The Week in Art

As numerous exhibitions open marking the 350th anniversary of the Old Master's death, we speak to Taco Dibbits, the director of the Rijksmuseum about the museum's blockbuster shows and its imminent public restoration of The Night Watch. We also look closely at a masterpiece in the Dulwich Picture Gallery and at his prints and drawings in the British Museum. Hosted on Acast. See acast.com/privacy for more information.

As the female Surrealist’s exhibition arrives in London following its stint in Madrid, this is the full, unedited discussion from last year with Alyce Mahon, the show’s curator. Contains previously unreleased material. Hosted on Acast. See acast.com/privacy for more information.

We talk to the British artist as he shows his sculptures with ancient works in the Florentine museum, and we zoom in on the tiny art works made in Elizabethan and Jacobean times that are the subject of a major show at the National Portrait Gallery in London. Hosted on Acast. See acast.com/privacy for more information.

Two-thirds of artists in the UK earn less than £5,000 per year from their art, according to a new survey. We speak to the art advisor James Doeser who worked on the study and the artist Tai Shani about the bleak reality of working as an artist in Britain today. Then, as the inaugural Frieze Los Angeles gets underway, our correspondent Jori Finkel discusses whether Frieze will succeed where other fairs have failed. This year's Desert X exhibition in Palm Springs is also reviewed. Hosted on Acast. See acast.com/privacy for more information.

We talk to Tracey Emin as A Fortnight of Tears, her exhibition at White Cube, opens. And we visit Bath to talk to George Shaw, whose show A Corner of a Foreign Field has arrived at the Holborne Museum after its stint at the Yale Center for British Art in the US. Hosted on Acast. See acast.com/privacy for more information.

We talk to the people behind major exhibitions on both sides of the Atlantic: Ben Luke meets Kira Perov, Bill Viola's wife and collaborator, at the Bill Viola / Michelangelo show at the Royal Academy of Arts in London, while Nancy Kenney talks to the curator of the new Robert Mapplethorpe show at the Guggenheim. Hosted on Acast. See acast.com/privacy for more information.

We speak to curators Letizia Treves and Jordana Pomeroy about the growing trend to bring historical female artists to the fore. Plus, Kate MacGarry tells us about participating in the collaborative gallery exhibition programme Condo London. Hosted on Acast. See acast.com/privacy for more information.

A bumper podcast featuring two roundtable discussions. First, art market specialist Georgina Adam ponders the current situation in the market and considers its future with Victoria Siddall, the director of the Frieze fairs, Francis Outred, the former head of postwar and contemporary art at Christie’s, and the art dealer Thaddaeus Ropac. Then, our correspondents Louisa Buck and Jane Morris join our host Ben Luke to look ahead at the museum openings, biennials, anniversaries and exhibitions coming up this year. Hosted on Acast. See acast.com/privacy for more information.

Our London and New York teams ponder 2018's biggest art stories Hosted on Acast. See acast.com/privacy for more information.

In the wake of the Savoy-Sarr report commissioned by French President Emmanuel Macron, we discuss the pros and cons of returning colonial artefacts to Africa with the campaigner Vicky Ngari-Wilson and Nicholas Thomas, Director, Museum of Archaeology and Anthropology, Cambridge. Curator of African art at the Cleveland Museum of Art Ugochukwu-Smooth Nzewi tells us about his innovative solutions. Hosted on Acast. See acast.com/privacy for more information.