New Books in East Asian Studies

In 1934, tens of thousands of Communist guerillas fled Jiangxi, in an extended retreat through hazardous terrain to Shaanxi in the north, while under fire from their Nationalist enemies. The Long March, as it became to be known, helped build the legend of the Chinese Communist Party, and of its leader Mao.While on the Long March, Mao had a daughter, who was left behind to live with a local family due to the trek’s dangersThat event inspired Michael X. Wang’s debut novel Lost in the Long March (Overlook Press, 2022), about one couple who faced a similar decision–whether to leave their child behind–and that decision’s repercussions decades later.In this interview, Michael and I talk about the Long March, what makes it a great setting for a novel, and how its story aligns with many other family stories from modern China.Michael X. Wang was born in Fenyang, a small coal-mining city in China’s mountainous Shanxi province. His short story collection, Further News of Defeat (Autumn House Press: 2020), won the 2021 PEN/Robert W. Bingham Prize for Debut Short Story Collection and was a finalist for the 2021 CLMP Firecracker Award for Fiction. Michael’s work has appeared in the New England Review, Greensboro Review, Day One, and Juked, among others. He is currently an assistant professor of English and creative writing at Arkansas Tech University and lives in Russellville, Arkansas. He can be followed on Twitter at @MichaelXWang3.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Lost in the Long March. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Ying-chen Peng’s Artful Subversion: Empress Dowager Cixi’s Image Making is a beautiful new volume on late Qing imperial art practice from Yale University Press (forthcoming in 2023). Peng’s book, rigorously researched and richly illustrated, presents a revisionist biography of the Empress Dowager through an analysis of her patronage and participation in making art. Each chapter follows Cixi’s her “artfully subversive” command of various media forms, from photography and portraiture, to architecture, porcelain, painting, and calligraphy. Considering Cixi as a patron and artist in her own right, Peng frames the regent as a canny political and aesthetic strategist who worked within and against conventions that circumscribed female power to craft an assertive role as the face of the Great Qing Empire at a moment of immense historical changes. Join us for a fascinating discussion of the artistic universe crafted by Cixi.Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The first monograph devoted to women artists of the Republican period, The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949) (Brill, 2021) , authored by Amanda Wangwright, recovers the history of a groundbreaking yet forgotten force in China's modern art world. Through its detailed examination of the lives and careers of six female artists—Guan Zilan, Qiu Ti, Pan Yuliang, Fang Junbi, Yu Feng, and Liang Baibo—this book argues that women were central to the emergence of modernist art in early twentieth-century China and to the nation’s larger modernization project. Amanda S. Wangwright’s analysis of a wealth of primary sources demonstrates how these women constructed public personas, negotiated space within art societies, applied feminist thought to their artistic praxis, and surmounted obstacles to their careers—wielding art as the “golden key” to professional advancement and gender equality.Huiying Chen is an Assistant Professor in History at Purdue University. She is interested in the circulation of people, goods, and ideas and how societies in history and today cope with the challenges wrought by increased travel in aspects of culture, politics, commerce, law, science, and technology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai’s films.Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai’s films help us understand queerness in terms of spatial, temporal, and sexual disorientation.Conceiving of Tsai’s cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai’s body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema.Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary.Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

If the COVID-19 pandemic taught us anything, it is that the world is bound together by shared challenges—and that at the center of those challenges stands China. China's Next Act: How Sustainability and Technology Are Reshaping China's Rise and the World's Future (Oxford UP, 2022) re-envisions China’s role in the world in terms of sustainability and technology. The danger is that China’s next act will drive divergence on the rules and standards the world desperately needs in the decades ahead. This book helps foreign countries, companies, and other organizations prepare for a future shaped by sustainability, technology—and a dramatic new chapter for China and our world.Sample takeaways: China-linked political + economic risk isn’t going away and will get worse. No-regrets supply chain diversification will only make more sense over time. Environmental sustainability will become a bigger and bigger priority in the China market because of growing regulatory + consumer pressure. This is both in direct operations & larger supply chains. Data privacy, security, and surveillance will pose growing dilemmas for multi-national companies. Data governance is becoming more fragmented, and compliance and cross-border transfer more difficult. Firms need to prepare for “data de-globalization.” China is becoming a more isolated, but still large & important, innovation ecosystem. How to access & leverage this ecosystem, and the talent within it, will become a bigger challenge as China-global research collaborations, student flows, etc. shrink. China’s frothy biotech sector is cooling, but will still be a major growth driver in the years ahead. And developments in biotech will disrupt and reshape many sectors and industries via biometrics, biomaterials, etc. Dr. Scott Moore is an acclaimed authority on China, sustainability, and technology whose career has spanned the U.S. government, multi-lateral institutions, and academia. He currently teaches at the University of Pennsylvania, where he is also Director of China Programs and Strategic Initiatives. Before returning to academia, Dr. Moore worked extensively on the Paris Agreement on climate change at the U.S. Department of State and at the World Bank. He graduated from Princeton University and received his doctorate from Oxford University, where he was a Rhodes Scholar.Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York & the UK), H-Diplo review editor, director of the Wellington Koo Institute for Modern China in World History (Germany & USA), research associate at Harvard Fairbank Center (since 2002), distinguished professor of history at Shanghai University (since 2016), a member of the Royal Institute of International Affairs, and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

This week, RBI Director John Torpey talked with William Hurst, Professor of Political Science at Cambridge University, about the origins of the protests in China, how they differ from those in 1989, and the possibilities of regime change. Hurst delves into the mobilization and contentious politics of China and its local-central interplay, where protesters act as rational actors who use different strategies of bargaining and signaling. Moreover, Hurst addresses the implications of Xi Jinping's consolidation of power for the economic model of China and the prospects of change in the near future. Finally, Hurst discusses the outlawing of extramarital and same-gender sex in Indonesia and the role of religion in politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Annika Culver’s Japan's Empire of Birds: Aristocrats, Anglo-Americans, and Transwar Ornithology (Bloomsbury Academic 2022) uses a previously unavailable archive of photographs as the jumping off point to follow the careers of Japanese ornithologists in the transwar generation as they navigated the complexities of their swiftly changing political circumstances. Japan’s Empire of Birds brings out the tensions between aristocratic connoisseurship elegance, scientific advancement, and intense personal relationships on the one hand; and imperial and military violence and race-based power hierarchies on the other. Birds themselves embody such paradoxes and tensions: they are symbols of freedom even as we trap, train them as hunters and spies, and even eat them, and they are both nationalist symbols (every country has a national bird) while migratory birds exist as transnational transgressors in a borderless world beyond human politics. These themes underlie Culver’s exploration of networks of Japanese ornithologists and their mostly Anglo-American counterparts from the 1920s to the 1970s.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Entitled People, Place, Race, and Nation in Xinjiang, China: Territories of Identity (Palgrave MacMillan, 2022), David O’Brien and Melissa Shani Brown’s new book focuses upon the ways in which ethnic difference is writ through the banalities of everyday life: who one trusts, what one eats, where one shops, even what time one's clocks are set to (Xinjiang being perhaps one of the only places where different ethnic groups live by different time-zones).In this episode, Julie Yu-Wen Chen talk to David O’Brien and Melissa Shani Brown who are both working at Ruhr University Bochum in Germany now. The conversation unpacks how discourses of Chinese nationalism romanticise empire and promote racialised ways of thinking about Chineseness, how cultural assimilation ('Sinicisation') is being justified through the rhetoric of 'modernisation', how Islamic sites and Uyghur culture are being secularised and commodified for tourist consumption.Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultures at the University of Helsinki (Finland). Dr. Chen serves as one of the editors of the Journal of Chinese Political Science (Springer, SSCI). Formerly, she was chair of Nordic Association of China Studies (NACS) and Editor-in-Chief of Asian Ethnicity (Taylor & Francis). You can find her on University of Helsinki Chinese Studies’ website, Youtube and Facebook, and her personal Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Palm oil is a commodity like no other. Found in half of supermarket products, from food to cosmetics to plastics, it has shaped the world in which we live.In Palm Oil: The Grease of Empire (Pluto Press, 2022), Max Haiven tells a sweeping story that touches on everything from empire to art, from war to food, and from climate change to racial capitalism. By tracing the global history of this ubiquitous elixir we see how capitalism creates surplus populations: people made dependent on capitalist wages but denied the opportunity to earn them - a proportion of humanity that is growing in our age of racialized and neo-colonial dispossession.Inspired by revolutionary writers like Eduardo Galeano, Saidiya Hartman, C.L.R. James and Rebecca Solnit, this kaleidoscopic and experimental book seeks to weave a story of the past in the present and the present in the past.Max Haiven is Canada Research Chair in Culture, Media and Social Justice at Lakehead University in Northwest Ontario and director of the Reimagining Value Action Lab (RiVAL). He writes articles for both academic and general audiences and is the author of the books Crises of Imagination, Crises of Power: Capitalism, Creativity and the Commons, The Radical Imagination: Social Movement Research in the Age of Austerity (with Alex Khasnabish) and Cultures of Financialization: Fictitious Capital in Popular Culture and Everyday Life. He is currently working on a book titled Art after Money, Money after Art: Creative Strategies Against Financialization.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Ayelet Zohar’s The Curious Case of the Camel in Modern Japan: (De)Colonialism, Orientalism, and Imagining Asia (Brill, 2022) traces the use of camels in the visual vocabulary of Japan’s definition of itself in the world―especially vis-à-vis “Asia―from the Edo period to the present.” In other words, Zohar uses representations of camels as a lens to view the ways in which Japan has both attempted to leave or conquer Asia on the one hand and to find solidarity in a shared Oriental/Asian identity on the other. The core of The Curious Case of the Camel is the last two centuries, beginning with the introduction of a pair of live camels in 1821. Zohar shows that camels quickly became objects of popular fascination, polyvalent symbols understood in different ways in different contexts, but that they took on a particularly political dimension in the context of modern Japanese imperialism. In the latter half of the nineteenth century, as Japan sought to define its position in the world vis-à-vis Asia on the one hand and “the West” on the other, camels became one part of a visual vocabulary of Orientalism. This function of the camel imaginary is in some ways unchanged today, even if the political valences of camel iconography is new and different.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies