New Books in East Asian Studies

Marshall Poe
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Jun 14, 2021 • 28min

William A. Callahan, "Sensible Politics: Visualizing International Relations" (Oxford UP, 2020)

How can we theorize international relations by looking at how nose sizes are depicted in Asian art and literature? Why are Vietnamese immigration officials furious about the maps that appear in Chinese passports? What do Japanese gardens tell us about how nation-states are constructed and defined? And how we could re-imagine border walls as sites of creative destruction, illuminating the sublime?Anyone who knows the work of William Callahan professor of international relations at the London School of Economics), will be familiar with his playful juxtapositions and his relentless determination to break down simplistic categories. In this animated conversation with NIAS Director Duncan McCargo, Bill explains how his latest book Sensible Politics expands the idea of visual politics to embrace a wider range of artifacts, while also challenging what he views as the Eurocentrism of the larger “visual turn” in IR.Bill also discusses the making of his own films including the recent Great Walls (2020) and the extremely popular Mearsheimer vs. Nye on the Rise of China (2015)This podcast is one of a series recorded with the keynote speakers from the Fourteen Annual Nordic NIAS Council Conference ‘China’s Rise/Asia’s Responses’ (https://www2.helsinki.fi/en/conferences/chinas-riseasias-responses) held on 10-11 June 2021 in collaboration with the Nordic Association for China Studies and the University of Helsinki.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcastAbout NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 14, 2021 • 1h 24min

Matthew Carl Strecher, "The Forbidden Worlds of Haruki Murakami" (U Minnesota Press, 2014)

In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel, or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.Fervently acclaimed worldwide, Haruki Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in The Forbidden Worlds of Haruki Murakami (University of Minnesota Press, 2014), Matthew Carl Strecher provides readers with a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. The author shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa あちら側, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s recent novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.Takeshi Morisato is philosopher and sometimes academic. He is the editor of the European Journal of Japanese Philosophy. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 11, 2021 • 1h 3min

Yao Li, "Playing by the Informal Rules: Why the Chinese Regime Remains Stable despite Rising Protests" (Cambridge UP, 2018)

In the developing world, political turmoil often brings an end to promising economic growth stories. During its period of rapid economic growth in the 1990s and 2000s, China experienced a remarkable surge in the number of public protests. Yet these protests did not destabilize the regime. Yao Li’s book, Playing by the Informal Rules: Why the Chinese Regime Remains Stable despite Rising Protests (Cambridge UP, 2018), combines quantitative research on a nationwide dataset of protests with in-depth qualitative fieldwork to investigate why. Li argues that a clear set of informal rules, followed by both protesters and government agencies, helped keep protests within bounds. If protesters engaged the regime rather than challenging it, limiting their demands and their protest strategies, they could expect a moderate response and some redress for their grievances. This helped stabilize rather than undermine China’s political system.Author Yao Li is an Assistant Professor in the Department of Sociology and Criminology & Law at the University of Florida. She holds a Ph.D. in Sociology from Johns Hopkins University. Before coming to the University of Florida, she was a postdoctoral fellow at Harvard University’s Ash Center for Democratic Governance and Innovation and was a lecturer at the University of Kansas. Her research combines quantitative and qualitative methods to address debates in the fields of social movements, environmental studies, political sociology, and development.Recommendations from Professor Li: Plastic China, a 2016 documentary about the business of sorting and recycling imported plastic waste and the life of a young girl growing up in a small-scale household-recycling workshop. Islam, Authoritarianism, and Underdevelopment, a 2019 book arguing that a centuries-old alliance between religious officials and military authorities caused and perpetuates the economic and political stagnation of the Muslim world.Host Peter Lorentzen is an Associate Professor in the Department of Economics at the University of San Francisco, where he leads a new digital economy-focused Master's program in Applied Economics. His research examines the political economy of governance and development in China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 8, 2021 • 54min

Sven Saaler, "Men in Metal: A Topography of Public Bronze Statuary in Modern Japan" (Brill, 2020)

In his pioneering study, Men in Metal: A Topography of Public Bronze Statuary in Modern Japan (Brill, 2020), Sven Saaler examines Japanese public statuary as a central site of historical memory from its beginnings in the Meiji period through the twenty-first century. Saaler shows how the elites of the modern Japanese nation-state went about constructing an iconography of national heroes to serve their agenda of instilling national (and nationalist) thinking into the masses. Based on a wide range of hitherto untapped primary sources, Saaler combines data-driven quantitative analysis and in-depth case studies to identify the categories and historical figures that dominated public space. Men in Metal also explores the agents behind this visualized form of the politics of memory and introduces historiographical controversies surrounding statue-building in modern Japan.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 7, 2021 • 1h 12min

Fei-Hsien Wang, "Pirates and Publishers: A Social History of Copyright in Modern China" (Princeton UP, 2019)

Pirates and Publishers: A Social History of Copyright in Modern China (Princeton University Press, 2019) is a detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern China. In Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes. Wang draws on a vast range of previously underutilized archival sources to show how copyright was received, appropriated, and practiced in China, within and beyond the legal institutions of the state. Contrary to common belief, copyright was not a problematic doctrine simply imposed on China by foreign powers with little regard for Chinese cultural and social traditions. Shifting the focus from the state legislation of copyright to the daily, on-the-ground negotiations among Chinese authors, publishers, and state agents, Wang presents a more dynamic, nuanced picture of the encounter between Chinese and foreign ideas and customs. Developing multiple ways for articulating their understanding of copyright, Chinese authors, booksellers, and publishers played a crucial role in its growth and eventual institutionalization in China. These individuals enforced what they viewed as copyright to justify their profit, protect their books, and crack down on piracy in a changing knowledge economy. As China transitioned from a late imperial system to a modern state, booksellers and publishers created and maintained their own economic rules and regulations when faced with the absence of an effective legal framework. Exploring how copyright was transplanted, adopted, and practiced, Pirates and Publishers demonstrates the pivotal roles of those who produce and circulate knowledge.Fei-Hsien Wang is associate professor at the Department of History, Indiana University Bloomington. She is a historian of modern China, with a particular interest in how information, ideas, and practices were produced, transmitted, and consumed across different societies in East Asia. Her research has revolved around the relations between knowledge, commerce, and political authority after 1800. She is Associate Editor of the American Historical Review.Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, tentatively titled Banking on the Chinese Frontier: Foreign Banks, Global Finance and the Making of Modern China, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 7, 2021 • 23min

The Politics of Chinese Media: A Discussion with Bingchun Meng

Feeling betrayed by liberal ideals in the US and UK, how are Chinese international students dealing with rising racism during the pandemic? Bingchun Meng from LSE talks to Joanne Kuai, a visiting PhD student at NIAS, about her latest research project, “Mediated Experience of Covid-19”, based on her students' real stories and their sophisticated reflections.The author of the book The Politics of Chinese Media: Consensus and Contestation (Palgrave, 2018) shares her views on the commonalities and differences between Chinese and western media against the backdrop of a rising Chinese threat narrative. She also comments on how Chinese tech giants, such as Huawei or ByteDance’s journey expanding their businesses overseas have implicated in global geopolitics.Dr Bingchun Meng is an Associate Professor in the Department for Media and Communications at LSE, where she also directs the LSE-Fudan Global Public Policy Research Center. Her research interests include gender and the media, political economy of media industries, communication governance, and comparative media studies. She has published widely on these topic areas in leading international journals. She is currently working on a book project about technology industries in China.Joanne Kuai is a PhD candidate at the Department of Geography, Media and Communication at Karlstad University, Sweden. She is a media scholar with a research focus on data and AI for media, computational journalism, and social implications of automation and algorithms.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 4, 2021 • 1h 12min

Eric Schluessel, "Land of Strangers: The Civilizing Project in Qing Central Asia" (Columbia UP, 2020)

Eric Schluessel’s Land of Strangers: The Civilizing Project in Qing Central Asia (Columbia UP, 2020) looks at what happened when, at the end of the Qing, Chinese Confucian revivalists gained control of the Muslim-majority region of Xinjiang and sought to transform it. Yet this is not a book about high politics or discourse — far from it. This is a book about what this civilizing project looked like on the ground, how it played out in “everyday politics,” and how Turkic-speaking Muslims felt about and responded to attempts to transform them into Chinese-speaking Confucians. Centering on the voices and experiences of ordinary people in the oasis of Turpan, Land of Strangers is filled with stories of prostitution, human trafficking, venereal disease, families divided by war, and so much more. Reading across the Turpan archive this book combines records in both Chinese and Chaghatay, laying bare the difficulties revivalists encountered in educating children and showing how interpreters went about 'translating' oral Chaghatay, and throughout it emphasizes how the negotiation of place, difference, and identity was continual and fraught.This beautifully written and meticulously researched book is a must read for anyone interested in Chinese history, the history of Central Asia, colonialism, and empire, as well as any historians who might get a particular thrill in seeing the “ragged” sources Eric is dealing with so expertly pieced together.Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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Jun 4, 2021 • 28min

Women Singer-Songwriters of 1970s Japan: A Discussion with Satoko Naito

Lasse Lehtonen speaks to Satoko Naito about his research on Japanese women singer-songwriters of the 1970s and 1980s. Focusing on popular pioneers like Yumi Matsutoya (Yūmin), Miyuki Nakajima, and Takako Okamura, Dr. Lehtonen discusses how the artists assert their agency and artistry, not necessarily through their lyrics but via what Matsutoya once identified as "backstage feminism." He also shares his ideas on the important potential of incorporating music history and musicology in the study of social and cultural histories. Dr. Lehtonen is currently a post-doctoral researcher at the University of Tokyo.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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May 31, 2021 • 44min

William P. Brecher, "Japan's Private Spheres: Autonomy in Japanese History, 1600-1930" (Brill, 2021)

Japan's Private Spheres: Autonomy in Japanese History, 1600-1930 (Brill, 2021) traces the shifting nature of autonomy in early modern and modern Japan. In this far-reaching, interdisciplinary study, W. Puck Brecher explores the historical development of the private and its evolving relationship with public authority, a dynamic that evokes stereotypes about an alleged dearth of individual agency in Japanese society. It does so through a montage of case studies. For the early modern era, case studies examine peripheral living spaces, boyhood, and self-interrogation in the arts. For the modern period, they explore strategic deviance, individuality in Meiji education, modern leisure, and body-maintenance. Analysis of these disparate private realms illuminates evolving conceptualizations of the private and its reciprocal yet often-contested relationship to the state.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
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May 28, 2021 • 1h 4min

Hsiao-wen Cheng, "Divine, Demonic, and Disordered: Women Without Men in Song Dynasty China" (U Washington Press, 2021)

In Divine, Demonic, and Disordered: Women Without Men in Song Dynasty China (University of Washington Press, 2021), Cheng Hsiao-wen’s monograph looks at the women who are not married or otherwise in relationships with men. Through a wide range of sources, including medical treatises, texts about religious cultivation, hagiographies, tales, and anecdotes, Cheng explores how “manless women” were understood in the Song dynasty. The book’s three sections—focusing on medicals texts, stories of enchantment, and celibate religious women, respectively—consider the meaning of womanhood and the treatment of female bodies when they were not figured as “wives” or “mothers.” But Cheng’s work goes further, using women on the margins to challenge us to think about what we know and how we know it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

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