Songcraft: Spotlight on Songwriters

SUMMARY:Songwriters Hall of Famer JD Souther joins Scott and Paul for an in-depth interview to kick off the New Year! PART ONE:Paul and Scott welcome two very special guests (ages 8 and 5) to help set the tone for the new year. Plus they reveal the clever message a listener sent in to win the Stax Christmas LP from the last episode. PART TWO:Our in-depth conversation with JD SoutherABOUT JD SOUTHER:JD Souther is perhaps best known for writing or co-writing ten songs recorded by the Eagles, including “Victim of Love,” “The Sad Café,” “How Long,” and the #1 hits “Best of My Love,” “New Kid in Town,” and “Heartache Tonight.” Another ten of his songs were recorded by Linda Ronstadt, among them “Faithless Love,” “Prisoner in Disguise,” and “Simple Man, Simple Dream.” The list of other artists who have drawn from the JD Souther songbook includes Bonnie Raitt, Rod Stewart, Conway Twitty, Glen Campbell, George Strait, Trisha Yearwood, Tom Jones, Roy Orbison, Raul Malo, Michael Buble, India.Arie, and Crosby, Stills & Nash. Additionally, JD co-wrote three songs with Don Henley on his End of the Innoncence album, including “Heart of the Matter,” and found success with the Dixie Chicks’ cover of his “I’ll Take Care of You.” As an artist, JD launched his career with the group Longbranch / Pennywhistle, which he founded with future Eagle Glenn Frey. Soon after, he co-founded the Souther-Hillman-Furay Band with Chris Hillman of The Byrds and the Flying Burrito Brothers, and Richie Furay of Buffalo Springfield and Poco. In total, JD has released seven solo studio albums between 1972 and 2015, and landed two Top 10 hits as a recording artist with “You’re Only Lonely” and the James Taylor duet “Her Town Too.” Souther was inducted into the Songwriters Hall of Fame in 2013. 

SUMMARYIn this very special holiday episode of Songcraft, we're taking it back to Christmas at Stax, featuring conversations with some of the luminaries of the storied Memphis label that dominated Southern soul music in the 1960s and 70s. You'll hear from Deanie Parker, William Bell, and Carla Thomas as we celebrate the season and close the book on another year at Songcraft. PART ONEPaul and Scott reflect on 2023, talk Grammy nominations, and tease upcoming episodes for 2024.PART TWOInterview segments with Deanie Parker, William Bell, and Carla Thomas about their original holiday songs and what Christmas was like at Stax Records in the glory days. 

SUMMARY:Two-time Grammy nominee and acclaimed singer-songwriter Peter Case joins Songcraft to talk about his wide-ranging career.PART ONE:Scott and Paul chat about instruments that are nearly as famous as their players. PART TWO:Our in-depth interview with Peter CaseABOUT PETER CASE:Two-time Grammy nominee Peter Case made a name for himself in the pioneering California power pop trio The Nerves before going on to form The Plimsouls, which made a splash with the single “A Million Miles Away.” Launching a solo career with producer T Bone Burnett in the mid-1980s, Case went on to earn a reputation as a songwriter’s songwriter with staples such as “Old Blue Car,” “Entella Hotel,” “Two Angels,” “Travellin’ Light,” “Dream About You,” and “Beyond the Blues.” His songs have been recorded by The Go-Go’s, Marshall Crenshaw, Goo Goo Dolls, John Prine, Robert Earl Keen, James McMurtry, Chris Smither, Robert Randolph, John Prine, Alejandro Escovedo, Joe Ely, Hayes Carll, Dave Alvin, and others. Peter’s most recent album, Doctor Moan, is his first collection of original songs in seven years.  

SUMMARY:Bush front man Gavin Rossdale joins to chat about the band's first career-spanning compilation as he looks back on all the classic songs. PART ONE:This is a long one that covers Scott's eyewitness account of the Rock & Roll Hall of Fame induction ceremony, Paul's experience at U2's Sphere show, and the guys' thoughts on new music from the Rolling Stones and the Beatles. PART TWO (28 minute mark):Our in-depth conversation with Gavin RossdaleABOUT GAVIN ROSSDALE:As the lead vocalist, guitarist, songwriter and founder of the band Bush, Gavin Rossdale has sold over 24 million records in the U.S. and Canada, garnered over 1 billion streams, and won the prestigious Ivor Novello Award for International Achievement in Songwriting. He and the band are responsible for a string of 25 consecutive Top 40 hit singles on Billboard’s Modern, Mainstream, and Active Rock charts spanning over 30 years. Seven of those songs reached #1, including “Comedown,” “Glycerine,” “Machinehead,” the Grammy-nominated “Swallowed,” and 2022’s “More Than Machines.” Rossdale has also starred in films such as The Bling Ring and Constantine, and has found success with his solo work, including the Top 40 single “Love Remains the Same.” Bush recently released its critically-acclaimed ninth studio album, The Art Of Survival. Gavin and the band’s latest project is called Loaded: The Greatest Hits, 1994-2023, and is Bush’s first career-spanning compilation. 

SUMMARY:Grammy-nominated artist and songwriter Dave Barnes joins us to chat about his recording career, his hits for other artists, and his latest album that was inspired from an entire year listening to nothing but the BeatlesPART ONE:Scott and Paul talk about concept albums and reveal their favoritesPART TWO:Our in-depth conversation with Dave BarnesABOUT DAVE BARNES:Nashville-based singer, songwriter, musician, podcaster and comedian Dave Barnes began his professional life as an indie touring musician in the early 2000s. After a couple of critically-acclaimed albums, he signed with Razor & Tie Records and released his third full-length studio effort, Me and You and the World. The follow-up album, What We Want, What We Get, included the single “God Gave Me You,” which became a Top 5 Contemporary Christian hit for Dave and was subsequently recorded by Blake Shelton. The cover version became a #1 hit on country radio, went five times Platinum, and earned Dave a Grammy nomination for Best Country Song and a CMA nomination for Song of the Year. He found additional success writing with and for other country artists, including Thomas Rhett and Maren Morris’s #1 duet “Craving You,” Carrie Underwood’s “Kingdom,” and “Like a Lady,” a Top 20 single by Lady A. The list of artists who have recorded his songs also includes Reba McEntire, Tim McGraw, and Christian artist Bethany Dillon, who scored a Top 5 hit with “All I Need.” Drawn to thematic projects, Dave has released two Christmas albums, two Valentine’s Day LPs, and an album paying tribute to the sounds of '70s Southern California called Carry On, San Vicente. To date, he has released over a dozen full-length studio albums. The most recent, Featherbrained Wealth Motel, came after a year Dave spent listening solely to The Beatles. 

SUMMARY:Celebrated songwriter Natalie Merchant chats about her songwriting, from her days fronting 10,000 Maniacs up to her most recent album, Keep Your Courage. PART ONE: Were the Lilith Fair-era 1990s the best time for women in music? Scott and Paul discuss.PART TWO:Our in-depth conversation with the legendary Natalie MerchantABOUT:Natalie Merchant launched her career as the lead vocalist and primary lyricist of the band 10,000 Maniacs, which broke through with the double Platinum album In My Tribe in 1987. Subsequent albums Blind Man’s Zoo and Our Time in Eden spawned the Merchant-penned singles “Trouble Me” and “These Are Days,” respectively. Following an appearance on MTV Unplugged and a hit single covering Bruce Springsteen and Patti Smith’s “Because the Night,” Natalie departed the band to launch a solo career. Her debut album, Tigerlily, featured the Top 10 singles “Carnival,” “Wonder,” and “Jealousy,” and was certified five times Platinum. She has gone on to release nine solo studio albums, including the Platinum-selling Ophelia, which spawned the single “Kind & Generous”; Leave Your Sleep, which topped the US folk charts; and a 2014 self-titled release that reached the Top 5 on Billboard’s rock chart. Recent years have found Natalie rearranging her songs for string quintet and acoustic instruments for the documentary Paradise Is There, directing Shelter, a documentary on domestic violence, curating the 10-disc box The Natalie Merchant Collection, and spending four days a week working with children as an artist-in-residence at a non-profit pre-school. In November 2022, Natalie was appointed to a six-year term on the board of trustees for the American Folklife Center at The Library of Congress. Her ninth studio album, and first album of all new, original material in nine years, is the self-produced Keep Your Courage on Nonesuch Records.  

Summary:Josh Ritter, named one of the "100 Greatest Living Songwriters" by Paste magazine, dives deep with Scott on the evolution of his songwriting and the boundaries he pushed on his most recent album. Part One:Scott and Paul talk about politicians who play music. Because SOMEONE needs to talk about it! Part Two:Scott's in-depth conversation with Josh RitterAbout Josh Ritter:Named one of the “100 Greatest Living Songwriters” by Paste magazine, Josh Ritter has released eleven critically acclaimed studio albums. Carving out a reputation as a thoughtful and poetic lyricist, Ritter’s music been covered by Bob Weir, Joan Baez, and Bob Dylan. Attracting attention for breakout songs such as “Getting Ready to Get Down,” “Kathleen,” and “Miles Away,” Ritter is no stranger to critics’ best albums of the year lists. His 2019 album, Fever Breaks, was produced by Jason Isbell and backed by Isbell’s band, the 400 Unit. His most recent album, which reunites him with his own Royal City Band and finds him continuing to push sonic boundaries, is called Spectral Lines. 

Rock & Roll Hall of Famer Paul Stanley of KISS discusses his career, adopting personas, and KISS's impeccable timing. They dive into the impact of bands presenting themselves as characters, memorable song introductions, and the inspiration behind the song 'Hard Luck Woman'. They also talk about the power of the KISS character as a defense, the long-lasting influence of KISS, and the importance of roots in music.

SUMMARYStax Records legend Deanie Parker talks about writing songs for Otis Redding, Albert King, William Bell, and Carla Thomas, dives deep on what made the Stax environment so special, and shines a light on the recently-released box sets of forgotten Stax songwriter demos. PART ONEScott and Paul discuss the wild story behind the monumental box set Written in Their Soul: The Stax Songwriter Demos.PART TWOOur in-depth interview with Deanie ParkerABOUT DEANIE PARKERWhile still in high school, Deanie Parker won a Memphis talent contest and an audition for Jim Stewart at Stax Records. He signed her and released her debut single, on the Volt label, in 1963. The self-penned “My Imaginary Guy” became a regional hit, but the life of a touring artist was not for Parker. She became the first Black employee at Stax’s Satellite Record Shop before joining the label staff as the company’s first publicist in 1964. Learning on the job while studying journalism at Memphis State, Parker eventually became the company’s Vice President of Public Affairs. One of the first female publicists in the music industry, she worked closely with Isaac Hayes, Booker T & the MG’s, Rufus and Carla Thomas, Johnnie Taylor, Albert King, and others. Wearing many hats at Stax, Deanie continued to write songs with colleagues such as Steve Cropper, Booker T. Jones, Eddie Floyd, Bettye Crutcher, Mack Rice, Mable John, and Homer Banks, with whom she penned the soul classic “Ain’t That a Lot of Love.” The list of Stax artists who recorded her songs includes Otis Redding, Carla Thomas, William Bell, Sam & Dave, The Staple Singers, and more. Her other writing skills were put to use penning liner notes for classic albums such as Sam & Dave’s Hold On, I’m Comin’, Albert King’s Born Under a Bad Sign, Otis Redding’s Live in Europe, and Shirley Brown’s Woman to Woman. From 1987 through 1995, Deanie served as the Assistant Director of the Memphis in May International Festival. A tireless champion of the Stax legacy, she became the first President and CEO of Soulsville, the nonprofit organization established to build and manage the Stax Museum of American Soul Music, Stax Music Academy, and the Soulsville Charter School. She was appointed to the Tennessee Arts Commission in 2004 and, in 2009, was awarded two Emmy awards for the I Am a Man documentary short, for which she was an executive producer and the title song composer. The list of artists outside the Stax family who’ve covered Deanie Parker’s songs includes The Rolling Stones, Elvis Costello, Darlene Love, Taj Mahal, Three Dog Night, The Flying Burrito Brothers, The Band, New York Dolls, Simply Red, Hall & Oates, and many others. She is a co-producer and co-liner notes writer of the seven-CD collection Written in Their Soul: The Stax Songwriter Demos, and was recently announced as a 2023 inductee into the Memphis Music Hall of Fame. 

SUMMARY:Zach Williams of The Lone Bellow chats about his songwriting development and the band's latest album, Love Songs for LosersPART ONE:Scott and Paul dive deep on the evolution of George Michael's "Careless Whisper" and the role that production plays in presenting a great song.PART TWO:Our in-depth conversation with Zach Williams of The Lone BellowABOUT ZACH WILLIAMS:Originally delving into songwriting as a way to cope with a family medical crisis, Zach Williams eventually moved to New York City to seriously pursue a career as a writer and performer. There, he formed the group The Lone Bellow, which released its self-titled debut album in early 2013. People magazine named it among the top 10 albums of the year, and it earned the attention of Aaron Dessner of the band The National, who produced The Lone Bellow’s second album, Then Came the Morning. The group subsequently earned an Americana Music Award nomination for Duo or Group of the Year, and relocated to Nashville soon after. They went on to record a third album in Nashville with producer Dave Cobb before making yet another record with Aaron Dessner. The band’s most recent release, Love Songs for Losers, is their first self-produced album. The lead single “Honey” became their first Top 10 single on Billboard’s Adult Alternative Airplay chart.