New Books in East Asian Studies

Max Ward’s Thought Crime: Ideology and State Power in Interwar Japan (Duke University Press, 2019) analyzes the trajectory and transformations of the implementation of Japan’s 1925 Peace Preservation Law from its conception until the early years of the 1940s. The law, which began as a state effort to tamp down radicalism and “dangerous thought” (mostly Marxism) and preserve and protect imperial sovereignty, spawned a massive apparatus populated by both state and nonstate actors dedicated to ideologically converting and rehabilitating thought criminals. In addition to being a case study of the nature and ideology of punishment and repentance for thought crimes in late Imperial Japan—and the way in which the emperor functioned as a “ghost in the machine” animating the pursuit of political repression—Ward’s book also provides insight into the policing of ideological threats and its relationship to national identity politics. Thought Crime follows the evolution and transformation of the Peace Preservation Law and its attendant social and institutional structures from interwar attempts to repress dangerous thought to a system of mass ideological conversion, and finally to the consequences of its integration into practices of total mobilization during wartime. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In his new book, Transnational Nazism: Ideology and Culture in German Japanese Relations, 1919-1936 (Cambridge University Press, 2019), associate professor of history at Carnegie Mellon University Ricky W. Law examines the cultural context of Tokyo and Berlin’s political rapprochement in 1936. This study of interwar German-Japanese relations is the first to employ sources in both languages. Transnational Nazism was an ideological and cultural outlook that attracted non-Germans to become adherents of Hitler and National Socialism, and convinced German Nazis to identify with certain non-Aryans. Because of the distance between Germany and Japan, mass media was instrumental in shaping mutual perceptions and spreading transnational Nazism. This work surveys the two national media to examine the impact of transnational Nazism. When Hitler and the Nazi movement gained prominence, Japanese newspapers, lectures and pamphlets, nonfiction, and language textbooks transformed to promote the man and his party. Meanwhile, the ascendancy of Hitler and his regime created a niche for Japan in the Nazi worldview and Nazified newspapers, films, nonfiction, and voluntary associations.Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On 9th August 1945, the US dropped the second atomic bomb on Nagasaki. Of the dead, approximately 8500 were Catholic Christians, representing over sixty percent of the community. In Dangerous Memory in Nagasaki: Prayers, Protests, and Catholic Survivor Narratives (Routledge, 2019), Gwyn McClelland presents a collective biography, where nine Catholic survivors share personal and compelling stories about the aftermath of the bomb and their lives since that day. Examining the Catholic community’s interpretation of the A-bomb, this book not only uses memory to provide a greater understanding of the destruction of the bombing, but also links it to the past experiences of religious persecution, drawing comparisons with the ‘Secret Christian’ groups which survived in the Japanese countryside after the banning of Christianity. Through in-depth interviews, it emerges that the memory of the atomic bomb is viewed through the lens of a community which had experienced suffering and marginalisation for more than 400 years. Furthermore, it argues that their dangerous memory confronts Euro-American-centric narratives of the atomic bombings, whilst also challenging assumptions around a providential bomb. Dangerous Memory in Nagasaki presents the voices of Catholics, many of whom have not spoken of their losses within the framework of their faith before. As such, it will be invaluable to students and scholars of Japanese history, religion and war history.I asked Gwyn about three questions that we could face when reflecting on the complex survivor narratives provided by the Catholic victims of the nuclear Holocaust in Japan, or more precisely, what the book refers to as the "dangerous memory in Nagasaki."   Do Nagasaki Christians and their unique intercultural Mariology (i.e., Maria kannon and Maria with a keloid scar) present any issues to today's theology (especially with regard to their possible reception by the Vatican)? How was John Paul II's visit to Nagasaki, which put an emphasis on human responsibility regarding war atrocities, received among the survivors who embraced the traditional interpretation of their losses as a sacrificial hansai (a burnt offering) or a part of setsuri (providence)?  How can the nation of Japan (both Catholics and the rest of the country) move forward in light of the dangerous memory of Nagasaki?  The author's responses to these questions reflected his intellectual virtue as a patient witness to the extraordinary life stories of the war victims in Nagasaki. The interview ends with a note of undying hope, the future possibility of transformative reconciliations that can move the whole country forward, while doing justice to dangerous memories.   Gwyn McClelland holds a Master of Divinity from the University of Divinity, Melbourne, Australia and a Doctorate of Philosophy in Japanese history from Monash University. He is the winner of the 2019 John Legge prize for best thesis in Asian Studies, awarded by the Asian Studies Association of Australia (ASAA).Takeshi Morisato is a philosopher and sometimes academic. He specializes in comparative and Japanese philosophy but he is also interested in making Japan and philosophy accessible to a wider audience. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In this captivating translation of the imaginative prose essay collection Wild Grass (1927) and experimental memoir Morning Blossoms Gathered at Dusk (1928), Eileen J. Cheng expertly showcases the range and imagination of Lu Xun (1881–1936), generally considered to be the father of modern Chinese literature. Combined, these two books include stories and essays that touch on a wide range of topics including fallen leaves, alms seekers, dreams, dead fires, and all the different individuals who inspired Lu Xun’s writing. Through surreal prose and unreliable narrators, the books consider wide-reaching questions: What does it mean to be human? How can we know anything? Is pursuing self-knowledge necessary, even if it is impossible?Each translation is accompanied by an introduction that effectively situates the story within the life and work of Lu Xun. As a whole, Eileen’s translation Wild Grass and Morning Blossoms Gathered at Dusk (Harvard University Press, 2022) is an intriguing read, and for anyone who is used to Lu Xun’s more straightforward prose, it is entirely eye-opening, showing a radically different side to this canonical writer.Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Cheow Thia Chan, an Assistant Professor of Chinese Studies at the National University of Singapore, dives deep into Malaysian Chinese literature, also known as Mahua literature. He discusses its marginalization within global literary landscapes and how authors use their unique cultural perspectives to foster creativity. Chan highlights the interconnectedness of Malaysian literary evolution with other Chinese-speaking regions, showcasing the diverse narratives shaped by identity and language. He also examines the collaborative nature of literary creation and the challenges faced in promoting Mahua works.

In this vivid and highly original reading of recent Chinese history, Scents of China: A Modern History of Smell (Cambridge University Press, 2023) Dr. Xuelei Huang documents the eclectic array of smells that permeated Chinese life from the High Qing through to the Mao period. Utilising interdisciplinary methodology and critically engaging with scholarship in the expanding fields of sensory and smell studies, she shows how this period of tumultuous change in China was experienced through the body and the senses. Drawing on unexplored archival materials, readers are introduced to the 'smellscapes' of China from the eighteenth to mid-twentieth century via perfumes, food, body odours, public health projects, consumerism and cosmetics, travel literature, fiction and political language. This pioneering and evocative study takes the reader on a sensory journey through modern Chinese history, examining the ways in which the experience of scent and modernity have intertwined.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Florence Mok discusses 'Covert Colonialism' in British Hong Kong from 1966-1997, highlighting how the colonial government used covert tactics like Town Talk to monitor public opinions. She explores the shift towards a democratic polity and the impact on Hong Kong's relationship with mainland China.

In the early 1990s, Mongolia began a transition from socialism to a market democracy. In the process, the country became more than ever dependent on international mining revenue. Nearly thirty years later, many of Mongolia's poor and rural feel that, rather than share in the prosperity the transition was supposed to spread, they have been forgotten.Moral Economic Transitions in the Mongolian Borderlands (UCL Press, 2023) analyzes this period of change from the viewpoint of the rural township of Magtaal on the Chinese border. After the end of socialism, the population of this resource-rich area found itself without employment or state institutions yet surrounded by lush nature and mere kilometers from the voracious Chinese market. A two-tiered resource-extractive political-economic system developed. At the same time as large-scale, formal, legally sanctioned conglomerates arrived to extract oil and other resources, local residents grew increasingly dependent on the Chinese-funded informal, illegal cross-border wildlife trade. More than a story about rampant capitalist extraction in the resource frontier, this book intimately details the complex inner worlds, moral ambiguities, and emergent collective politics constructed by individuals who feel caught in political-economic shifts that are largely outside of their control.Hedwig Amelia Waters is a Horizon Europe European Research Area Postdoctoral Fellow at Palacky University in the Czech Republic.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture?In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies