Songcraft: Spotlight on Songwriters

SUPER-SIZED DELUXE DOUBLE EPISODE DETAILS: PART ONE Scott and Paul celebrate their 100th episode by looking back on the origins of Songcraft and answering Rolling Stone's list of the 100 Greatest Songwriters of All Time by counting down their own list of the 100 OTHER Greatest Songwriters of All Time.  PART TWO - 19:37 mark The guys revisit their love of Pearl Snap Studios in Nashville. PART THREE - 21:44 Scott and Paul chat about the search to find a writer for the 100th episode who's written at least 100 Top 10 hits on the Billboard charts. Plus, find out how to enter to win a signed copy of Lamont Dozier's new CD, Reimagination. PART FOUR - 26:26 Scott and Paul catch up with Lamont and proceed to be blown away by his amazing stories of  punching a time clock as a staff songwriter at Motown; an inside look at the company's weekly "quality control" meetings; the secret behind the unusual percussion on "Nowhere to Run;" what happened when Marvin Gaye forgot to learn "How Sweet It Is (To Be Loved By You)" before the recording session; why Diana Ross was pissed off when she cut the vocals for "Where Did Our Love Go;" which of Lamont's classics came about as a result of getting caught in a compromising situation at a no-tell motel; the time one of his Four Tops hits knocked one of his Supremes hits out of the #1 spot on the pop chart; the muse who inspired "Bernadette" and "I Hear a Symphony;" and what skills he believes are necessary for a long career as a songwriter. ABOUT LAMONT DOZIER Lamont Dozier, along with brothers Eddie and Brian Holland, wrote and produced more than 20 consecutive singles recorded by the Supremes, including ten #1 pop hits: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” “Back in My Arms Again,” “I Hear a Symphony,” “You Can’t Hurry Love,” “You Keep Me Hangin’ On,” “Love is Here and Now You’re Gone,” and “The Happening.” Other Top 5 singles they wrote for the Supremes include “My World is Empty Without You” and “Reflections.” In addition to their hits with the Supremes, Holland, Dozier, and Holland helped further define the Motown sound by writing major pop and R&B hits such as “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack” for Martha and the Vandellas, “Mickey’s Monkey” for the Miracles, “Can I Get a Witness” and “You’re a Wonderful One” for Marvin Gaye, and “(I’m A) Road Runner” for Junior Walker and the All Stars. The trio found particular success with The Four Tops, who scored hits with their songs “Baby I Need Your Loving,” “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” and “Bernadette.” Additional hits include “Crumbs Off the Table” for Glass House, “Give Me Just a Little More Time” for Chairmen of the Board, “Band of Gold” for Freda Payne, and Dozier’s own recording of “Why Can’t We Be Lovers.” Hit cover versions of his songs by rock artists include “Don’t Do It” by the Band, “Take Me in Your Arms (Rock Me a Little While)” by the Doobie Brothers, “How Sweet It Is (To Be Loved By You)” by James Taylor, and “This Old Heart of Mine” by Rod Stewart. With hits spanning multiple decades, Dozier also co-wrote “Two Hearts” with Phil Collins, earning a #1 pop hit, a Grammy award, a Golden Globe, and an Oscar nomination. Dozier is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. He is the recipient of the prestigious Johnny Mercer Award for songwriting, as well as the BMI Icon award. Lamont Dozier was additionally named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE DETAILS: PART ONE Scott turns the microphone around to ask Paul about the four songs he co-wrote on the album that just debuted at #3 on the Billboard 200 album charts behind Paul McCartney and Eminem. PART TWO - 6:58 mark Scott and Paul call up Jeff Hanna to get the inside scoop on the early days of the Nitty Gritty Dirt Band when Jackson Browne was playing kazoo; how Jeff first got into writing songs during the era when he was playing in Linda Ronstadt's backup band; why he didn't want his record label to release "Mr. Bojangles" as a single; how "yacht rock" made its way into the Dirt Band; the time Steve Goodman kicked his butt in racquetball with a chemo pump in his arm; how one of their singles flopped but became a hit record 5 years later when they released the exact same record again; the reason he and his wife, Nashville Songwriter's Hall of Famer Matraca Berg, set co-writing aside; and how it's possible that Jeff never met one of his "Bless the Broken Road" co-writers until they showed up at the Grammy awards together. ABOUT JEFF HANNA Jeff Hanna is a founding member of the pioneering country-rock and American roots music institution, The Nitty Gritty Dirt Band. As a vocalist and multi-instrumentalist with the group, Jeff has found success with songs such as “Buy For Me the Rain,” “Mr. Bojangles,” “House at Pooh Corner,” “An American Dream,” and the #1 country singles “Long Hard Road,” “Modern Day Romance,” and “Fishin’ in the Dark.”    As a songwriter, Jeff has written or co-written many of the Dirt Band favorites, including “Bayou Jubilee,” “Make a Little Magic,” “Fire in the Sky,” “Face on the Cutting Room Floor,” “Partners, Brothers, and Friends,” “Baby’s Got a Hold on Me,” “I’ve Been Lookin’,” and “Down That Road Tonight.” Hanna has found songwriting success outside the band with songs such as “High on Love,” which was a Top 20 country hit for Patty Loveless and “Bless the Broken Road,” which Rascal Flatts took to the top of the country chart in 2005. The latter earned Jeff a Grammy nomination for Song of the Year and a Grammy win for Best Country Song. The CMA Album of the Year honoree and four-time Grammy winner saw his band’s legendary Will the Circle Be Unbroken album inducted into the Library of Congress’s National Recording Archive and the Grammy Hall of Fame. He continues to tour with the Nitty Gritty Dirt Band, and has been a consistent presence in the group for more than 50 years.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART ONE Scott and Paul go down the rabbit hole of why it's just not the same when certain famous musicians aren't accompanied by their indispensable musical compatriots. PART TWO - 8:15 mark Scott and Paul call up Matraca to get the lowdown on why she wanted to marry songwriter Red Lane when she was four years old; how she ended up with her first hit after crashing Bobby Braddock's party and sneaking into his music room; why she begged Deana Carter NOT to release "Strawberry Wine" as her first single; which of her songs she believes was partially inspired by Harlan Howard from beyond the grave; and why she doesn't want to be in the room with the producer or artist the first time she hears their version of one of her songs. ABOUT MATRACA BERG Matraca Berg landed her first #1 country single as a songwriter when she was just 18 years old. She went on to earn well over a dozen more Top 10 hits by artists such as Patty Loveless (who found success with “I’m That Kind of Girl” and “You Can Feel Better”), Trisha Yearwood (who scored with “Wrong Side of Memphis,” “XXX’s and OOO’s,” and “Everybody Knows”), and Deana Carter (who hit #1 with “We Danced Anyway” and “Strawberry Wine,” the latter earning the award for CMA Song of the Year). Other hits from the Matraca Berg songbook include Reba McEntire’s “The Last One to Know,” Martina McBride’s “Wild Angels,” The Dixie Chicks’ “If I Fall You’re Going Down with Me,” and Kenny Chesney and Grace Potter’s hit duet, “You and Tequila.” The list of others who’ve recorded Matraca’s songs includes Linda Ronstadt, Dusty Springfield, Emmylou Harris, Loretta Lynn, Ray Price, and Randy Travis. In addition to her success on the mainstream country charts, Berg is what All Music calls “an unclassifiable but utterly classy singer/songwriter and recording artist.” Her debut album, Lying to the Moon, spawned two Top 40 singles and earned her an ACM nomination for Top New Female Vocalist. Her Sunday Morning to Saturday Night album was named one of the Top 10 albums of the year by Time magazine, Entertainment Weekly, and USA Today, while The Dreaming Fields has earned rave reviews from Rolling Stone, NPR, The New York Times, and others. Berg has received three Grammy nominations for Best Country Song, was inducted into the Nashville Songwriters Hall of Fame in 2008, and received the prestigious ACM Poet’s Award in 2017.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART ONE Scott and Paul give a shout-out to their latest Patreon supporter before revealing their respective Top 5 favorite live albums of all time - a topic suggested by Songcraft listener Bob Hunt! PART TWO - 15:17 mark Scott and Paul call up Gary (with a slightly wonky phone connection) to get the lowdown on how a chance meeting at a French castle led to writing more than two dozen songs with a Beatle; why he thinks growing up on show tunes made him a better country writer; how attending the Woodstock festival changed his life; the poignant true story of his father's death that unexpectedly became a hit song; how he accidentally got Faith Hill a record deal; the Tim McGraw hit he wrote that got shelved for 7 years because his publisher hated it; why he says all songs are love songs; and how he went from country hitmaker to collaborating with Carole King, Kenny Loggins, Richard Marx, Desmond Child, and the American Idol team. ABOUT GARY BURR Gary Burr first found songwriting success when Juice Newton scored a Top 10 pop hit with “Love’s Been a Little Bit Hard on Me.” The floodgates soon opened on a remarkable string of Top 5 country hits, including “That’s My Job” for Conway Twitty, “Watch Me” for Lorrie Morgan, “Sure Love” for Hal Ketchum, “One Night a Day” for Garth Brooks, “I Try to Think About Elvis” for Patty Loveless, “Till You Love Me” for Reba McEntire, “Can’t Be Really Gone” for Tim McGraw, “To Be Loved By You” for Wynonna, “On the Side of Angels” for LeeAnn Rimes, “Out of My Bones” for Randy Travis, and many others. Burr eventually returned to his early pop success, scoring a hit with “Nobody Wants to Be Lonely,” which Ricky Martin and Christina Aguilera took to the top of the Latin charts. Additionally, he wrote Kelly Clarkson’s first hit, “Before Your Love,” which was the best-selling single the year it was released. He also wrote Clay Aiken’s “This is the Night,” which hit #1 the following year. Burr has collaborated with Carole King, both as a songwriter and as a member of her touring band. Similarly, he has worked as a backing musician with Ringo Starr and has co-written more than two dozen songs with Ringo that have appeared on the former Beatle’s albums in recent years. Burr and his wife, singer/songwriter Georgia Middleman, are currently in a band with Kenny Loggins called Blue Sky Riders. In addition to those mentioned, Burr’s songs have been recorded by Neil Diamond, Billy Ray Cyrus, Don Williams, Ricky Skaggs, Faith Hill, Lisa Loeb, Keith Urban, Kenny Rogers, Night Ranger, George Jones, Joe Cocker, Lynyrd Skynyrd, Lady Antebellum, and others. Gary was twice named Songwriter of the Year by the Nashville Songwriters Association, has been named ASCAP Country Songwriter of the Year, and was inducted into the Nashville Songwriters Hall of Fame.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE DETAILS: PART ONE Scott and Paul announce the winner of the signed John Jorgenson CD contest. PART TWO - 2:46 mark As the lyrics say, "There'll be sad songs to make you cry." Paul and Scott each run down the top 3 songs that have made them do just that. PART THREE - 12:56 mark The immensely likeable Mary Lambert stops by Songcraft World Headquarters to talk about how Jewel inspired her to start playing coffee houses at the age of 13; the year she went from performing to audiences of 15 people to the Grammy stage; the ways in which a history of trauma and abuse has shaped her artistically; why songwriting is her connection to God; the reason co-writing was very jarring to her; why she cried for six hours before Madonna wiped away her tears; and how a failed co-writing session with a runner-up from "The Voice" led to a very important relationship.  Singer, songwriter, and spoken word artist Mary Lambert is best known for writing and performing the chorus for “Same Love,” a major hit for Macklemore and Ryan Lewis. The first Top 40 song in history to advocate for marriage equality, “Same Love” was named one of the Top 10 singles of 2012 by influential music critic Robert Christgau. The multiplatinum hit earned Mary a Grammy nomination for Song of the Year as well as an MTV Video Music Award. She went on to sign with Capitol Records as a solo artist, releasing the Billboard Top 20 single “She Keeps Me Warm,” followed by “Secrets,” which reached #1 on the Billboard dance chart and was certified Gold. Her most recent EP, Bold, further solidifies her reputation as an uncompromising singer-songwriter who celebrates vulnerability, honesty, and social awareness. She has been an advocate for mental health issues and was featured in JC Penney’s influential “Here I Am” ad campaign. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE DETAILS: PART ONE Scott and Paul chat about genres of music that are virtually represented by a single artist. PART TWO -  8:23 mark Find out how you can win a signed John Jorgenson CD and hear some great bloopers and outtakes from our interview! PART THREE - 10:41 mark John stops by Songcraft World Headquarters to talk about why he asked his school band teacher to assign him to the hardest instrument; how Disneyland became his musical proving ground; the "slightly devious" way he got Chris Hillman to co-found the Desert Rose Band; how his group the Hellecasters navigated the writing process with three guitar-slinging superstars; what he learned from watching Elton John write songs; why he turned down auditions to tour with Bob Dylan and Bruce Springsteen; how he ended up collaborating with Brad Paisley, Rodney Crowell, JD Souther, Peter Frampton, and other greats; and how his Django Reinhardt obsession led to his becoming the American master of  gypsy jazz.  ABOUT JOHN JORGENSON Named “one of the most respected guitarists in the world” by the Los Angeles Times, John Jorgenson is a musician and composer who is not easily pigeonholed. The three-time ACM Guitarist of the Year first rose to prominence as a founder of The Desert Rose Band, which landed eight Top 10 singles on the Billboard country chart between 1987 and 1990. He went on to co-found The Hellecasters, an instrumental guitar trio whose debut release earned Album of the Year honors from Guitar Player magazine. In the 1990s Jorgenson spent six years touring and recording in Elton John’s band and released a collaborative instrumental album with Elton’s longtime guitarist Davey Johnstone. In the following decade Jorgenson firmly established himself as a preeminent interpreter and innovator in a different genre, earning the official designation as the “US Ambassador of Gypsy Jazz.” The John Jorgenson Quintet has released a handful of highly regarded gypsy jazz albums while John has continued to record with artists such as Bonnie Raitt, John Prine, Bob Seger, Barbra Streisand, Kenny Chesney, Earl Scruggs, Luciano Pavarotti, Amy Grant, Lionel Richie, and many others. In 2006 Peter Frampton won the Best Instrumental Album Grammy for Fingerprints, which featured a song performed and composed with Jorgenson called "Souvenirs de Nos Pères (Memories of Our Fathers)" In 2009 Jorgenson took home a Grammy for Best Country Instrumental Performance for his work alongside fellow pickers James Burton, Vince Gill, Albert Lee, Brent Mason, Redd Volkaert, and Steve Wariner on Brad Paisley’s “Cluster Pluck.” “If there’s one guitar player I’d like to be,” Paisley has said, “it would be John Jorgenson.” In 2015, John released Divertuoso, a three disc album that features his three current performing bands: The John Jorgenson Electric Band, The John Jorgenson Bluegrass Band, and the gypsy jazz of the John Jorgenson Quintet. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PART ONE Scott and Paul talk about Randy Poe, Texas, and their favorite songwriters from the Lone Star State. PART TWO - 20:52 mark Robert Earl Keen comes by Songcraft World Headquarters to chat about the Marty Robbins song that set him on his path as a kid; why he wants his songs to be provocative; the book Lyle Lovett gave him that jump started his career; what Steve Earle said that convinced Robert to move to Nashville; how having only $20 in his pocket led to writing his most classic song; which of his albums made him feel like he’d been accepted into the mainstream; and why he kept delaying making a bluegrass album. ABOUT ROBERT EARL KEEN Regarded as one of the purest singer-songwriters in the Texas tradition, Robert Earl Keen is a true pioneer, and one of the most consistent practitioners of the Americana genre. While studying English at Texas A&M University, Keen linked up with fellow aspiring songwriter Lyle Lovett. The pair analyzed songs and worked on their craft together, writing tunes such as “Front Porch Song” which each included on his respective debut album. After the release of the West Textures album in 1989, Keen hit the road with songwriting giants Guy Clark and Townes Van Zandt. It was another Texan, Joe Ely, who recorded two of Robert’s songs on his highly lauded 1993 release Love and Danger that brought Keen to the attention of a wider audience. With a canon of classic songs that includes “The Road Goes on Forever,” “Corpus Christi Bay,” “Gringo Honeymoon,” and “Merry Christmas From the Family,” Keen built a diverse following that ranges from rowdy college kids to dyed-in-the-wool folkies. Live performance has been an important foundation of Keen’s artistry, as illustrated on the modern day classic live album No. 2 Live Dinner that was issued in 1996.  With a dozen studio albums and seven live albums under his belt, Keen has continued to explore new musical ground with a string of charting albums that includes 2015’s Happy Prisoner: The Bluegrass Sessions. Reaching the Top 10 on the country chart and #1 on the bluegrass rankings, Happy Prisoner demonstrates that Keen’s track record as an artist is just as strong as the respect his songs have earned from other performers. Those who’ve covered his material include Nanci Griffith, Eddy Raven, Kelly Willis, The Highwaymen, Jack Ingram, Montgomery Gentry, Shawn Colvin, Gillian Welch, and George Strait. In 2012, Robert Earl Keen was inducted into the Texas Heritage Songwriters Hall of Fame. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

IN THIS EPISODE: PART ONE Scott and Paul catch up on the latest Songcraft news and chat about some of their favorite songs about Nashville. PART TWO - 16:06 mark  Wanna learn how to be like Mark D. Sanders? You can start with Patreon. The guys tell you where to check it out. PART THREE - 18:13 mark Scott heads over to Mark's house in Nashville to get the inside scoop on how music helped him survive a troubled home life growing up; why he had trouble co-writing with people who had more success than he had; the co-writer who taught him he could have fun and write a song at the same time; his battles with severe depression; the demo singer he credits with boosting his career; the famous song that inspired the chord progression of "I Hope You Dance;" and the ethical reason he decided to walk away from commercial country music culture after decades of success. ABOUT MARK D. SANDERS Southern California native Mark D. Sanders moved to Nashville just before turning 30 and began building a career as a professional songwriter that eventually spawned 25 Top 10 hits, including more than a dozen #1 singles. His list of chart-topping hits includes “Mirror Mirror” by Diamond Rio, “Money in the Bank” by John Anderson, “Daddy’s Money” by Ricochet, “It Matters to Me” by Faith Hill, “No News” by Lonestar, “Heads Carolina, Tails California” by Jo Dee Messina, “Blue Clear Sky” by George Strait, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, and “That’d Be Alright” by Alan Jackson. Other artists who’ve recorded Mark’s songs include Garth Brooks, Reba McEntire, Vince Gill, Martina McBride, Tracey Lawrence, Trisha Yearwood, and Guy Clark.   Sanders was named Songwriter of the Year by the Nashville Songwriters Association in 1995 and 1996, and ASCAP Country Songwriter of the Year in 1997. Lee Ann Womack’s recording of “I Hope You Dance” earned him Song of the Year honors from NSAI, ASCAP, the ACM and the CMA, as well as a Grammy for Best Country Song and a Grammy nomination for Song of the Year across all categories. He was inducted into the Nashville Songwriters Hall of Fame in 2009. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE DETAILS: PART ONE Scott and Paul start the festivities off with a very important discussion about which artists carry their wallets on stage. PART TWO - 07:30 mark Scott and Paul call up Dennis, who reveals the major compliment he once got from Barry White; how the first song he ever co-wrote became a hit for Diana Ross; the shocking original lyrics for “Maniac” that were inspired by serial killer John Wayne Gacy; how an earthquake that totaled his house led to an important career change; why he isn’t necessarily proud of the story behind one of his major country hits; what he looks for in a co-writer; and how his early musical leanings were shaped by the two Philadelphias: Pennsylvania and Mississippi. ABOUT DENNIS MATKOSKY Dennis Matkosky is best known for co-writing “Maniac,” which was included on the Flashdance soundtrack and became a #1 pop single that earned Golden Globe, Academy Award, and Grammy nominations. Matkosky took home a Grammy award for Best Album of Original Score for a Motion Picture, and continued to find success for the next decade with Billboard charting singles recorded by pop, R&B, and Adult Contemporary artists such as Boz Skaggs, Smokey Robinson, Al Jarreau, Eddie Money, Chicago, and James Ingram. Dennis eventually relocated to Nashville, where he landed a Top 10 country hit with LeAnn Rimes’ recording of “I Need You” before going on to hit #1 with Keith Urban’s version of “You’ll Think of Me.” Other artists who’ve hit the country charts with his songs include Clay Aiken, Reba McEntire, Lonestar, Martina McBride, and David Nail, who hit the Top 10 with “Red Light.”  The list of additional performers who’ve recorded Dennis’ songs includes Diana Ross, Sergio Mendes, Teddy Pendergrass, Johnny Gill, George Benson, Kool & the Gang, Laura Branigan, Sheena Easton, CeCe Winans, Joe Cocker, Rascal Flatts, and the cast of the hit television show Nashville. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE DETAILS: PART ONE In celebration of Father's Day Scott and Paul discuss the influence their dads had on their musical development. Plus, you'll hear a recording of Paul's late dad, Dr. Tom Duncan, singing his only known original song! PART TWO - 09:13 mark Woody Bomar's in-depth interview SYNOPSIS Scott sits down in Nashville with his dad to get the story about how one of Roy Orbison's bandmates became Woody's guardian angel; why he got shot at on the way to a gig; how he went from pitching Kris Kristofferson's songs to writing #1 hits of his own; why he signed a young teenager named Taylor Swift to her first publishing deal; the reason he says his first cut might actually be his last; and what inspired him to write an album's worth of songs about Route 66 after an exciting career working with country music's biggest names.  ABOUT WOODY BOMAR Woody Bomar began his music career as a songwriter, landing two #1 hits with Conway Twitty’s “We Did But Now You Don’t” and Jim Glaser’s “You’re Getting to Me Again.” He hit the Top 20 with Loretta Lynn’s “Cheatin’ on a Cheater” and had songs recorded by Lee Greenwood, Lynn Anderson, TG Sheppard, Rhonda Vincent, Hank Williams, Jr., and others. Bomar eventually moved to the other side of the desk at Nashville’s Combine Music, where his duties included promoting the songs of Kris Kristofferson, Dolly Parton, Guy Clark, Tony Joe White, and others. Woody soon departed and teamed with business partner Kerry O’Neil to launch Little Big Town Music with former Combine writers John Scott Sherrill and Bob DiPiero. Serving as President and General Manager, Bomar would go on to sign a stable of songwriters that earned fifteen #1 hits, as well as thirty Top 10 singles and more than 500 major cuts by artists such as Faith Hill, George Strait, Tim McGraw, Reba McEntire, Diamond Rio, Kenny Chesney, Waylon Jennings, Vince Gill, Neil Diamond, Dusty Springfield and Peter Frampton. Little Big Town was ultimately purchased by Sony/ATV, which hired Bomar as Senior Vice President and General Manager. During his eight year tenure with Sony, Woody signed Dierks Bentley, Rascal Flatts, Josh Turner, Marty Stuart and Blake Shelton, and was instrumental in bringing Taylor Swift, Gretchen Wilson, Eric Church and Miranda Lambert to the company’s roster. In addition to the new signings, Woody worked with an existing catalog of songs by Tom Douglas, Dean Dillon, Rodney Crowell, Gretchen Peters, Bobby Braddock, Merle Haggard, Willie Nelson, Hank Williams, and many others. After departing Sony/ATV Woody  launched his second independent publishing company, Green Hills Music Group, where he continues to advocate for great songwriters and secure recordings by artists such as George Strait, Luke Bryan, Jake Owen, Rascal Flatts, Hunter Hayes, and Hilary Scott of Lady Antebellum. Woody is a two-time recipient of The Nashville Songwriters Association’s President’s Award and is an inductee into the Middle Tennessee State University’s Mass Communications Wall of Fame. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.