Songcraft: Spotlight on Songwriters

The Grammy nominee and Nashville Songwriters Hall of Famer joins us to talk about “Rub It In” (Billy "Crash" Craddock), "Way Down" (Elvis Presley), “The Greatest Man I Never Knew” (Reba McEntire), and his new memoir, Permission to Fly. EPISODE DETAILS: PART ONE Scott and Paul call up Tommy Smith, one of their top tier Patreon subscribers to chat about Songcraft, life, and his budding recording studio. PART TWO - 9:52 mark The guys invite anyone who has recorded demos at Pearl Snap Studios to send in their recordings and then they chat about the songs that have become permanently linked to ad campaigns. PART THREE - 13:49 mark Scott and Paul catch up with Layng via phone to get the story on the song he heard as a young adult that inspired him to start writing his own material; Why trying to get to Elvis lead to his first publishing deal; how he wrote songs without playing an instrument; why he preferred being his own song plugger; how he made magic in a broom closet;  why saying goodbye to Ray Stevens was the hardest day of his life; how his first Nashville co-writing session led to a Grammy nomination; and why an act of terrorism derailed a would-be hit. ABOUT LAYNG MARTINE, JR. A versatile songwriter who has found success as both a pop and country hit maker, Layng Martine has penned more than 20 songs that have reached the Top 40 on the Billboard charts. His breakthrough came with “Rub It In,” a charting single for Layng as an artist that was later revived as a #1 country hit and Top 20 pop hit for Billy “Crash” Craddock. Years later it was altered to become “Plug it In,” the long-running jingle for the Glade Plug-ins television commercials. A half dozen of Layng’s songs have earned BMI awards, including “Everybody Needs a Rainbow,” made popular by Ray Stevens, “I Should Do It,” which was a hit for The Pointer Sisters, “I Wanna Go Too Far,” which became a Top 10 single for Trisha Yearwood, and “Way Down,” the last new song ever recorded by Elvis Presley. “Way Down” reached #1 on the Billboard chart within days of Elvis’s passing. Additionally, Layng wrote charting hits for Freddy Weller, Mel Street, Jerry Lee Lewis, Cristy Lane, Dickie Lee, Tanya Tucker, Kathy Mattea, Pam Tillis, John Anderson, and others. He wrote Reba McEntire’s first charting single, and co-wrote “The Greatest Man I Never Knew,” which became a chart-topping hit for Reba several years later and earned Layng a Grammy nomination for Best Country Song.     The list of other artists who’ve recorded Layng’s songs includes Bo Diddley, Carl Perkins, The Drifters, Barry Manilow, Don Williams and Billy Dean. Layng was inducted into the Nashville Songwriters Hall of Fame in 2013, but has since set music aside to focus on narrative writing. He recently published his first book, Permission to Fly: A Memoir of Love, Crushing Loss, and Triumphs, available June 11th via FieldPoint Press.

The two-time Grammy nominee and alt.country pioneer joins us to discuss his career as an eclectic and fiercely independent singer songwriter. EPISODE DETAILS: PART ONE Scott and Paul chat about the classic conundrum of getting annoyed when your favorite artists get too popular, but also getting annoyed when people don't catch on their greatness. PART TWO - 8:20 mark Paul plays a friend's brand new single for Scott and the guys talk about Pearl Snap Studios, Patreon, and how a lucky listener can win a free hat. PART THREE - 12:59 mark Robbie stops by Songcraft World Headquarters to chat about one of his earliest songs--a super twisted parody of a Red Sovine classic; why he never moved to Nashville; how he got a record deal by writing a manifesto; why putting an album's songs in the proper sequence is important; the song he wrote for his celebrity crush; the concept album he never made; the insider details he learned from Tom Brumley; and which of his songs he doesn't want to play anymore. Plus, Robbie performs live and acoustic! ABOUT ROBBIE FULKS Singer, recording artist, instrumentalist, composer and songwriter Robbie Fulks’s most recent solo album, Upland Stories, was named among the year’s best by NPR and Rolling Stone, and was nominated for a Best Folk Album Grammy. Additionally, his “Alabama at Night” earned a Grammy nomination for Best American Roots Song. Though his tastes are wide-ranging, Fulks is steeped in country, bluegrass, and folk traditions with an often irreverent sensibility that can range from hilarious to heart breaking.  Robbie’s first two albums, Country Love Songs and South Mouth, helped define the “alternative country” movement of the 1990s, while subsequent releases found him exploring pop and rock territory. His recent work is more reflective and acoustic-oriented, though he occasionally diverges to pursue eclectic projects such as his 2018 duet album with Linda Gail Lewis, Wild! Wild! Wild! Robbie’s songs have been covered by Sam Bush, Kelly Hogan, Andrew Bird, Mollie O’Brien, Rosie Flores, John Cowan, Pinmonkey, Lone Justice, Old 97s, and others. Additionally, his writing on music and life has appeared in GQ, Blender, the Chicago Reader, DaCapo Press’s Best Music Writing anthologies, and other outlets. Besides country and bluegrass music, Robbie is fiercely fond of—in his own words—Charles Mingus, P.G. Wodehouse, quantum mechanics, his wife Donna, comedy in almost all forms, cooking, swimming laps, the past, Arthur Schopenhauer, Universal horror movies, his grandson and even his sons, coastal towns in the off-season, and rye whiskey, though in nothing like that order.

CMA and ACM Song of the Year winner Larry Weiss chats about his amazing career from the Brill Building to "Rhinestone Cowboy" and more. Plus, up-and-comer Jenny Tolman stops by to preview her cool new record.  EPISODE DETAILS: PART ONE Scott and Paul discuss the recently-aired Rock & Roll Hall of Fame induction ceremony and chat about some of the artists who've not been inducted yet, but should be! PART TWO -  14:22 mark Nashville-based newcomer Jenny Tolman stops by to discuss her approach to writing her new album There Goes the Neighborhood and to perform the title track live. PART THREE - 28:49 mark Scott and Paul catch Larry Weiss on his cell phone in the grocery store to chat about his first charting single (a co-write with Neil Diamond and eight other guys!); how he beat out King & Goffin, Sedaka & Greenfield and Mann & Weill for a Nat "King" Cole cut; why a well-timed delivery of matzo ball soup led to the recording of one of his classics; the upsetting incident that prompted him to move out of New York City; why he wasn't happy with his vocal performance on the original version of "Rhinestone Cowboy," and the reason he never thought of his biggest hit as a country song in the first place. ABOUT LARRY WEISS Glen Campbell’s recording of Larry Weiss’s “Rhinestone Cowboy” became an international hit and reached the #1 spot on both the country and pop charts in the US. It earned two Grammy nominations and was named Song of the Year by both the Country Music Association and the Academy of Country Music. While Weiss is most often associated with that classic hit, he’s written over a dozen singles that have hit the Top 40, including “Bend Me, Shape Me,” which was a Top 5 pop hit for The American Breed.  Other artists who’ve scored hits from the Weiss songbook include Pat Boone, Baby Washington, The Animals, Al Martino, Jerry Butler, and The Carpenters. Larry has released two albums as an artist, Black & Blue Suite in 1974 and Cuts and Scratches in 2010. He also sang “Brand New Life,” the theme song for the TV sitcom Who’s the Boss?  The list of additional artists who’ve covered his songs includes Nat “King” Cole, Marvin Gaye, Barry Manilow, Charley Pride, Loretta Lynn, Three Dog Night, Dionne Warwick, The Shirelles, Clyde McPhatter, Paul Anka, Gene Pitney, Rod Stewart, David Gilmour, Tom Jones, Robert Plant, Chrissie Hynde, Ben E. King, T-Rex, Paul Revere & The Raiders, Neil Diamond, Wilson Pickett, Dolly Parton, Thome Yorke of Radiohead, Belle and Sebastian, and Michael Jackson, who recorded “To Make My Father Proud,” which appeared on the 1984 album Farewell My Summer Love.

The Motown legend behind "Dancing in the Street," "Stubborn Kind of Fellow," "It Takes Two," "Devil with a Blue Dress On," and "Beechwood 4-5789" opens up about his life and career. EPISODE DETAILS: PART ONE Scott and Paul talk about Pearl Snap Studios, their new rock star Patreon subscriber, Motown's 60th anniversary, and that lost Marvin Gaye album. PART TWO - 12:43 mark Scott heads over to Mickey’s house to get the lowdown on why he almost stormed out of his first meeting with Berry Gordy; how he assembled Motown’s legendary Funk Brothers; the trick he used to convince Marvin Gaye to ditch jazz and become an R&B singer; why “Dancing in the Street” was a message song -- but not the message many people think; the pep talk he would give to Motown’s artists and songwriters; the reason he’d have to kick a young Stevie Wonder out of the studio; why he’s a champion of songwriting collaborations over writing solo; and the real reason he departed Motown. ABOUT MICKEY STEVENSON William “Mickey” Stevenson was hired as Motown Records’ first A&R Director, signing a variety of artists to the label including The Four Tops and Stevie Wonder. He assembled the legendary Motown studio band known as the Funk Brothers and produced such Motown classics as “What Becomes of the Brokenhearted” and “Uptight (Everything is Alright).” As a songwriter, Stevenson partnered with Marvin Gaye to write The Marvelettes' hit “Beechwood 4-5789,” as well as Gaye’s own hit recordings of “Stubborn Kind of Fellow,” “Hitch Hike,” and “Pride and Joy.” Mickey is perhaps best known as the co-writer of “Dancing in the Street,” a massive hit for his former assistant, Martha Reeves, that was written with Gaye and Ivy Jo Hunter. The song was inducted into the Library of Congress’s National Recording Registry and the Grammy Hall of Fame. Additional hits from the pen of Mickey Stevenson include “Devil with a Blue Dress On” for Mitch Ryder & The Detroit Wheels, “Ask the Lonely” for The Four Tops, “Nothing’s Too Good for My Baby” for Stevie Wonder, “It Take Two” for Marvin Gaye and Kim Weston, and “It Should Have Been Me” for Gladys Knight and the Pips. The long list of artists who’ve recorded Mickey’s songs includes Diana Ross, Otis Redding, Wilson Pickett, Little Richard, The Jackson 5, The Everly Brothers, Bruce Springsteen, Bonnie Raitt, Rod Stewart, Phil Collins, Tina Turner, Dusty Springfield, The Kinks, Van Halen, David Bowie, Mike Jagger, The Rolling Stones, and many others.

Rock & Roll Hall of Famer and multiple Grammy nominee Chris Hillman joins us to talk about his songwriting with The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and much more. EPISODE DETAILS: PART ONE Scott and Paul talk about the Motley Crue movie and the pros and cons of musical biopics. PART TWO - 9:45 mark Scott and Paul head up to Ventura to meet Chris Hillman and find out how he got hired to play bass with The Byrds without ever having played bass before; the reason that Miles Davis and Bob Eubanks deserve a lot of credit for The Byrds’ success; how playing bass on sessions for South African jazz legend Hugh Masekela inspired Chris to write his first songs (which became country-rock classics for The Byrds); the band he and Roger McGuinn were mocking when they wrote “So You Want to be a Rock ‘n’ Roll Star;” what happened on a particularly memorable trip to Stonehenge with Mick Jagger and Keith Richards; the song he and Gram Parsons were inspired to write following Gram’s motorcycle accident; what he says really killed Gram; why Chris was so shocked by his major country music success with The Desert Rose Band; how spirituality has impacted his songwriting process; and the inside details of creating his most recent album with producer Tom Petty. ABOUT CHRIS HILLMAN: Rock & Roll Hall of Famer Chris Hillman first came to songwriting prominence as a founding member of The Byrds when he wrote or co-wrote several of the band’s classic songs, including “So You Want to be a Rock ’n’ Roll Star,” “Have You Seen Her Face,” “Time Between,” “Thoughts and Words,” “The Girl with No Name,” “Natural Harmony,” “Old John Robertson,” and others. Departing The Byrds following their landmark Sweetheart of the Rodeo album, Hillman teamed with Gram Parsons to launch the Flying Burrito Brothers. The pair penned a series of now-classic Americana standards for the band, including “Sin City,” “Wheels,” “Christine’s Tune,” “Juanita,” and “High Fashion Queen.”   Chris spent time in the group Manassas, where he co-wrote the charting single “It Doesn’t Matter” with Stephen Stills, before releasing a handful of solo albums and collaborative projects with several other musicians, including Richie Furay, J.D. Souther, Gene Clark, and Roger McGuinn. Hillman found his greatest commercial success with the Desert Rose Band, which he founded with Herb Pedersen and John Jorgenson. Chris penned a dozen of the group’s charting singles, including the Top 10 hits “Love Reunited,” “One Step Forward,” “Summer Wind,” Start All Over Again,” “Story of Love,” and “I Still Believe in You,” which reached #1 on the Billboard country chart. The group was named Band of the Year three years in a row by the Academy of Country Music and earned multiple CMA award nominations. Hillman is a country rock pioneer, a four-time Grammy nominee, and the recipient of the Americana Music Association’s Lifetime Achievement Award. His songs have been recorded by Emmylou Harris, Sheryl Crow, Ron Wood, Tom Petty, Patti Smith, Beck, The Hollies, Roxette, Crowded House, Uncle Tupleo, Dan Fogelberg, Dwight Yoakam, Marty Stuart, Steve Earle, Nazareth, Black Oak Arkansas, The Oak Ridge Boys, Alison Krauss, and others.

Two-time Grammy nominee and co-writer of Kelly Clarkson's global hit "Stronger (What Doesn't Kill You) joins us to discuss his multifaceted career. But first, Scott and Paul talk about whether or not it's still OK to listen to Michael Jackson's music. EPISODE DETAILS: PART ONE Scott and Paul talk about the loss of Dick Dale and Hal Blaine, and remind listeners of their friends at Pearl Snap Studios. PART TWO - 5:15 mark Is it still OK to listen to Michael Jackson's music? How do we separate artists from their art? Or can we? PART THREE -13:00 mark Scott and Paul head over to David's studio in downtown LA to find out why he wanted his earliest music to sound like a machine; what he discovered about his hero Nile Rogers after meeting him in real life; what happened when he played songs for Miles Davis over the phone; why he says it's a good thing there are more writers on songs today than ever before; how he partially inspired Kesha to ditch the guitars; why he says writers shouldn't get in too early on an artist's project; and what major artist rejected "Stronger" before Kelly Clarkson made it a massive hit. ABOUT DAVID GAMSON Two-time Grammy nominee David Gamson established himself as an innovative and influential musician, programmer, and producer with his distinctive synth work and arrangements as a member of the band Scritti Politti. Though classically trained, he gravitated toward the pop, funk and prog-rock influences he absorbed as a teenager, forging his own sound as exemplified by the group’s Top 10 UK hits “Wood Beez” and “The Word Girl,” as well as their successful US single “Perfect Way.”   Outside his work with the group, Gamson is best known as the co-writer of “Stronger (What Doesn’t Kill You),” a massive pop hit for Kelly Clarkson that spent three weeks at #1 on the Billboard pop chart in the US, hit #1 in nearly a dozen other countries, and became one of the best-selling singles of all time.  As a producer, programmer and musician he has collaborated with Roger Troutman, Meshell Ndegeocello, Maxwell, Angie Stone, George Benson, Nile Rogers, Beth Hart, Michael McDonald, Hans Zimmer, will.i.am, legendary producer Arif Mardin, and many others. His songs have been recorded by Miles Davis, Jessi J, Charli XCX, LP, Luther Vandross, Chaka Khan, Al Jarreau, Sheila E., Adam Lambert, Nick Lachey, and more.

The San Francisco folkie who became a Nashville hitmaker with "Life's a Dance," "Don't Laugh at Me," "I Think About You," Grown Men Don't Cry" and more!  IN THIS EPISODE: PART ONE The guys discuss Paul's 2019 Grammy experience and Scott's recent revelation about the importance of Steve Seskin. PART TWO -   9:08 mark Steve Seskin sits down with Scott to talk about the lessons he learned busking on the streets of San Francisco and how they’ve informed his songwriting instincts; the way he learned to write songs he was proud of but didn’t want to sing; the way he managed to avoid burnout as a songwriter; how Morgan Freeman inspired one of his biggest hits; the reason his future was altered when his publishing company ran out of coffee cups; what every writer should do to prepare for a co-writing session; which of his songs made him feel creepy when he first started singing it, and song he wrote that changed the course of his life more than any other. ABOUT STEVE SESKIN One of the most successful Nashville songwriters who never actually moved to Nashville, Steve Seskin has written songs for a long list of artists that includes Kenny Chesney, Toby Keith, Peter Frampton, Waylon Jennings, Alabama, Ricky Skaggs, Peter Paul and Mary, and others. He has written seven #1 hits, including the Grammy-nominated “Grown Men Don’t Cry” by Tim McGraw; the John Michael Montgomery hits “Life’s a Dance,” “If You’ve Got Love,” and “No Man’s Land;” The Neal McCoy singles “No Doubt About It” and “For a Change;” as well as “I Think About You,” which earned Collin Raye an Academy of Country award for Video of the Year. Seskin’s song “Don’t Laugh at Me” was named the NSAI Song of the Year after it was recorded by Mark Wills. The anti-bullying anthem became a children’s book and was the impetus for the Operation Respect/Don’t Laugh at Me project, a curriculum designed to teach tolerance in schools. Through the program, Steve regularly performs in school assemblies and has launched related programs that help teach kids how to write songs of their own. Working from his home base in the San Francisco Bay area, Steve is additionally an active keynote speaker and songwriting instructor for the West Coast Songwriters Association, the Nashville Songwriters Association International, the Kerrville Folk Festival, and other organizations. Though best known for writing hit songs for others, he is also a successful performer and recording artist who has released more than 20 albums of his own material. Perhaps the best way to experience a Steve Seskin song is by hearing it performed by the man himself.   

Songwriters Hall of Fame and Rock & Roll Hall of Fame inductee Smokey Robinson talks about his Motown legacy and his string of timeless hits, including “Shop Around,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “My Guy,” “The Way You Do The Things You Do,” “Cruisin’,” and more! PART ONE Scott and Paul chat about Pearl Snap Studios and share the behind-the-scenes details of how the Smokey interview came about. PART TWO -  8:07 mark Scott and Paul sit down with Smokey to get the inside scoop on the first song he ever wrote; how his love of Gene Autry and Roy Rogers gave him his identity; the songwriting advice from Berry Gordy that changed his life; which song he calls his international songwriting anthem; the collaborator he referred to as his "music mountain;" the hit he wrote onstage; the tragic story behind his most personal song; the artists he had in mind when he wrote "Shop Around" and "Being with You;" which of his hits took less than 30 minutes to write - and which one took five years! ABOUT SMOKEY ROBINSON Ranked in the Top 5 of Rolling Stone magazine’s Greatest Songwriters of All Time, Smokey Robinson is an American Musical Icon. Practically synonymous with the legendary Motown Records, Robinson wrote most of the hits associated with his own group, The Miracles, including “Shop Around,” “You’ve Really Got a Hold On Me,” “Going to a Go-Go,” “Ooo Baby Baby,” “The Tracks of My Tears,” “I Second That Emotion,” “Baby, Baby Don’t Cry,” and “The Tears of a Clown.” Beyond writing for himself, Smokey penned a long list of hits for other Motown artists, including “You Beat Me to the Punch” and “My Guy” for Mary Wells; “The Way You Do the Things You Do,” “My Girl,” and “Get Ready” for The Temptations, “Don’t Mess with Bill” and “The Hunter Gets Captured by the Game” for The Marvelettes; and “I’ll Be Doggone” and “Ain’t That Peculiar” for Marvin Gaye. In later years, Smokey launched a successful solo career, scoring self-penned hits with “Baby That’s Backatcha,” “Quiet Storm,” “Cruisin’,” and “Being With You.” The Grammy-winning songwriter, producer, and performer was inducted into the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. He is a National Medal of Arts Recipient and a Kennedy Center Honoree. Smokey has additionally been honored with the Library of Congress’ Gershwin Prize for Popular Song, the Soul Train Heritage Award, the BET Lifetime Achievement Award, the Grammy Lifetime Achievement Award, and countless other honors. Five of his songs are on the Rock & Roll Hall of Fame’s list of 500 Songs That Shaped Rock & Roll, and five have been inducted into the Grammy Hall of Fame. Four of his compositions can be found among Rolling Stone magazine’s 500 Greatest Songs of All Time. The long list of other artists who’ve drawn from the Smokey Robinson songbook includes The Beatles, The Rolling Stones, Michael Jackson, Ella Fitzgerald, Aretha Franklin, Otis Redding, The Supremes, The Four Tops, Stevie Wonder, Gladys Knight, Dionne Warwick, Dusty Springfield, Linda Ronstadt, Dolly Parton, George Benson, D’Angelo , Ne-Yo, and more.

With over a dozen Top 5 singles on the Billboard country chart, Nashville Songwriters Hall of Famer Tim Nichols has been a hit machine for years with songs such as “Heads Carolina, Tails California,” “The Man I Want to Be,” and "Live Like You Were Dying." EPISODE DETAILS: PART ONE Scott and Paul talk about their earliest concert experiences. PART TWO -  8:09 mark Scott and Paul get on the phone with Tim to find out how he went to a bunch of free country shows when he was a kid; why he says the story of his career is a cross between Forest Gump and Lemony Snicket; how Mike Wallace and 60 Minutes led to his big break; why he had to wear a Daniel Boone cap on his way to becoming a successful songwriter; what he was feeling when his first hit came from a non-living artist; how an audiobook gave him the idea for one of his biggest hits; and how he looks back now on the day that he wrote THAT classic song. ABOUT TIM NICHOLS Nashville Songwriters Hall of Fame inductee Tim Nichols has written more than a dozen Top 5 country hits, including “I’m Over You” by Keith Whitley, “Heads Carolina, Tails California” by Jo Dee Messina, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, “I’d Rather Ride Around with You” by Reba McEntire, “I’ll Think of a Reason Later” by Lee Ann Womack,” “That’d Be Alright” by Alan Jackson, “Girls Lie Too” by Terri Clark, “I Still Miss You” by Keith Anderson, “The Man I Want to Be” by Chris Young, and “Cowboys and Angels” by Dustin Lynch.    Nichols is perhaps best known as the co-writer of Tim McGraw’s “Live Like You Were Dying,” which stayed at #1 for seven weeks, won a Grammy for Best Country Song, and was named Song of the Year by the Country Music Association, the Academy of Country Music, BMI, ASCAP, Billboard magazine, and the Nashville Songwriters Association International. It remains the only song to have won every major song award presented for country music.   The list of other artists who’ve recorded Nichols’ songs includes Blake Shelton, Faith Hill, Jason Aldean, Patty Loveless, Vince Gill, Montgomery Gentry, Kenny Chesney, Lonestar, Rascal Flats, Brad Paisley, Kenny Rogers, Tracy Byrd, Gretchen Wilson, Ronnie Milsap, and many more.  

Songwriters Hall of Famer, half of the legendary Ashford & Simpson, and one of Rolling Stone magazine's 100 Greatest Songwriters of All Time chats about "Ain't Nothing Like the Real Thing," "I'm Every Woman," "Solid," and more of her many hits! PART ONE Scott and Paul belatedly announce the winner of the Mark Otis Selby CD contest from our recent Tia Sillers episode. PART TWO -  3:18 mark Paul gets the lowdown from Scott on how he managed to pull the Valerie Simpson interview together despite the obstacles! PART THREE - 14:02 mark Scott goes on location in New York to sit down with Valerie Simpson to chat about how meeting a homeless stranger at church opened the door to her songwriting career; why she and Nick Ashford didn't want to be performers at first; the song she told Dusty Springfield she couldn't record; why she was more focused on getting an advance than scoring a hit; which of her tunes was inspired by playing an instrument she doesn't really play; why Berry Gordy didn't want Motown to release "Ain't No Mountain High Enough" as a single; how Valerie realized she and Nick were in love after eight years of working together; and how she ended up on Broadway, thanks to Alicia Keys having to miss a party. ABOUT VALERIE SIMPSON Six-time Grammy nominee Valerie Simpson is best known as one half of the songwriting, production and performing duo of Ashford and Simpson, which she formed with musical partner and eventual husband Nick Ashford after they met at a church in Harlem, New York, in the early 1960s.  After early successes with Aretha Franklin’s recording of “Cry Like a Baby” and Ray Charles’ recordings of “Let’s Go Get Stoned” and “I Don’t Need No Doctor,” Nick and Valerie signed with Motown Records, first as songwriters, where their early successes included the hit singles “Ain’t No Mountain High Enough” and “Your Precious Love,” recorded by Marvin Gaye and Tammi Terrell. They soon began both writing and producing for the duo, with hits such as “Ain’t Nothing Like the Real Thing,” “You’re All I Need to Get By,” “Good Lovin’ Ain’t Easy to Come By,” and “What You Gave Me.” Additional writing and production credits at Motown came with hits by The Supremes, The Marvelettes, The Miracles, Gladys Knight, and Diana Ross, who found success with “Reach Out and Touch (Somebody’s Hand)” “Remember Me,” “Surrender,” and a remake of “Ain’t No Mountain High Enough” that topped both the pop and R&B charts.   In addition to writing #1 hits such as Quincy Jones’s “Stuff Like That” and Chaka Khan’s “I’m Every Woman” after their Motown period, Ashford and Simpson began releasing their own recordings as a duo, landing nearly 40 songs on the Billboard R&B singles chart. Their list of Top 10 hits as artists, includes“It Seems to Hang On,” “Found a Cure,” “Love Don’t Make it Right,” “Street Corner,” “Outta the World,” “Count Your Blessings,” “I’ll Be There For You,” and “Solid.”   Ashford and Simpson were the recipients of the ASCAP Founder’s Award, which is the highest honor bestowed by the organization. They were inducted into the Songwriters Hall of Fame, named among Rolling Stone Magazine’s 100 Greatest Songwriters of All Time, and provided the inspiration for the establishment of the Soul Train Ashford & Simpson Songwriter’s Award. Following Nick’s untimely death in 2011, Valerie has continued to write, record, and even appear on Broadway in the acclaimed musical Chicago.