretty large project on my client work that we're hoping to release soon. And, in fact, it's actually being released along with a big announcement from the client company to their customers. Essentially, at a conference, they're going to say like, "Hey, like, we now have this new feature." And so, I think there's some hype generated around it. And this past week, we've been doing a lot of internal testing of the feature because there are a lot of employees of my client company who are, like, pretty big users of the product, which is cool because I think we're getting, you know, we have easy access to people who can give us good feedback. But I am having a hard time with being on the receiving end of the feedback and figuring out, like, what is stuff I need to attend to now before, you know, this big release? And what is stuff that is just kind of, like, general feedback like, "Oh, like, I wish it did this," but, you know, it turns out that that's not really what we were building? And how do I just kind of, like, accept that? You know, it's coming from a good place, but I can't really help them there, at least right now. And that's hard for me because I like helping people, right? And so, if someone says something like, "Oh, like, I wish it did this," or like, "Oh, that's kind of weird," I'm like, "Oh, I want to just, like, fix that for you right now [laughs]." And I suspect that a lot of other devs can relate to this, especially if, like, you know, you've been working on something for a little bit, and it feels...I'm just going to say it: it feels a little precious to me. So, what I'm trying to do today, actually, is not look at any of the feedback at all [laughs] and come at it tomorrow with a bit of a calmer vibe and be able to separate out, like, you know, I think all feedback is informative, but not all of it is useful for you at any given moment. Like, if there are bugs, then those will be my immediate priority. If there's maybe some small tweaks that we can make the feature just a little bit more polished, then I also think those are good. But then we are discovering a few things, too, about, like, what this feature is or could be. And I think those are the things that, you know, need to be brought into a conversation with a broader group and think about, like, is this the direction we want to go? So, that's kind of how I'm bucketing that feedback right now. JOËL: How do you feel about receiving direct feedback versus having something filtered through something like a product team? STEPHANIE: Ooh, that's an interesting question. Because right now we're doing, I think, a mix of both that I'm not sure that I really like. On one hand, when it's filtered, it's hard to get to the root of what someone is asking for. And oftentimes, like, it may not even include enough information after the fact to be able to come at it from a dev perspective. But then direct feedback, I think, is just a little bit overwhelming sometimes. And it can be hard to figure out what to pay attention to if you don't have that, like, input from a product team about, like, what the roadmap is looking like or where, you know, strategically their heads are at. So, one thing that kind of has emerged from this is like, oh, I was getting, you know, notifications for the feedback coming in. And what we did was set up a meeting [laughs] so that we can...maybe all of us can, like, scan it together ahead of time and then come at it with a little bit of context about what's come in but then maybe coalesce around the things that we feel are important. JOËL: Well, you'll have to keep us updated on how that plays out, and we can kind of hear what is the balance that ends up working well for you. STEPHANIE: Yeah, I hope so. I think this is actually maybe something that's a bit underexplored from the dev perspective, you know, that in-between stage of you're not totally done because it's not shipped to the world yet, but, you know, you're starting to get a little bit of that input. And what you do with that? Because I think there is some value in being engaged in that process. JOËL: So, we were talking earlier about this note-taking system that I use and sort of a renewed excitement that I have about it. And one thing that I did when I was going through and finding clusters of things that hadn't been written about was I found that I had a cluster of notes on different mental models that I had for understanding Ruby enumerators, not the enumerable module, but the enumerator object. And I decided, you know what? This would probably make for a good blog post. So, I drafted a blog post, and I've been thinking about this a little bit more recently. So, I've been really hyped about digging into enumerators because of that experience. STEPHANIE: Yeah, that's very cool. I have to say that I feel like I did not know a lot about enumerators and the API for them kind of before you brought this topic up, and I did a bit of a deep dive in preparation for us to discuss it. I feel like most devs, you know, work with enumerators via methods on enumerable without totally knowing that they are. So, I think that this would be a really interesting episode for people to be like, oh, like, I've been using this stuff, you know, the whole time, and now I can have a different perspective or just more insight on what they can do. JOËL: Before we dig into individual mental models, though, I want to think a little bit about the concept of mental models as a whole. Years ago, someone gave me advice to sort of pay attention to mental models, ways I think about the world or different code structures, different code approaches, and that really stuck with me. So, I've since been, like, kind of, like, collecting mental models. And, in a way, they're like a, for me, a bit more of a concrete way to look at a particular topic. So, I can say I'm looking at this particular topic through the lens of a particular mental model that helps me build more clarity around it. And if I have three or four, then I can kind of look at it from three or four different perspectives. And now, all of a sudden, I feel like I'm seeing in three dimensions. STEPHANIE: Whoa, the Matrix even [laughs]. That's cool. Yeah, I really like that advice. I think I'm going to steal it and start kind of suggesting it to other people because I think, in a way, on this show, that has come through a lot. And talking about things on the podcast has helped me develop a lot of my mental models. And I think we've done a few, like, episodes in the past about various ones we have for just our work because it's like, that's infinite [laughs]. But what I really have been appreciating is that mental models just need to work for you. As long as you're able to understand something, then it's valuable. And that has really helped me also, like, just get on the same understanding with others because the goal is not necessarily to, like, explain it the way that I would think of it, but figure out what would help them kind of develop their own mental model for understanding something, and, you know, kind of as long as we both feel like we have that shared understanding, no matter what lens it's through. And, you know, sometimes it's even more effective when we are able to share it. But I feel like, you know, you can still find ways to collaborate on something with a diversity of mental models. JOËL: Yeah, they're a great way to build self-understanding. They're a great way to sort of build understanding between two people. So, I'm a huge fan of the concept. And part of what I've been doing with my note-taking system is trying to capture those as much as possible. If I'm ever, like, trying to understand a complex topic and I'm like, oh, I think I've got a breakthrough here; I understand it; it's kind of like this, or you can imagine it in this perspective, it's like, write that down. That's gold. STEPHANIE: Very cool. So, Joël, would you be able to share some of your mental models for enumerator? JOËL: So, one way that I look at it is the idea that an enumerator is effectively a cursor over a collection. So, you have an array and a regular array; you're either in the middle of iterating through it using something like each, or you're not. You just have a collection of items. Enumerator introduces the idea that you're actually sort of at a position in the array. So, you're sort of focused on, let's say, the third item or the fourth item. You have a cursor there, and you can move that cursor forward as you sort of step through. But the really cool thing is you can also kind of pause and just pass that cursor on to someone else, and someone else can move the cursor a few steps further down the collection, pause, pass it on to someone else. And it's totally fine. Nobody has to, like, go through an entire, like, each iteration. STEPHANIE: Yeah. So, when you were talking about cursors, that got me thinking a little bit because I actually have struggled with that concept, especially when it comes to, you know, things code-related. Like, when I've had to work with database things and stuff, like, the idea of a cursor was a little, like, difficult for me to wrap my head around. And I was looking at the methods on enumerator, like the instance methods on enumerator. And one of them actually is what helped me develop this mental model. And I'm excited to see what you think. But there is a rewind method that basically rewinds the sequence back to its beginning, right? And what that triggered for me was a VHS tape [laughs] and just those, like, car-shaped rewinders for tapes back in the '90s. I don't know if you ever had one in your house, but I did. And I just thought that was such a cool method name because it was very, I don't know, it was just like a word that we use in the English language, right? So, the idea of, like, tapes, you know, like, cassette tapes or VHS tape kind of also it sounds like it matches well with what you were sharing, too, where it's like, I could pass, I don't know, maybe I, like, listen to a few songs on my cassette tape, and then I give it to someone else, and they can pick up where I left off. And yeah, that was really helpful in understanding, like, a marker of a position a little more than cursor was able to for me. JOËL: That's really interesting because now I wonder, like, how far we could push that metaphor. So, musical data is encoded on magnetic tape. Cassette tapes typically there are sort of two spools. You start off with all of the tape wound up around one spool, and then as it sort of moves across the read head, it gets wound up on sort of the, I don't know, destination spool. I guess you can call them origin and destination. And because of that, you can sort of be in a, like, partly read state where, you know, half the tape is on the destination spool, half of it is on the origin spool, and you have that read head that's in the middle, and you're just kind of paused there. And you can kind of jump forward in that. So, I imagine something like that in your metaphor is like an enumerator. Contrast that to imagine just a single spool, which is just we have musical data encoded on magnetic tape, and we wrapped it up on a spool. I feel like that's almost more like a regular array because you don't have that concept of, like, position, or being able to read parts of it or anything like that. It's just, here's some data. STEPHANIE: Yeah. While you were talking about the two spools, I was thinking about, like, part of what is nice about enumerator is that you can go forward or backwards, right? And that feels a little more possible with that two-spool metaphor [laughs], rather than just unraveling something, where you are kind of discarding what has already been read. JOËL: The one caveat there is that enumerators can move forward one item at a time. They can only move backwards by jumping back to the beginning. So, you can't step forward or step back. STEPHANIE: Yeah, that's fair. JOËL: You step forward, or you, like, rewind to the beginning. I think, in my mind, I was thinking a little bit more about this metaphor. And I think it's also just a metaphor for what's called the External Iterator Pattern. It's one of the classic Gang of Four Patterns, which is what enumerator, the object in Ruby, is an implementation of. I feel like I always see that in the documentation, like, oh, enumerator is an implementation of the External Iterator Pattern. And I just kind of go, what? STEPHANIE: [laughs] JOËL: Or maybe I kind of understand the idea of, like, okay, it's a way to, like, be able to step through a collection. But thinking in terms of a cursor or even your model as a cassette tape, I think that gives me a model, not just for enumerators, but then for better understanding that external iterator pattern. Like, I'm now not going to think of if I'm ever reading through the Gang Of Four book, or some other languages say we're an doing External Iterator Pattern, and I'll immediately be like, oh, that's a cursor, or that's a cassette tape. STEPHANIE: Yeah, very cool. I like it. JOËL: Another mental model that I have is thinking of enumerator in terms of a lazy collection. This is something that you tend to see more in functional programming languages, so the idea that you have a collection of potentially infinite length, or it could even be unknown length. But each element only sort of comes into being as you attempt to read it. So, it's kind of, like, a potentially infinite chain of Schrodinger's boxes. And you've got to open each of them to find out what's inside. STEPHANIE: Do you know what this reminded me of? Like elementary school math questions that were like, "What comes next in this pattern?" And it has, like, you know, the first, like, four or five values in a sequence or something. And then, you have to figure out, like, what the next value is. But then, in some ways, you know, I think it can depend on whether your enumerator is using the previous value to determine the next one. But yeah, it's like, you can't just jump ahead to figure out what the 10th, you know, value in this pattern is without kind of knowing what's come before it. JOËL: And sort of that needing to step through the entire collection, sort of one element at a time. STEPHANIE: Yeah, exactly. JOËL: I think a way that that concept is interesting, to me, is situations where a collection might be expensive, and you don't necessarily need all of it. So, you might have a bunch of calculations, but you can stop when you've hit the first one that succeeds or that matches a certain criteria. And so, it's not worth it to calculate the entire array of calculations if you're going to stop at the third one. And you could do that with some sort of, like, loop or something like that. But having it as a collection means you get to just treat it like an array, and you can call detect on it and do all the nice things that you're used to. It just happens to be a little bit more efficient in terms of not creating more data than you need to. STEPHANIE: Yeah. And I think there's some really cool stuff you can do when you start chaining enumerators with this concept of it being lazy evaluated. So, one of the things I learned in my deep dive is that when you are using the lazy method, you're able to chain enumerators. And they work a bit differently, where the default functionality is, like, everything in the collection gets evaluated through the first method, and then it gets iterated over in the second method. Whereas if you use lazy, I believe how it works is that, like, the first value gets kind of processed by all of the methods. And then, you get, you know, the output before moving on to the second, like, the next value. Does that sound right? JOËL: Yes. And I think that's where there's often a lot of confusion because there's sort of plain enumerator, and then there's a lazy enumerator that Ruby provides. A plain enumerator is a lazy list in the sense that items don't get evaluated unless you try to reach for them. So, if you have an enumerator and you say, "Just give me the first five items," it will do that. And even if the collection was 200 items long, the next 195 don't get evaluated. So, that's very efficient there. Where you would get into trouble is that plain enumerators are not lazy when it comes to traversals. So, any method that would traverse the entire collection, so something like a map or a select, is not going to be lazy because it's going to traverse the entire collection, therefore forcing us to evaluate each of the items in there. Whereas something like enumerable lazy will not actually traverse the collection when you do your map or you're selecting. It will wait for you to say, "Give me the first item," or "Give me the first ten items," or something like that. But you don't always need lazy. You really only need lazy when you're doing a traversal method. STEPHANIE: Okay. Cool, cool, cool. That makes a lot of sense. JOËL: I think a sort of spinoff metaphor that I have there is this idea of a lazy list. Another concept that, in my mind, is very adjacent to lazy lists is the concept of streams. And streams I typically think of them in terms of, like, files or networking, things like that. But a thing that you can do let's say you're working on data that's in a very large file, so big that you can't fit it into memory, a common solution there is streaming it. So, you don't load the entire file into memory and then operate on it. Instead, little chunks of it are loaded into memory. You operate on them, and then you release that memory and load the next chunk. So, you sort of work through that file in chunks, but you'd only have, you know, 1 line or ten lines or however big your chunk is in memory at a time. An enumerator allows you to do that with things that are not files. So, this could be a situation where, let's say, you're reading a lot of data from the database. You just have too many rows. You can't load them all into memory at once. But you do want to traverse through them. You could chunk that using enumerator so that every, you know, it loads 100 rows at a time or 1,000 rows at a time, or something like that. And your enumerator allows you to treat that as though it's a single array, even though, in the background, it's being chunked into pieces so that you never have more than a thousand rows at a time in memory. So, it allows you to do some, like, really nice sort of memory performance things. STEPHANIE: When would you want to use this over kind of something like batching queries? JOËL: So, I think ActiveRecord find_in_batches does something like this under the hood. STEPHANIE: Oh, cool. JOËL: I don't know if they use Ruby's enumerator or if they sort of build their own custom extension to it, but it's built on this idea. STEPHANIE: Okay, that's really neat. I have another mental model that I wanted to get your thoughts on. JOËL: Yeah! STEPHANIE: One of the ways that I looked up that you can construct an enumerator, an infinite enumerator like we were talking about a little bit earlier, was with the produce class method. And that actually got me thinking about a production line and this idea that, you know, you have this mechanism for, you know, producing some kind of material or, like, good or something like that. And it's just there and waiting and ready [laughs] for you to, like, kind of ask for it, like, what it needs to do. And you can do that, like, sometimes in batches, right? If you are asking for like, "Okay, I want a thousand units," and then the production line goes to work [laughs]. But yeah, that was another one of those things where I'm like, wow, they really, I think, came up with a cool method name that evoked, like, an image in my head. JOËL: That's the power of naming, right? And I think it's interesting you've mentioned twice how going through the method names on enumerator and finding different method names all of a sudden, like, turned on a light bulb in your mind. So, if you're naming things well, it can be incredibly useful for users of your library to pick up on what you're trying to do. So, I want to circle back to something that you mentioned earlier, the idea of elementary school quizzes where you have to, like, figure out the next item in the sequence. Because that, for me, is very similar to my mental model: the idea that an enumerator is a sequence generator. So, instead of thinking of it as, oh, it's like an array or it's some kind of collection, instead, think of it as a robot that I can just ask it, hey, give me a value, and it will give me a value. And then, it will, like, keep doing that as long as I keep asking it for it. And those values, you know, they could be totally random. You can build one of those. But you can also have it so that the values sort of come from a sequence. It's not like an array where you're like, oh, I'm going to, like, predefine an array of, I don't know, the Fibonacci sequence, and when someone asks me for the third value, I'll just go and read that third value from the array. Instead, it knows the algorithm, and it just says, "Oh, you want the next value in the Fibonacci sequence? Let me calculate it. Here it is. Oh, you want the next value? Here it is." And so, thinking from that perspective helped me really come to terms with the concept that values really do get calculated just in time. It's not really a collection. It's an object that can give you new values if you ask it. STEPHANIE: Yeah, okay. That is making a lot more sense kind of in conjunction with the lazy list model that you shared earlier, and even a little bit with the production line that I was kind of sharing where it's like, you know, in this case, kind of, it's, like, the potential for a value, right? JOËL: Right, exactly. And, you know, these are all mental models that converge on the same ideas because they're all just slightly different perspectives on what the same object does. And so, there is going to be some overlap, some converging between all of them. I have another fun one. Can I throw it at you? STEPHANIE: Please. JOËL: This one's a little bit different, and it's the idea that enumerators are a tool to bring your own iteration to a collection. So, imagine a situation where you're building your own, let's say, binary tree implementation. And there are multiple ways to traverse through a binary tree. In particular, let's say you're doing depth-first search. There are sort of three classic ways to traverse that are called pre-order, post-order, and in-order traversals. And it really is just sort of what order do you visit all the children in your tree? Now, the point of a collection, oftentimes, is you need a way to iterate through it. And a classic solution would be to include enumerable, the module. In order to do that, you have to define a way to iterate through your collection. You call that each. And then, enumerable just gives you all the other nice things for free. The question is, though, for something like a tree where there are multiple valid ways to traverse, which one do you pick to make it the each that gets sort of all the enumerable goodies, and then the others are just, like, random methods you've defined? Because if you define, let's say, pre-order traversal as each, now your detect and select and all those are going to work in pre-order, but the others are not going to get that. So, if you map over a tree, you're forced to map over in pre-order because that's what the library author chose. But what if you want to map over a tree in post-order or in-order? STEPHANIE: Yeah, well, I'm guessing that here's where enumerator comes in handy [laughs]. JOËL: Yes. The approach here is instead of designating sort of one of those traversals as the sort of blessed traversal that gets to have enumerable; you build three of these, one for each of these traversals. And then, what's really nice is that because enumerators are themselves enumerable, they have map and select and all of these things built in. Now you can do something like mytree dot preorder dot map or mytree dot postorder dot map. And you get all the goodies for free, but the users of your library get to basically choose which traversal they want to have. As a library author, you're not forced to pick ahead of time and sort of choose; this is the one I'm going to have. You sort of bring your own traversal by providing an enumerator, and then everything else just kind of falls into place. STEPHANIE: Bring Your Own Traversal (BYOT) [laughter]. I like it. Yeah, that's cool. I can see how that would be really handy. I have not yet encountered a situation where I needed to get that deep into how my iteration is traversed, but that's really interesting. And, I mean, I can start even imagining, like, having an each method defined in these different ways, and then all of that being able to be composed with some of the other...just other methods. And now you have, like, so many different ways to perhaps, like, help, you know, different performance use cases. JOËL: Yeah, it can be performance. I often tend to think of enumerator as a performance thing because of its sort of lazy properties because; it allows you to sort of stream or chunk data that you're working with. But in the case of this mental model of the Bring Your Own Traversal, it actually is more about flexibility and having sort of the beauty of Ruby without having to compromise on, oh, I have to pick a single way to traverse a collection. STEPHANIE: But I really appreciate kind of this discussion about enumerator because this was previously, like, I don't think I have really ever used the class itself to solve a problem, but now I feel a lot more equipped to do so with a couple of the different kind of perspectives. And I think what they helped me do is just prime myself. If I see a problem that might benefit from something being iterated in a lazy way, like, being like, oh, I remember this thing, this mental model. Now I can go kind of look at the documentation for how to use it. And yeah, like, I don't know how I would have stumbled across, like, reaching for it otherwise. JOËL: That's a really interesting thing to notice because we've been talking a lot about how mental models can be a tool for understanding. But once you build an understanding, even though it's somewhat fuzzy, they're also a great tool for sort of recall. So, not only are you thinking, okay, well, this mental model says enumerators are kind of like this, or they function in this way. On the flip side of it, you can say, "Well, lazy evaluation problems are often enumerator problems. Like, streaming or chunked data problems are often enumerator problems. Multiple traversals are enumerator problems." So, now, even though you don't, like, fully understand it in your mind, you've got that recall where you can enter it, where you can come across that problem, and immediately you're like, oh, I'm dealing with multiple traversals here. I don't remember exactly how, but somehow, in my mind, I've got a connection that says, "Enumerators are a solution for this. Let me dig into that." STEPHANIE: Yeah, especially as an alternative to where I would normally reach for something...a more kind of common enumerable method. Because I definitely know that feeling of like, oh, like, I wish it could just, like, do this a little bit differently, you know. And it turns out that, you know, something like that probably exists already. I just needed to know what it was [laughs]. JOËL: On that theme of I wish that I could have something that behaved just a little bit more...like, I'm doing something slightly weird, and I wish they would behave more, like, just plain Ruby does normally with my, like, collections I'm familiar with. I'm going to pitch a talk that I gave at RubyConf Mini called "Teaching Ruby to Count." Some of these mental models actually showed up there. But the whole idea is like, oh, if you're bringing in sort of more custom objects and all of that, how can you just tweak them a little bit so that they're just as joyful to use and interact with as arrays, and numbers, and ranges? And they just sort of fit into that beauty of Ruby that we get out of the box. STEPHANIE: Awesome. On that note, shall we wrap up? JOËL: Let's wrap up. STEPHANIE: Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeeee!!!!!!! AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.Support The Bike Shed

Joël and Stephanie talk RailsConf!. Joël shares how he performed as a D&D character, Glittersense the gnome, to make his Turbo features talk entertaining and interactive. Stephanie's talk focused on addressing test pain by connecting it to code coupling, offering practical insights and solutions. They agree on the importance of continuous improvement as speakers and developers and trying new approaches in talks and code design, and recommend Jared Norman's RailsConf talk on design patterns, too! That One Thing: Reduce Coupling for More Scalable and Sustainable Software Connascence.io [Connascence as a vocabulary to discuss coupling](https://thoughtbot.com/blog/connascence-as-a-vocabulary-to-discuss-coupling](https://thoughtbot.com/blog/connascence-as-a-vocabulary-to-discuss-coupling) The value of specialized vocabulary Transcript: We're excited to announce a new workshop series for helping you get that startup idea you have out of your head and into the world. It's called Vision to Value. Over a series of 90-minute working sessions, you'll work with a thoughtbot product strategist and a handful of other founders to start testing your idea in the market and make a plan for building an MVP. Join for all seven of the weekly sessions or pick and choose the ones that address your biggest challenge right now. Learn more and sign up at tbot.io/visionvalue.  JOËL: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Joël Quenneville. STEPHANIE: And I'm Stephanie Minn. And together, we're here to share a bit of what we've learned along the way. JOËL: So, Stephanie, what's new in your world? STEPHANIE: So, I think I can speak for both of us and say what's new in our world is that you and I just came back from RailsConf in Detroit. JOËL: Yeah, we were there for, I guess, it's a three-day conference. Both of us were giving talks. STEPHANIE: Yeah. I don't think we've both spoken at a conference for at least a little over a year, so that was really fun kind of to catch up in person. And there was a whole crew of thoughtboters who were there. Yeah, I feel like we were hanging out, like, a lot [chuckles] all of last week, just seeing each other, talking about, you know, rehearsing our talks and spending time together on...there was, like, a hack day, and we were sitting at the table together. So, I feel like I'm totally caught up on everything that's new in your world, and that's it. That's the end of the show [laughs]. JOËL: On that note, shall we wrap up? STEPHANIE: [laughs] That would not be very fair to our listeners. [laughter] JOËL: Yeah. So, how was the conference speaking experience for you? STEPHANIE: Ooh, it was really great this year. I have not spoken at a RailsConf before, so this was actually, I think, a bigger stage than I had experienced before, and I had a great time. I met Ruby friends, new and old, and, yeah, I left feeling very gooeyed, and very energized, and just so grateful for the Rails community [laughs]. Yeah, I had a very lovely time, kind of being a little bit outside my normal life for a few days. And I think my favorite part about these things is just like, anywhere you go, you can kind of just have a shared interest with someone, and you can start a conversation with them. JOËL: That's really interesting. Do you find yourself just reaching out to strangers at conferences like this? Or do you tend to just hang out with the people that you know? STEPHANIE: Oh, I think a little bit of both. I like to get meals with people I know. But if I'm just hanging out in, like, the lobby or if I happen to get a seat for a talk and I'm sitting next to someone that I don't know, I find it quite easy to just be like, "Hi, like, I'm Stephanie. Are you excited for this talk?" Or, like, "What good talks have you seen recently?" There's an aspect of, like, the social butterfly that comes out of me when I'm at these things. Because I just don't get to have, like, easy access to, I don't know, people with, like, that shared interest or people who are willing to just have a conversation with you normally, I think. JOËL: Yeah, would you describe yourself more as an introvert or an extrovert? STEPHANIE: I am an extroverted introvert [laughter]. I feel like maybe that might be interpreted as a non-answer, but I think I lean more on the introvert side. But you know when you're with a group of people, and there's not, like, a very clear extrovert in that conversation, and then you're like, oh, I have to do the heavy [chuckles] lifting of the social lubrication [laughs] in this conversation, I can step into that role, reluctantly [laughs]. JOËL: Okay. I like the label that you used, the extrovert introvert, in that I enjoy social situations. I do well in social situations. But they also consume a lot of energy for me. I don't necessarily get sort of recharged by doing social events. So, people will be surprised when they find out that I tend to talk about myself as an introvert because, like, "Oh, but you're, like, you know, you're not awkward. You engage very well in different group situations." STEPHANIE: You have a podcast [laughs]. JOËL: And the truth is I enjoy those things, right? I really like social interaction, but it does, after a while, wear me out. STEPHANIE: Yeah, that makes sense. I did want to spend a little bit of time talking about the talk you gave at RailsConf this year: "Dungeons & Dragons & Rails." JOËL: I got to have a lot of fun with the theme. The actual content was introducing people to Turbo by building an interactive Dungeons & Dragons character sheet using vanilla Rails and a little bit of Turbo. So, we're not even writing any JavaScript. We're just using the Turbo helpers, a little bit of Action Cable to mimic something a little bit like...people who are in the know might be familiar with the site D&D Beyond, which is kind of the official D&D online character sheet website. Of course, it wasn't anywhere near as fancy because it's a 30-minute talk and showcasing different features, but that's what we were aiming for. STEPHANIE: Yeah, you know, you've talked a bit about giving talks on the show before, but I wanted to get into what made this one different because I think it could be fun for our listeners. [laughter] JOËL: The way I structured this talk so it has a theme. It's about Dungeons & Dragons, and we're building a character sheet. The way I wrote the talk was it's broken up into chapters. Each chapter is teaching a new feature in Turbo that I want to show off. In order to motivate learning each of these features...because I don't like to just say, "Oh, here's a thing that technology can do. Oh, here's a thing that technology can do." That's boring. You need a reason to learn that. So, I needed a reason to say, "We need to add this to a character sheet." So, every sort of chapter of the talk opens up with a little narrative portion. We're following this character, Glittersense, the gnome, and he's on adventures. And at different points in the adventures, he's going to do different types of roles or need different stats and things. And so, when we reach the point in the adventure where we need that, we sort of freeze frame and then say, "Okay, let's add that as a feature to the character sheet." And then, oh no, it turns out that this feature is a little bit more complicated. We're going to have to learn a new Turbo feature to do that. Who would have guessed? And then, we learn a new Turbo feature together. And then, we go back to the narrative portion. The adventures of Glittersense continue. And then, oh no, we're going to need to add another feature to the character sheet. And that's sort of how the talk is structured. STEPHANIE: Yeah. And you did a really cool thing with the narrative portions, which was you basically performed as Glittersense, the gnome, voice and posture, and a lot of really great acting from you [laughs], in my opinion. JOËL: That is something that came out pretty late in the talk preparation. So, I knew I wanted this kind of alternating story and code structure. Then, like, the weekend before RailsConf, I'm running through my slide deck, and I realized, you know what? What if instead of narrating Glittersense's adventures, what if I went first person for those sections? Glittersense tells his own story. And then, from there, it wasn't a big jump to say, you know what? This is D&D. If I'm going first person and narrating, I really should do a voice. And this is a conversation I had with a couple of people at the speaker dinner. And, of course, everyone's like, "You should 100% do the voice." And I was really not feeling confident in my ability to pull it off. So, for the next two nights, because I was speaking on the third day, the next two nights at the conference, in the evenings, I'm in the hotel room in front of the mirror just practicing my gnome voice to try to get something that got the persona of Glitterense, the gnome, across to the audience. STEPHANIE: How would you describe the persona? JOËL: Very extra. STEPHANIE: [laughs] JOËL: Very high energy. STEPHANIE: Yes. The name Glittersense is very extra, after all. JOËL: [laughs]. I punctuated a lot of the things that he says with just high-pitched laughter. He's also...so, the framing device for all of this is that you're in a tavern listening to him tell his adventures. I wanted a little bit of the sense that Glittersense is maybe embellishing a little bit. I think it may be too much to say he's full of himself, but he's definitely making himself to be the hero of the story, and maybe making himself to be slightly cooler than he really was. STEPHANIE: Yeah. I definitely got, like, a little bit of eccentricity, too, from the persona. And you know when you just, I don't know, meet an older person who has, like, a lot of life experience, and they want to tell you about it [laughter], but you do kind of maybe have a little bit of suspicion around how much they're exaggerating [laughs]. But it was really fun. Everyone I talked to afterwards, like, loved it. And I got to share the little nugget that, like, oh yeah, and Joël only, like, started doing the voice, like, decided that he was going to do it two days ago. And they were just all really, like, blown away because it seemed so well practiced, and it was really fun. JOËL: I got to do something really fun, also, with physical space because Glittersense narrates his portion, sort of the story portions, but then the code portions where we're talking about Turbo, I'm talking in my own voice. And so, when I'm talking about Turbo, I'm standing at the lectern. And when I'm Glittersense, I'm kind of off to the side on the stage and doing the voice. And so, there's this almost, like, two worlds that are inhabited: one by Joël, the speaker, and one by Glittersense, the gnome. And it got to the point where I don't say or do anything. I only move from the lectern to the, like, portion of the stage where Glittersense lives. And the audience starts chuckling and, like, nothing has happened yet, like, no jokes have been told. No voice has happened. No slides have changed. But the anticipation, people know what's coming. STEPHANIE: Yeah. And I think the best part, what I really found just really fun and, I don't know, every time it happened, I just really enjoyed it, when you transitioned out of Glittersense, the gnome, and back to Joël because you were so nonchalant about it. You kind of, like, straighten up rather than having your little kind of crouchy gnome posture, and then just walk across back to the podium. And then, in your normal voice, go back to just, you know, sharing very...not necessarily dry, but just, like, straight to the point. "And this is, like, how you, you know, create a frame in [laughs] Turbo," as if nothing happened [laughs] when even just, like, you know, 20 seconds ago, you were just enthusing about, like, slaying the bandit, chieftain [laughter] known as Glittersense. JOËL: Uh-huh. I think, especially when I open, so I get introduced. I'm off stage. I walk onto the stage, and I'm immediately Glittersense. And I'm telling a story, and the intro goes on for, like, quite a while. It's a big story chunk. And then, at some point, I just walk over to the lectern, drop the voice, hit next slide, and it's my title slide. I'm just like, "Okay, now welcome to Dungeons & Dragons on Rails. We're going to build a character sheet together." STEPHANIE: Yeah, that's exactly the moment I'm thinking of. JOËL: The walking in as Glittersense and just immediately going to the voice caught everyone by surprise. And then, the, like, oh, he keeps going for this. Is the whole talk going to be like this? And then, the, like, just when you think, oh, he's really going for it, the, like, dropping it and going to the podium and title slide. It wasn't intended to be a funny moment, but I think the contrast and the fact that I just switched over was one of the biggest laughs I got. STEPHANIE: Yeah, I mean, I think that attests to how good the delivery of it was because that contrast was very felt. So, props to you. JOËL: I love the idea of, you know, the thought that you put into building a talk and, like, the narrative structure and the pedagogy of the stuff. And, I think, in this particular case, this is almost like a narrative approach called in media res, where you start kind of in the middle. You open your book, or your movie, or whatever in the middle of the story. And then, you kind of come back to the beginning at some point later. So, it starts with some kind of action scene that grabs your attention. So, in this case, my title slide is 10, 15 slides into the talk. We get immediately started with Glittersense and his adventures. And then, once we're sort of all bought into this world, then we move to the title slide and talk about, okay, we're here to build a character sheet and all that stuff. And I think that it wouldn't have had the same impact if I'd, like, opened with that and then gone into Glittersense's adventures. And that's something that was not the case at the beginning. I really reworked the talk to make it in that order. And I think that the talk had a lot more impact for doing that. STEPHANIE: Yeah, definitely. I guess I also just wanted to point out that this is very different from all your other talks. And I think it's really cool that, you know, you are a veteran speaker, but you still find ways to do something new and try something that you've never done before, and yeah, find ways, new ways to, like, speak and engage people and teach. I don't know, do you have just any thoughts about why or how you got into a position to be like, "Oh, you know, I'm going to do something super different this time around" [laughs]? JOËL: So, every talk I give, I try to do something new, something different, to push myself as a speaker to get better. That might be in the writing of the talk; that might be in the delivery. More recently, I've been trying to do more with dynamic presence on stage. So, when I spoke at RubyConf San Diego, I was trying to not just stand at the lectern but to learn to be able to give my talk while also, you know, walking around the stage, looking at the audience, making pauses where it's necessary, not to just be so into the delivery of the talk by just standing at the podium and, like, going through my deck, which is a small thing but I think is an area I wanted to improve in. This time, I was playing around with some more narrative framing and ended up, yeah, like, pushing it to an extreme. And it works with the theme because inhabiting a character and role-playing is the core part of D&D. Not everybody plays a D&D character by doing a voice. You are a little bit extra if you do that. But it's not uncommon for people to do a voice. And so, it kind of fit perfectly with my theme. I just needed to get the self-confidence to do it. So, thank you to everyone at the speaker dinner that was like, "No, you totally got this. You should do this," because I was feeling very unsure. STEPHANIE: It really paid off, so... JOËL: I'd like to circle back to your talk, though. So, you gave, basically, the first talk of the conference. You were the first session after the keynote. A theme that came up multiple times in your talk was this idea of coupling and how it affects different parts of our code and, particularly the way that we structure tests or the way that we feel test pain. How did you, when you were prepping this talk, discover that theme and decide to lift it up? Was that something that you knew ahead of time you wanted to talk about, or did it just sort of emerge as part of the talk preparation process? STEPHANIE: That's a really great question, and I'm glad you picked up on that. So, my talk was called: "So, Writing Tests Feels Painful. What Now?" Originally, when I came up with this idea, it actually started with coupling. I realized that I wanted to give a talk about coupling because it's just something that I was struggling with or, like, had seen other people struggle with and really wanting kind of a discrete resource, wanting to provide that. But as I was just thinking about it, I was like, oh, like, there are so many different ways that this could go. On one hand, it was a very like important topic to me, but also maybe too big of a topic. And so, I actually, like, kind of put that on the back burner. And it wasn't until later when I connected it to another...it wasn't necessarily different at all, but just, like, an extension of this idea is, oh, like, people are struggling with coupling in tests or, like, it manifests in tests. And so, I thought maybe that could be the angle that I took on this topic that kind of gave me a little bit more focus. And I didn't even end up saying like, "Yeah, this talk was, like, born out of just, you know, wrestling with coupling or anything like that." So, it's cool, to me, that you picked up on it as a theme because it was...I had, you know, ended up not being super explicit about it, but it was certainly, like, a thing that was driving the content from my perspective. JOËL: Interesting. So, it started as a coupling talk and then got sort of focused through the lens of testing. STEPHANIE: Yeah. And I think there was a part of me that was like, you know, I don't know if I could just teach the concept of coupling, like, by itself without the framing of testing for people who this is, like, a new concept for them. I realized that maybe it would be more effective to be like, "Hey, like, have you experienced test pain? You know, have you had to mock out a billion objects or changed, you know, made one change and then had to fix, like, a million tests subsequently? Then this talk is for you." And then weave in the idea of coupling in it to kind of start to help people feel familiar with it or just, like, identify it without as much, like, jargon as kind of I've seen when I've tried to figure out, like, how to manage it. JOËL: It's interesting because I think it gives you a, like, concrete, valuable thing to optimize for as opposed to, like, hey, let's lower coupling because then you're writing, you know, quote, unquote, "better code." And you get to feel better about yourself as a programmer because you're doing things the, quote, unquote, "right way." That's very kind of hand-wavy, and I think sometimes leads people down a bad path where they're optimizing things that they shouldn't be. But the tests give you this very concrete way to say, "Hey, we're not just trying to reach the, like, low score record for the app in terms of coupling. We're trying to reduce test pain. Tests are painful. And that pain is telling us something. It's telling us that we've crossed some sort of threshold for coupling. Let's find ways to reduce it, not so that we can feel good about ourselves, but so that our tests are actually manageable." STEPHANIE: Yeah, I am really glad you picked up on that, too, because I feel the exact same way when someone just tells me to decouple something or, like, makes a note that, like, oh, this feels really coupled. I don't know what that means necessarily. And it's not very convincing to just be like, "Oh, you should write loosely coupled code [laughs]," at least for me. What you said just now, it's like, it's not to feel good about ourselves, you know, to write code that way, but, actually, to just feel good about our code, period [laughs]. And, yeah, finding that validation through just, like, actually working with code that is easier to change that is the goal, not necessarily to, yeah, kind of pursue some totally subjective, like, metric. JOËL: So, one of the kinds of coupling that you called out, I think, was where you hardcode a class name of some other class in your object. And that feels, like, really sort of innocuous. Like, of course, my objects can talk to other objects. And maybe I want to, like, refer to a class somewhere. Why is that such a like tricky piece of coupling to work with? STEPHANIE: It's not necessarily intentional sometimes. Like, you just do it because you're like, well, I need access to this class somewhere, and I happen to already be in this file. So, why not just hard-code it here? I do think it's a little tricky because the file that you're writing might be, like, very far down in, like, your code flow or, like, your code path, like, very far from, like, a controller or any kind of entry point into your system, at least based on what I've seen in a lot of modern Rails apps. And so, I think that coupling gets really, really obscured. I have found that, like, if I have to kind of write a more, like, a higher level test, like, maybe a request spec or something, there are times when I'm, like, having to deal with a lot of classes just to set stuff up in a test like that that I didn't think I would have to [chuckles] when I first went about trying to just be like, oh, like, let's just figure out how to get a 200 response [laughs] from this request. So, you're really burying perhaps the things that are needed to set up, like, that full path of execution. And sometimes, it only comes out when you're writing a test for it. JOËL: And you mentioned briefly, in passing, the idea that oftentimes this sort of coupling manifests as a lot of extra test setup because your object that you're trying to test now also needs all these other things that are related in order to be tested. But sometimes even when you hard code a class, though, you can't even just say, "Oh, I want this particular user or something returned." So, you have to then do something like allow this class to receive class method and return, and now you're stubbing. And I don't know how you feel about stubs in RSpec. I always treat them a little bit like a code smell in the like classic sense of it's not necessarily bad, but maybe pause, take a look, and ask yourself, "Why is that there, and should I do things differently?" STEPHANIE: Yeah. I ended up having, like, a lot of examples of stubbing in my example because the code had just been set up where that was the only way that you could access those collaborators, essentially, to, like, make an assertion on them, or have them do something different because you actually needed to go into a different path, right? And I was like, yeah, this should feel weird. You should feel a little bad [laughs] or at least, you know, kind of just pay attention to that feeling, even if you can't really do anything about it in that particular instance. But on the flip side, you know, it's like, yes, it feels a bit strange, you know, but it's not all bad, right? Like, you're kind of learning like, oh, hey, like, I am coupled to this hard-coded class because I am needing to stub, like, a class method that returns it, or that constructs it. And at least you've exposed that, you know, for yourself. One thing that I was running into a lot in my example, too, was that those things, like, weren't obvious when you were just reading maybe, like, the public methods and trying to figure out what was happening in them because they were wrapped in private methods. I was a little bit conflicted about this because there were times when it was already just a single method call, but then it was just kind of wrapped in a private method that actually hid [laughs] the things, like all the dependencies that were passed as arguments. And I found that to be, sure, it looks kind of cleaner. But then all you need to do is scroll down [laughs], and then you're like, oh, actually, there's all these other things involved, but it was kind of hidden away for me. And I found that, actually, like, at least when I actually needed to change things, less helpful than I imagine what the, you know, code author intended. Do you have any thoughts about hiding details like that? JOËL: I'm kind of a big fan. STEPHANIE: Hmmm. JOËL: The general idea, I think, is called the single level of abstraction principle. Whatever sort of public method that you're calling is often implemented in terms of...let's say it does a few different things. It's implemented in terms of, like, these sort of high-level concepts. So, whoever is reading the public method doesn't need to like care about the details of how each step is implemented. So, maybe you're fetching something from an API, and then you're making a database call, and then you're doing some transformation and creating some new objects from it. Having all of the, like, HTTP calls and the ActiveRecord stuff and the, like, transformation all in the public method, yes, there's a lot of complexity happening there, and it makes that obvious. But it also makes it really hard to get a sense of what is happening. So, I like to say, "Hey, there are four steps. Let's wrap them all each in a private method then you can call all of those in the public method." The public method now sort of reads like a very simple sort of script. First, fetch data from the HTTP API, then fetch some data from the database, then apply this transformation, then create this object. And if I'm mostly caring about what this object does and not the how let's say I'm building some other objects that interact with this, that is the information I want to know. Where I care about the actual implementation of, oh, well, exactly how is the ActiveRecord stuff done when I'm doing internal changes to the object, that's when I care about those private methods. I think where it gets tricky, and I think that's the point that you were bringing up, is that if you write code in that way, it has to change the heuristics of how you read code to detect complexity. Because, oftentimes, I think a very classic heuristic for code complexity is just line length. If you have a 50-line method, probably there's a lot of complexity there. Maybe there's a lot of coupling. If it's a four-line method that is written at a high level of abstraction that just calls out to private methods, you scan over. You're like, oh, nice and clean. Nothing to see here. Move on. And so, that heuristic doesn't really hold up in a codebase where you're applying this single level of abstraction. Do you think that lines up with your experience? STEPHANIE: Hmm. As I was listening to you, I was like, yeah, like, that makes total sense to me. But then I also clearly disagreed a little bit [laughs] in my initial...kind of what I was saying initially. And I think it's because that single layer of abstraction was not very well defined. JOËL: Hmm. That's fair. STEPHANIE: Yeah. Where, in fact, it was actually misleading. Like, it wanted to be at that level of abstraction, but it really wasn't. Like, it was operating on things at, like, a lower level and wasn't designed with that kind of readability in mind. So, it was more, like, it was just hiding stuff a little bit, at least for me. And, I think, it certainly would have taken, like, more work to figure out what that code, like, really was meant to convey. It might have taken some refactoring to coalesce at that single level. And that was essentially kind of what I was showing in my talk as, like, how to get to saying, like, "Hey, we actually are operating in the lower level, but I don't think we need to." There was some amount of, like, looking at all of the how to figure out, like, oh, maybe these things we don't even need to expose in this class. And we kind of got to a place where those details weren't, like, needed in that class at all. So, it's one of those things where it's harder than it sounds [laughs]. JOËL: It's definitely an art. STEPHANIE: Yeah. JOËL: And I think what you're saying about some of the coupling being, like, scattered throughout the class, it's something that I see a lot with situations where you're coupled, not so much to, like, a single class, but to something side effectful. So, you're building some kind of integration with a third-party API, and you're going to have to make a lot of HTTP calls. And each of those might be individually simple, and they're all sort of maybe in different private methods or whatever, or they're interspersed among a larger chunk of logic. And that makes your tests really complicated. But there's no, like, one place you can point at and be like, ooh, that's the one place where there's a lot of complexity. What's happening here, though, is that your business object that's doing stuff is coupled to the network, and that coupling is going to force you to do some stubbing. It's going to force you to deal with a bunch of side effects that are non-deterministic in your code. And you used the word coalesce earlier that I really liked because I think that's often a situation where you do have to stand back and say, "Look, there's a lot of HTTP going on here. What if I coalesced it all into an object? Now I have two objects: one that's responsible for business logic, and one that's responsible for just the HTTP calls." And, all of a sudden, the tests just totally simplify. And we've removed some coupling, but that's not something that you would have seen just from reading the code. Because, as you were saying, it's sort of scattered in little bits and pieces throughout your file that don't necessarily catch your eye. STEPHANIE: Yeah. Which brings me to a blog post that I had found a lot of inspiration from in the talk that I'll link. It's called "That One Thing: Reduce Coupling for More Scalable and Sustainable Software." But it's actually about tests [laughs], even though it doesn't make an appearance in the title of the blog post at all. But this is where I kind of got the idea of necessary versus unnecessary coupling in test. Because I had never thought about how, yeah, like, when you write a test, you are very correctly coupling yourself to at least the method and class under test [laughs], if not also the arguments, right? Or anything else needed to construct what you're testing. And literally having that listed out for me in this blog post I think it's a...they use some examples in Java. And so, there's, like, a little bit more [laughs] setup involved. But I think they're like, yeah, these are six things that, like, it's mostly fine if you're coupled to these because that's kind of what needs to happen in a test. But, like, even having something to compare a test I wrote to just, like, okay, these are the things I know I need. And then, you can start to see when you've diverged from that list, when you are finding yourself coupled to some internals of your class. I really...that was actually, like, really helpful for me because, as we talked about earlier, like, it can be kind of communicated so abstractly. But here is, like, a very clear heuristic for when you should at least, like, start to pay attention or be like, oh, this is something that was needed to get the test to run but is now starting to feel a little unnecessary because it's not on this list. JOËL: That list reminds me, or the idea of a list of things to check out for when thinking about coupling, reminds me of the concept of connascence, which is a fancy word for almost a, like, categorization of different types of coupling because coupling comes in different flavors, some of which are tighter forms of coupling than others. And so, having that vocabulary has been really helpful for me when I'm looking at PRs and code review, or even when I'm refactoring my own code. Kind of like that list that you mentioned that you have, now I have some heuristics to look at that and say, "Oh, can I go from a connascence of position to a connascence of naming, and does that help me?" STEPHANIE: Yeah, I like that you mentioned the positional connascence because I also came across a really great metaphor for kind of things that need to change together, like, when that makes sense. And it was basically the idea of a dishwasher and a laundry machine [laughs]. I wish I could recall, like, what book this was from. But it was basically like, oh yeah, like, in theory, you're washing two things. So, maybe they are similar, but then you're like, no, actually, you want these to be a little bit separate because, you know, you don't want to wash your dishes and your clothes in the same machine. I don't know, maybe that exists [laughs], but I don't think it would do a very good job for either goal. And I think that was really helpful, for me, in imagining, like, the difference between kind of coupling and cohesion, like things that...even just imagining, like, kind of where I'm doing those things in the house, right? It's like, okay, that lives in a separate room. And, like, the kitchen is for the dishes, and that could be like, you know, a module if you will. And, like, laundry happens in the laundry room, and how to kind of just separate those things, even though they also do share some qualities, too. Like, they're both appliances, right? And so, that's the way that they are similar, but they're not the same. JOËL: You just mentioned the sort of keyword cohesion. And for our listeners who are not familiar with that term, it refers to an object sort of having one thing that it does well. Like, everything in that class sort of works towards the same goal, kind of similar to the idea of the single responsibility principle. So, in my earlier example, where we're sort of interspersing some business logic, a lot of HTTP requests, and pulling out an object that's focused on HTTP, like everything is based around that, now that object has higher cohesion because it's all doing one thing. So, if you read classic object-oriented literature, the recommendations that you'll typically see are that objects should have high cohesion and low coupling. STEPHANIE: Yeah. Think of a dishwasher and a washing machine next time [laughs] you come across something like that. Because I feel like those are really great, like, real-life examples of that separation. JOËL: Did you go to Jared Norman's talk on the third day: "Undervalued: The Most Useful Design Pattern"? STEPHANIE: No, I didn't. Can you tell me about it? JOËL: It felt like he was addressing a lot of the same themes as you were but from more of a code perspective than a test perspective. Talking a lot about, again, forms of coupling, dependencies, and then, specifically, one of the tools that he focused on to reduce the coupling that we see is value objects and factory methods to construct those. So, for any of our listeners who, when the talks come out, watch Stephanie's talk and are like, "Wow, I would love to learn more about this," a great follow-up, Jared Norman's talk: "Undervalued: The Most Useful Design Pattern." STEPHANIE: Yeah, that's neat because I can see that being a solution to the hard code did class names that we were talking about earlier. And I like how that is kind of, like, a progressive lesson in coupling a little bit. I'm really glad you shared that talk with me because now I'm excited to watch it when it comes out. And in general, I just love learning new vocabulary or finding new ways to speak about this topic with clarity. So, if any of our listeners have just additional mental models for coupling [laughs] different metaphors, different household appliances [laughs], or something like that, I would love to know. JOËL: You would like that, given that our first episode together was about "The Value Of Specialized Vocabulary." STEPHANIE: Yeah, it's clearly undervalued. JOËL: Haha, I see what you did there. STEPHANIE: Thank you. Thank you very much [laughs]. JOËL: On that terrible/wonderful pun, shall we wrap up? STEPHANIE: Let's wrap up. Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeeee!!!!! AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.Support The Bike Shed

Joël shares his preparations for his RailsConf talk, which is D&D-themed and centered around a gnome character named Glittersense. Stephanie expresses her delight in creating pod-related puns within thoughtbot's internal team structure, like "cross-podination" for inter-pod meetings and the adorable observation that her pod resembles "three peas in a pod" when using the git co-authored-by feature. Together, Stephanie and Joël discuss bringing one's authentic self to work, balancing personal disclosure with professional boundaries, and fostering psychological safety. They highlight the value of shared interests and personal anecdotes in enhancing team cohesion, especially remotely, and stress the importance of an inclusive culture that respects individual preferences and boundaries. Transcript: We're excited to announce a new workshop series for helping you get that startup idea you have out of your head and into the world. It's called Vision to Value. Over a series of 90-minute working sessions, you'll work with a thoughtbot product strategist and a handful of other founders to start testing your idea in the market and make a plan for building an MVP. Join for all seven of the weekly sessions, or pick and choose the ones that address your biggest challenge right now. Learn more and sign up at tbot.io/visionvalue. STEPHANIE: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Stephanie Minn. JOËL: And I'm Joël Quenneville. And together, we're here to share a bit of what we've learned along the way. STEPHANIE: So, Joël, what's new in your world? JOËL: So, at the time of this recording, we're recording this the week before RailsConf. I've been working on some of the visuals for my RailsConf talk and leaning on AI to generate some of these. So, my talk is D&D-themed, and it's very narrative-based. We follow the adventures of this gnome named Glittersense throughout the talk as we learn about how to use Turbo to build a D&D character sheet. And so, I wanted the AI to generate images for me. And the problem I've had with a lot of AI-generated images is that you're like, okay, I need a gnome, you know, in a fight doing this, doing that. But then, like, every time, you get, like, totally different images. You're like, "Oh, I need an image where it's this," but then, like, the character is different in all the scenes, and there's no consistency. So, I've been leaning a little bit more into the memory aspect of ChatGPT, where you can sort of tell it, "Look, these are the things. Now, whenever I refer to Glittersense, whenever you draw an image, do it with these characteristics that we've established what the character looks like." Sometimes I'll have, like, a text conversation kind of, like, setting up the physical characteristics. And then, it's like, okay, now every time you draw him, draw him like this, or now every time you draw him, draw him with this particular piece of equipment that we've created. And so, leaning into that memory has allowed me to create a series of images that feel a little bit more consistent in a way that's been really interesting. STEPHANIE: Cool. Yeah, that makes sense because you are telling a story, right? And you need it to have a through line and the imagery be matching as you progress in your presentation. I actually don't know a lot about how that memory works. Does it persist across sessions? Do you have to do it all in one [laughs] go, or how does that work? JOËL: So, there's, like, a persistent chat. So, you can start sort of multiple conversations, but each conversation is its own thread with its own memory. And it will sort of keep track of certain things. And sometimes I'll even say, "Hey..." instead of, like, prompting it for something to get a response, you could prompt it to add things to its memory. So say like, "From now on, when I ask you these types of questions, I want you to respond in this way," or, "From now on, when I ask you to generate an image, I want it done in this format." So, for example, RailsConf requires all of their slides to be 16 by 9. If I want, like, a kind of cover image or, like, something full-screen, I need an image that is 16 by 9. So, one of the things I prompt the AI with is just, "From now on, whenever you generate an image, give me an image in 16:9 aspect ratio." STEPHANIE: Cool. I also was intrigued by your gnome's name, Glittersense. And I was wondering what the story behind that character is. JOËL: The story behind the name is that I was playing D&D with a friend who was this very kind of eclectic Dragonborn character. And I did some sort of valiant deed and got the name Glittersense bestowed upon me by this Dragonborn for having helped him out in some, like, cool way. So, that's a fun name. And so, when I was searching for a name for my character in this talk, I was like, you know what? Let's bring back Glittersense. I like that. I think it captures a little bit of, like, the wonder and the whimsy of a gnome. STEPHANIE: That's really cute. I like that a lot. JOËL: So, Stephanie, what's been new in your world? STEPHANIE: So, lately, I've been having a lot of fun with coming up with names of things. You know the saying how naming is one of the hardest things in software? Well, okay, I'm not actually going to talk about anything that I named very particularly well in my code, but I've been just coming up with a lot of puns. It's just, I don't know, my brain is kind of in that space. And one thing that...I can't recall if I have talked about this on the show before, but our team at thoughtbot is experimenting with kind of smaller sub-teams within it called pods. We have now kind of been split into pods with other people who are working on maybe similar client projects. I have been having some really good naming ideas around [laughs] pod-related puns. So, one thing that we did as part of this experiment was setting up meetings for pods to meet each other, and spend time together, and kind of share what each other was up to. And I was the first to coin the term cross-podination, kind of like cross-pollination. And I think I just, like, said it offhand one day, and then it caught on. And I was very pleasantly surprised to see that people just leaned into it and started naming those meetings cross-podination meetings. And then, another one that came about recently was my pod there's three of us in it, and we were pairing, or I guess it's not really called a pairing if there's three. We were mobbing or ensembling, whatever you want to call it. And sometimes we like to use the git co-authored-by feature where you can attribute, you know, commits to people that you worked on them with. And in GitHub when you, you know, add people's emails to the commit, you know, you see your little GitHub profile picture in a little circle. And when you have multiple people shared on a commit, it is just, like, squished together. And since we're a trio, I was like, "Oh, it's like we're, like, three peas in a pod." JOËL: [chuckles] STEPHANIE: And I realized that it was an excellent missed opportunity for our pod name. We're something else. But I am hereby reserving that name for the next pod that I am in. You heard it here first [laughs]. It looked exactly like just three snug little peas. And I, yeah, it was very cute. I was very delighted. And yeah, that's what's new for me. JOËL: I'll also point out the fact that you are currently talking on a podcast. STEPHANIE: Whoa, whoa. So, you and I are a pod [laughter]. We're a podcasting pod [laughs]. Wow, I didn't even think about that. My world is just pods right now [laughs], folks. JOËL: How do you feel about puns as an art form? STEPHANIE: [laughs] Wow, art form is a strong phrase to use. I don't hate them. I think it depends. Sometimes I will cringe, and other times I'm like, that's great. That's excellent. Yeah, I think it depends. But I guess, clearly, I'm in my pun era, so I've just accepted it. JOËL: Are you the kind of person who is, like, ashamed but secretly proud when you make a really good pun? STEPHANIE: Yeah, that's a very good way to describe it. I'm sure there are other people out there [laughs]. JOËL: What's interesting with puns, right? Like, some people love them, some people hate them. Some people really lean into them, like, that becomes almost, like, part of their personality. We had a former teammate who his...we made a custom Slack emoji with his face, and it was the pun emoji because he always had a good pun ready for any situation. And so, that's sort of a way that I feel like sometimes you get to bring an aspect of your personality or at least a persona to work. What parts of yourself do you like to bring to work? What parts do you like to maybe leave out? STEPHANIE: Yeah, I am really excited about this topic because I feel like it's a little bit evergreen, maybe was kind of a trendy thing to talk about in terms of team culture in the past couple of years, but this idea of bringing an authentic or whole self to work as, like, an ideal. And I don't know that I totally agree with that [laughs] because, like you said, sometimes you have a different kind of persona, or you have a kind of way that you want to present yourself at work. And that doesn't necessarily mean it's a bad thing. I personally like some kind of separation in terms of my work self and my rest of life self [laughs]. Yeah, I just think that should be fine. JOËL: So, you might secretly be the pun master, but you don't want your colleagues to know. STEPHANIE: [laughs] That's true. Or I save my puns only for work [laughter]. If I ever have, like, a shower thought where I think of a really good pun, I will, like, send a Slack message to myself to find [laughs] the perfect opportunity to use this pun in a meeting [laughs]. I don't actually do that, but that would be very funny. JOËL: I feel like there's probably a sense in which nobody is a hundred percent their authentic self or their full self in a work situation, you know, it varies by person. But I'm sure everybody, to a certain extent, has a professional persona that they inhabit during work hours. STEPHANIE: Yeah, and I like that the way we're talking about it, too, is a professional persona doesn't necessarily mean that you're just a little...matching kind of a business speak bot [laughs], where it's kind of devoid of personality, but just using all the right language in their emails [laughs] and the correct business jargon or whatever. To me, what is important is that people are able to choose how they show up or present themselves at work. That's, like, an active choice that they're making, not out of obligation or fear of consequences. You know, like, it's fine to be a little more private at work if that's just how you want to operate. And it's also fine to be more open about sharing things going on in your personal life. Because I've seen ways in which both have been more enforced or, like, there's pressure to perform one way or another. And that could mean, like, when people kind of encourage others to try to be more of themselves or, like, share more things about personal life. That's not always necessarily a good thing if it's not something that people are comfortable with. And I suspect that we have kind of pulled back a little bit from that, but there was certainly a time when that was a bit of an expectation. And I'm not sure that that was quite [chuckles] what we wanted to aim for in terms of just the modern workplace. JOËL: It is interesting because I think there can be some advantages to maybe building connection with people by sharing a little bit more about your life. But, again, if there's pressure to do it, that becomes really unwholesome. STEPHANIE: Yeah. Unwholesome is a good word to use. Like, I want that wholesome content [laughs] at work. And I actually have a couple of thoughts about how I prefer to share, like, just personal things with my team members. And I'm curious kind of where you fall on this as well. But a couple of things that our team does that I really like is we have a quarterly newsletter that one of our team leads puts together. She has an open call for submissions, and people just share any, like travel plans, any professional wins, any kind of personal life things that they want to share. People love talking about their home improvement adventures [laughs] on our team, which is really fun. And yeah, like, just share photos and a little blurb about what they've been up to. And this happens every quarter. And it's always such a delight to remember a little bit like, oh yeah, my co-workers have lives outside of work. But I really like that it's opt-in and also not that frequent, you know? It's kind of like, this is the time to share any like, special things that have happened in the past three months. And yeah, I think every time a new dispatch of it comes out, everyone kind of gets the warm and fuzzy feelings of appreciating their co-workers and what they've been up to. JOËL: Do you think that that kind of sharing sort of maybe helps personalize a little bit of our colleagues, especially because we're all remote and we're interacting with each other through a screen? STEPHANIE: Yes. Yeah. That's another good distinction. I think it is, like, a little more important that there are touch points like these when we are working remote because, yeah, the water cooler conversation just doesn't really happen nearly as much as it does when you're in an office. And I feel like that's the kind of thing that I would talk about at the water cooler [laughs]. It's like, "Oh yeah, I went to Disney World, or traveled for this conference, or I built new garden beds for my yard," just stuff like that. I don't know, I don't find that...like, when you're just communicating over Slack and email, there's not a good place for that kind of stuff. And that's why I really like the newsletter. JOËL: One thing that's interesting about the difference between in-person and remote is that, in person, a way that you can express personality in the office is you can do some things with your workspace. You might have some items on your desk that are of personal interest. And, you know, you might still do that when you're working remote, but those don't get captured by your webcam unless it's in your background. Your background you can get real creative with. But you can also, like, really curate that to, like, show practically nothing. Whereas if you were putting things on your desk in the office, there's kind of no way for your colleagues not to see that. So, you had to be...like, it had to be things that you were willing for everyone to see. But at the same time, sometimes it's nice to be able to say, hey, I'm going to put a touch of, like, things that are meaningful to me in my work life. STEPHANIE: Yeah, I really like that. I mean, Joël, your background is always these framed maps on the wall, hanging on the wall, and that is very you, I think. Did you kind of think about how they'll just be your background whenever you're in a meeting, or they just happened to be there? JOËL: So, these I had set up pre-pandemic. I like the décor. And then, when I started working from home in 2020, I was trying to figure out, like, where do I want to be to take meetings? And I was like, you know what? The math wall is pretty cool. I think that's going to be my background. I guess now it's almost become, like, a bit of a trademark. STEPHANIE: Yeah, I feel that. My trademark...I have a few because I like to move around when I take meetings. So, when I'm at my desk, it's the plants in my office. When I'm in my kitchen, it's either my jars [laughs]. So, I have, like, open shelving and just all of these jars of, you know, some of it is ingredients like nuts, and grains, and stuff like that, and some of it is just empty jars that I use for drinking water. So, I have my jar collection. And then, occasionally, if I'm sitting on the other side of the table [chuckles], all of my pots and pans are hanging in the background from above my stove. So, yeah, I'm the jars, pots, and plants person [laughs] at the company. JOËL: You know, we were talking earlier about the idea that it's harder to see your sort of workspace in a remote world. And I just remembered that we do a semi-regular...there's, like, a thread at thoughtbot where people just share pictures of their workspace, and it's opt-in. You don't have to put anything in there. But you get a little bit of, like, oh, the other side of the camera. That's pretty cool. STEPHANIE: Yeah, I love seeing those threads. And I think a lot of people in our industry are also gear nerds, so [laughter] they love to see people's, like, fancy monitor and keyboard setups, maybe some cool lighting, oh, like, wire organization [laughs]. JOËL: Cable management. STEPHANIE: Yep. Yep. Those are fun. And I actually think another one that we've lost since going remote is laptop stickers because that was such a great way for people to show some personality and things that they love, like programming stuff, maybe, like, you know, language stickers or organizations like thoughtbot stickers, too, and also, more personal stuff if they want. At a previous company, we were also remote, and someone came up with a really fun game where people anonymously submitted pictures of their laptop stickers. And we got together and tried to guess whose laptop belonged to who just based on the stickers. JOËL: Oh, that's fun. STEPHANIE: Yeah, that was really fun. I keep forgetting that I wanted to organize something like that for thoughtbot. But now I'm just thinking about it, and I feel the need to decorate my laptop with some stickers after this [laughs]. JOËL: One thing I do want to highlight, though, is the fact that several years back, when people were talking a lot about the importance of bringing your sort of authentic or whole self to work, one of the really valuable parts of that conversation was giving people the ability to do that, not forcing people to sort of hide parts of themselves, especially if they don't fit into a dominant culture or demographic, in order to be able to even function at work, right? That's a sort of key aspect of, I guess, basic inclusivity. And so, I think that's still a hundred percent true today. We want to build cultures that are inclusive, both in our in-person professional situations and for remote teams. STEPHANIE: Yeah, 100%. I think, for me, what I think is a good measure of that is, you know, how comfortable are people disagreeing at the company kind of in public or sharing an alternative perspective? Like, that should be okay and celebrated, even, and considered, you know, with equal weight as kind of what you're saying, the dominant identity or even just opinion. Like, especially in tech, I think people have very strongly held opinions, and when they're disagreed with...I've become a little skeptical of the idea of, like, this is how we do things here or, like, we don't do that. And I think that rather than sticking to a, like, stance like that, there's always room to incorporate, like, new approaches, new perspectives, new ways of thinking to a given problem. And that can only happen when people are comfortable with going there, you know, and kind of saying, like, "This is important to me," or, like, "This is how I feel about it." And that, in and of itself, is just equally valid [laughs] as whatever is taking the airtime currently. JOËL: That's really interesting because I feel like now you've leaned into almost the idea of psychological safety for a team. And if you're having to sort of repress or hide elements of the way you think, or maybe even sort of core elements of your identity to fit in with a team, that's not psychologically safe, and you can't have those deeper conversations. STEPHANIE: Yeah, 100%. I think it's two sides of the same coin, you know, it's like two ways of saying the same thing, that people should be able to conduct themselves in the way they choose to [laughs]. And I can't imagine anyone really disagreeing with a statement like that. JOËL: So, I know you choose to not always share everything about your life or sort of...I don't want to say bring your authentic self but, like, bring everything about yourself to the workplace. Do you have a sort of a heuristic for what you decide to share or not share? STEPHANIE: Yeah. I don't know if it's necessarily a heuristic so much as it's just what I do [laughs]. But I tend to do better with, like, smaller groups, and, actually, that's why I think pods has been working really well for me personally because I can share personal information just in a more intimate setting, which is helpful for me. And yeah, I tend to, like, find once, like, either Slack channels or Spaces, meetings are starting to get into the, like, 10, 11, 12 people territory is when I hold it back a little bit more, not because of any sort of, like, reason that I don't want to share. It's just, like, that's just not the venue for me. But I do love when other people are, like, open, even in, like, larger spaces like that. I appreciate when other people do it just to, you know, signal that it's okay [laughs]. And I enjoy throwing a reaction or responding in a thread about, you know, something that someone shared in a bigger channel. And I think that diversity is actually really helpful because it conveys that, like, there's different ways of existing online in your work environment and that they're all acceptable. What about you? How do you kind of choose where to share things about your personal life? JOËL: I think, kind of like you, I don't really have a heuristic. I just sort of go with gut feeling. I think I, sort of by nature, have always been maybe a little bit of having, like, separate professional and personal lives and keeping those a little bit more distinct. And, you know, there's some things that kind of cross over, like, oh, you know, I tried out this fun, new restaurant, or I did a cool activity over the weekend, or something like that. I think I've come to see that there can be a lot of value in sharing parts of yourself with other colleagues. And so, from time to time, I'll, like, maybe bring in something a little bit deeper. And, like you said, sometimes that's more easily done in a smaller context. And then yeah, for some things, it's like, okay, I'm going to share photos from a vacation in that, you know, quarterly newsletter. That's kind of fun. But also knowing that there's no pressure that's nice. STEPHANIE: Yeah. I think you're really good about finding the right avenues for that. I like, love when you show photos in the travel channel, even though I have that channel muted [laughs]. You'll, like, send me the link to the post in that channel. And yeah, I love that because it's a way for you to kind of, like, find the right place for it, and then also share it with any particular people if you choose to. JOËL: I think, also, personal connections can be a way to build deeper relationships, especially in smaller groups. And you can form deeper connections with colleagues over a particular project, or a particular technology, or a tech topic, or, you know, just a passion about mechanical keyboards, or something like that. But if you're people who chat kind of more on the regular for different things, maybe separate from a client project you're on or something like that, and you do find yourself exchanging a little bit more about, oh, you know, what you're doing in your life, or what are the things that are going on for you, that often does tend to build, I think, a deeper connection between colleagues, which can be really nice. STEPHANIE: Yeah. And I like that those relationships can also change. Like, there's different seasons in which you're more connected to some people and then less connected. Sometimes a colleague that you have shared interests with becomes someone that you kind of are in touch with more regularly, and then maybe you switch projects, and you aren't so much kind of as up to date. But, I don't know, I always think that there's, like, the right time for that kind of stuff, and it emerges. JOËL: I'm going to throw a bit of a buzzword at you, and I'd love to get your reaction. The idea of belonging, the feeling of belonging on a team, is that a good thing, something that we should seek out? And if so, how much of that is responsibility of, like, management or, like, a property of the team or the group to make you sort of feel that belonging? And how much of that is on you having to maybe disclose things about yourself or share a little bit of your personal life to, like, create that sense of belonging? STEPHANIE: Whoa. Yeah, that is a good way to frame it. I think there's a balance. There've been some, like, periods of my work life where I'm like, oh, I need more of a detachment from work and other times where I'm like, oh, I feel really disconnected, like, I want to feel like more of a part of this team. But I do think it's a management responsibility. And one thing that I know people to be cautious of is, you know, becoming too close at work. I don't know if your work being treated like a family, like, that kind of language can be a little bit borderline. JOËL: Almost manipulative. STEPHANIE: Right. Yeah, exactly. I do think there's something to be said about community at work and feeling like that kind of belonging, right? But also, that you can choose how much, like, you want to engage with that community and that being okay. I don't think it necessarily needs to be only through what you share about yourself. Like, you can have that sense of connection just by being a good colleague [chuckles], right? Like, even if the things you talk about are just within the realm of the project you're working on, like, there's still a sense of commitment and, yeah, in that relationship. And I think that is what matters when it comes to belonging. In the past, ways that I've seen that work well in regards to kind of how you share information is just, like, I don't know, share how you're doing. Like, you don't have to provide too many details. But it could be like, "Oh, I'm kind of distracted in my personal life right now, and that's why I wasn't able to get this done." People should be understanding of that, even if you don't kind of let them in on the more personal aspects of it. JOËL: Right. And you don't have to give any details, right? STEPHANIE: Yeah. JOËL: You should be in a place where people are comfortable with not knowing and not be like, "Ooh, what's going on with Stephanie's life? " STEPHANIE: [laughs] Yeah. But I do also think, like, the knowing that, like, something is going on is, like, also important context, right? Because you don't necessarily want that to impact the commitments you do have at work. JOËL: Right. And people tend to be a little bit more understanding if you're having to maybe shift some meetings around, or if you're struggling to focus on a particular day, or something like that. STEPHANIE: Yeah. 100%. JOËL: Yeah, we should normalize it of just like, "Hey, I'm having a hard day. I don't want to give details, but you know." STEPHANIE: Yeah. Yeah. I think a way that that is always kind of weird is how people communicate they're taking a sick day [laughs]. I actually had someone tell me that they really appreciated a time when I just said, "You know, I need to take care of myself today," and didn't really say anything else [laughs] about why. Because they're like, "Oh, like, that helped normalize this idea that, like, that is fine just kind of as is." There's no need to, you know, supply any additional reasoning. JOËL: Sometimes I feel like people almost feel the need to like, justify taking sick time. So, you've got to, like, say just how bad things are that now I'm actually taking sick time. STEPHANIE: Yeah, which is...that's not the point, right? You know, we have it because we need it [laughs]. So, yeah, I'm glad you mentioned that because I think that's actually a really good example of the ways that people, like, approach kind of bringing themselves to work like that. JOËL: Yeah, sometimes it's setting a boundary. An aspect I'm curious to look at is you, and I do a little bit of this with this podcast, right? Every week, we share a little bit of what's new in our world, and it goes out into the public internet. How do you tend to pick those topics and, like, how personal are you willing to get? STEPHANIE: Yeah. Oh, that's so hard. It's always hard [laughs], I think. I generally am pretty open. You know, I have talked about plans that I have for moving. I don't know, things about my gardening. I think I've also been a little vulnerable on the show before when I've, like, had a challenge, like, at work. But yeah, it's important, to me, I think, to be, like, true. Like, I think part of what our listeners like about this show is that we show up every week, and it's just a chat between two friends [laughs]. JOËL: Uh-huh. STEPHANIE: It also is kind of weird to know that it's just, like, out there, right? And I don't really know who's listening on the other side. I do know that, like, a lot of my friends listen. And, in some ways, I like to think that I'm talking to them, right? But yeah, sometimes I think about just, like, in a decade [laughs], it will still be out there. And on one hand, I think maybe it's kind of cool because I can listen back and be like, oh, like, that's what was going on for me in 2024. And other times I'm like, oh my God, what if I'm one day just, like, deeply embarrassed by things I've talked about on this show [laughs]? But that's a risk, I guess, I'm willing to take because I do think that the sense of connection that we foster with our audience is really meaningful. And it gives me a lot of joy whenever I meet a listener who's like, "Oh, you, you know, talked about this one thing, and I really related to it." And yeah, I guess that's what I do this for. What about you? JOËL: Yeah, I think kind of similar to you; tend to talk about things at work, interesting technical challenges, interesting sort of work, or even sometimes client-related challenges. Of course, you know, never calling out any clients by name, you know, talk about some hobbies and things like that. I think where I tend to draw the line a little bit is things that are a little bit more people-oriented in my personal life. So, I tend to not talk about family, and friends, and relationships, and things like that. And, you know, there are some times where there's like, those things intermix a little bit, where I'll, like, have shared, like, "This is what's new in my world." And then, like, off air, I'll follow up with you and say, "So, I didn't tell the whole story on air. STEPHANIE: [laughs] Yeah. JOËL: Here's what actually happened." Or, you know, "Here's this extra anecdote that I wanted you to know, but I didn't want everyone in the audience to hear." STEPHANIE: Yeah. I think the weirdest part for me, too, is I certainly have my, like, parasocial relationships with people that I follow on the internet [laughs], like, people on YouTube, or other podcasts, and stuff like that. But I haven't thought a whole lot about just, like, what that looks like for me as a host of a podcast. I think, kind of the size of the show now it feels right for me, where it's like I run into people who listen at conferences and stuff like that, but it is kind of contained to a work-related thing. So, that feels good because it, I think, for me, helps just give the work stuff a little bit of a deeper meaning, but otherwise isn't spilling over to my regular life. JOËL: And it's always fun when, you know, we get a listener email connecting to, you know, one of the random hobbies or something we've talked about and sharing a little bit of their experiences. I think last spring, I talked about getting a pair of bike shorts and, like, trying it out and seeing how that worked. And a listener called in and shared their experience with bike shorts, and, like, that's a lot of fun. It kind of creates that connection. So, I do enjoy that aspect. STEPHANIE: Yeah. And just to plug, you can write in to us at hosts@bikeshed.fm, and if you have anything you want to share that was inspired by what you heard us talk about on the show. JOËL: We'd love to have you. STEPHANIE: On that note, shall we wrap up? JOËL: Let's wrap up. STEPHANIE: Show notes for this episode can be found at bikeshed.fm. JOËL: This show has been produced and edited by Mandy Moore. STEPHANIE: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review in iTunes. It really helps other folks find the show. JOËL: If you have any feedback for this or any of our other episodes, you can reach us @_bikeshed, or you can reach me @joelquen on Twitter. STEPHANIE: Or reach both of us at hosts@bikeshed.fm via email. JOËL: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeeee!!!!!!! AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.Support The Bike Shed

The hosts discuss the origins of design patterns in software linked to architectural ideas by Christopher Alexander. They joke about achievements in the Boston bike share system and dive into data modeling complexities in software systems, debating database relationships and design decisions like 'belongs_to' vs 'has_one'. They provide insights on backend development challenges and strategies for efficient querying and data consistency.