Songcraft: Spotlight on Songwriters

PART 1 OF 2: R&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She’s All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Tracy Byrd recorded it in 1996, hitting #4 on Billboard’s Country rankings and introducing the song to a new generation of fans. Williams’ career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You’re My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney’s Top 20 Pop single, “She’s a Heartbreaker.” He became Atlantic Records’ first African American staff producer in 1968, but left the following year to pursue independent projects in Muscle Shoals, Alabama. By the 1970s he was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick. Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric deep soul albums whose gonzo lyrics were marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I’m Not Selling Out – I’m Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It have earned considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others.  

Rock and Roll Hall of Famer John Oates is one half of the team that both Billboard magazine and the RIAA (Recording Industry Association of America) dubbed the most successful duo in rock history. Oates and longtime collaborator Daryl Hall signed with Atlantic Records in 1972, but didn’t break through with a major hit single until they moved to RCA and scored a Top 5 Pop hit with “Sara Smile” in 1974. Penned by Hall and Oates, it was the beginning of a long string of Top 40 hits. As a songwriter, John Oates is best known for co-writing classic titles including “She’s Gone,” “You Make My Dreams,” “I Can’t Go For That (No Can Do),” “Maneater,” “Adult Education,” and “Out of Touch.” He is also the co-writer of “Electric Blue,” a 1988 Top 10 hit by Icehouse. Additionally, his songs have been covered by Nancy Wilson, Brian McKnight, Boyz II Men, Shirley Manson, Nelly Furtado, The Bird and the Bee, Rumer, and many others. Daryl Hall and John Oates were inducted into the Songwriters Hall of Fame in 2005, and were co-recipients of the prestigious BMI Icon Award in 2008. With six albums certified Gold and seven certified Platinum, their successes as songwriters and performers earned them a place in the Rock and Roll Hall of Fame in 2014. Oates has released half a dozen solo albums since 1999, and is signed to Warner Music’s Nashville division, where he now makes his home.

Grammy winner Melissa Manchester signed her first publishing deal at the age of 17, before going on to work as a backup singer for Bette Midler. She first came to prominence as an artist with the 1975 single “Midnight Blue,” which climbed to #6 on Billboard’s Pop chart and hit the #1 spot on the Adult Contemporary rankings. Co-written with Carole Bayer Sager, it was the first of nine Manchester-penned compositions to hit the Top 40. Of those, a half dozen reached the Top 10 on the Adult Contemporary chart.  In addition to writing her own hits as a performer - including “Just Too Many People” and “Just You And I” - she also found success writing for other artists, including the Top 10 hit “Come In From the Rain” for Captain & Tennille and “Whenever I Call You Friend,” which was a Top 5 Pop hit for Kenny Loggins and Stevie Nicks in 1978. Her songs have been recorded by Roberta Flack, Dusty Springfield, Alison Krauss, and Barbra Streisand.

Though best known as the Grammy-winning co-writer of the contemporary standard “Wind Beneath My Wings,” Jeff Silbar has appeared in the Top 40 on Billboard’s Pop, Country, and Adult Contemporary charts a total of 28 times. With deep roots as both a songwriter and a music publisher in Nashville and Los Angeles, his songs have been recorded by a diverse range of artists, including John Cougar Mellencamp, Fleetwood Mac, Kenny Rogers, Alabama, Dolly Parton, Gregg Allman, Leon Russell, Lou Rawls, Reba McEntire, Willie Nelson, and many others. In addition to winning Song of the Year awards from the Academy of Country Music, the Country Music Association, and the Recording Academy, he has received more than thirty ASCAP performance awards. 

Legendary keyboardist Spooner Oldham was inducted into the Rock 'n' Roll Hall of Fame for his work as a sideman on classic Muscle Shoals recordings, including "Mustang Sally," "When a Man Loves a Woman," and Aretha Franklin's "I Never Loved a Man (The Way I Love You)." As a songwriter, however, Spooner landed 25 different titles on Billboard's R&B, Pop, and Country charts, including many co-writes with partner Dan Penn, such as the Top 10 classic "I'm Your Puppet" by James and Bobby Purify, "It Tears Me Up" by Percy Sledge, and "Cry Like a Baby" which the Box Tops took to #2 on the Pop chart in 1968. The pair additionally scored with Bobby Bare's Top 40 country hit, "In the Same Old Way," and R&B hits such as Solomon Burke's "Take Me (Just As I Am)," Percy Sledge's "Out of Left Field," and Laura Lee's "Up Tight, Good Man." They also continued to find pop success with "I Met Her in Church" by The Box Tops and "Sweet Inspiration" by The Sweet Inspirations. In the 1970s, Oldham teamed up with Freddy Weller, with whom he co-wrote several country hits, including "Lonely Women Make Good Lovers," which was a Top 5 charter for Bob Luman in 1972 and again for Steve Wariner in 1984. Additionally, his songs have been recorded by Janis Joplin, Etta James, Patti Labelle, Charlie Rich, George Jones, Clarence Carter, Sam & Dave, Dionne Warwick, Diana Ross, Patti Page, Barbra Streisand, Elton John, and Elvis Costello.

Dallas Frazier first appeared as a recording artist on Capitol Records in 1954. He moved from California to Nashville in 1963, eventually placing 42 songs in the Top 20 on Billboard’s country singles chart. Ten of those songs climbed to the #1 position. His music has been recorded by George Jones, Willie Nelson, Merle Haggard, Johnny Cash, Loretta Lynn, Emmylou Harris, Charley Pride, Ferlin Husky, Dolly Parton, Randy Travis, Ricky Skaggs, Patty Loveless, and countless others. He wrote "There Goes My Everything," the Country Music Association single of the year in 1967, and was inducted into the Nashville Songwriters Hall of Fame in 1976. But there was more to Dallas Frazier than country music. His first hit was the #1 pop smash “Alley-Oop” in 1960, and he appeared on the Billboard country, pop, and R&B charts an astounding 152 times. In addition to his country recordings, Dallas’ songs have been covered by Elvis Presley, Jerry Lee Lewis, the Beach Boys, Keith Richards, Tina Turner, Diana Ross, Percy Sledge, Slim Harpo, Peggy Lee, Englebert Humperdinck, Gram Parsons, Lucinda Williams, and even Bob Dylan. He has won BMI performance awards for more than twenty of his songs including “All I Have to Offer You Is Me,” “Fourteen Carat Mind,” “If My Heart Had Windows,” “What’s Your Mama’s Name Child,” “Son of Hickory Holler’s Tramp," and “Elvira.”  

Singer-songwriter Brandy Clark’s 2013 debut album 12 Stories landed on the year end “best of” lists ofRolling Stone, NPR, American Songwriter, and New York magazine before earning her a nomination for Best Country Album and Best New Artist (in any genre) at the 2015 Grammy awards. Clark’s meticulously crafted “drinking and thinking” songs, as she described them to “All Things Considered,” reflect a new brand of progressively-minded traditional country that has been enthusiastically embraced by both the honky-tonk crowd and public radio audiences. Before stepping into the spotlight as an artist, however, Clark put in more than a decade as a hard-working Nashville-based tunesmith whose songs were recorded by Toby Keith, Reba McEntire, LeAnn Rimes, Darius Rucker, Gretchen Wilson, Keith Urban, and Sheryl Crow. She co-wrote the Band Perry’s “Better Dig Two,” which hit #1 in early 2013. That same year, she was nominated for a CMA, AMA, and Grammy award for co-writing Miranda Lambert’s “Mama’s Broken Heart.” She won Song of the Year at the 2014 CMA awards for “Follow Your Arrow,” which she co-wrote with Shane McAnally and artist Kacey Musgraves. Her next album will be released by Warner Bros. Records, which signed her to their Los Angeles division in late 2014.

Jim Peterik, singer, songwriter, and guitarist, shares his passion for songwriting. He talks about his early bands and successes, including charting singles. The chapter discusses the formation of Survivor and collaborating with co-writers. It also explores Jim Peterik's successful career in Southern rock and his collaborations with various acts. The speaker deliberates on their decision to write a book on songwriting and shares insights on their own creative process.