New Books in East Asian Studies

The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan (U Hawaii Press, 2019) examines the relations between art and politics in transwar Japan, exploring these via a microhistory of the artist, memoirist, and activist Akamatsu Toshiko (also known as Maruki Toshi, 1912–2000). Scaling up from the details of Akamatsu’s lived experience, the book addresses major events in modern Japanese history, including colonization and empire, war, the nuclear bombings, and the transwar proletarian movement. More broadly, it outlines an ethical position known as persistence, which occupies the grey area between complicity and resistance: Like resilience, persistence signals a commitment to not disappearing—a fierce act of taking up space but often from a position of privilege, among the classes and people in power. Akamatsu grew up in a settler-colonial family in rural Hokkaido before attending arts college in Tokyo and becoming one of the first women to receive formal training as an oil painter in Japan. She later worked as a governess in the home of a Moscow diplomat and traveled to the Japanese Mandate in Micronesia before returning home to write and illustrate children’s books set in the Pacific. She married the surrealist poet and painter Maruki Iri (1901–1995), and together in 1948—and in defiance of Occupation censorship—they began creating and exhibiting the Nuclear Series, some of the most influential and powerful artwork depicting the aftermath of the Hiroshima bombing. For the next forty or more years, the couple toured the world to protest war and nuclear proliferation and were nominated for the Nobel Peace Prize in 1995.With abundant excerpts and drawings from Akamatsu’s journals and sketchbooks, The Art of Persistence offers a bridge between scholarship on imperial Japan and postwar memory cultures, arguing for the importance of each individual’s historical agency. While uncovering the longue durée of Japan’s visual cultures of war, it charts the development of the national(ist) “literature for little citizens” movement and Japan’s postwar reorientation toward global multiculturalism. Finally, the work proposes ways to enlist artwork generally, and the museum specifically, as a site of ethical engagement.Charlotte Eubanks is associate professor of comparative literature, Japanese and Asian Studies at the Pennsylvania State University. She studies the material culture of books and word/image relations, with a focus on Japanese literature from the medieval period to the present. Her articles have appeared in Ars Orientalis, Book History, Harvard Journal of Asiatic Studies, Japanese Journal of Religious Studies, PMLA, Symposium, Word &Image, and a range of other venues. She is associate editor at the journal Verge: Studies in Global Asias. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

“To mother, from Tsuneno (confidential). I’m writing with spring greetings. I went to Kanda Minagawa-chō in Edo—quite unexpectedly—and I ended up in so much trouble!”This letter, hidden in an archive in Niigata Prefecture, inspired Professor Amy Stanley to write her latest work: Stranger in the Shogun’s City: A Japanese Woman and Her World (Scribner, 2020). She traces Tsuneno’s life, from growing up in a rural community through her escape to the city of Edo, where she lives in the final decades of the Tokugawa Shogunate. In this interview with Professor Stanley, we discuss her book: the life of its main character and its historical setting. We touch on how Tsuneno's life tells us more about life, especially the life of women, during this period of Japanese history. We also talk about what inspired her to write about this ordinary woman, and what the research process was like.Amy Stanley is a Professor of History at Northwestern University, where she is a historian of early and modern Japan, with special interest in women's history. You can follow her on Twitter at @astanley711.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Stranger in the Shogun's City. Follow on Facebook or on Twitter at @BookReviewsAsia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast Asia, the Indian Ocean including the African coasts, the Americas and Europe, consumers desired Chinese porcelains. Many of these were made in the kilns in and surrounding Jingdezhen. Found in almost every part of the world, Jingdezhen's porcelains had a far-reaching impact on global consumption, which in turn shaped the local manufacturing processes. The imperial kilns of Jingdezhen produced ceramics for the court, while nearby private kilns manufactured for the global market. In The City of Blue and White: Chinese Porcelain and the Early Modern World (Cambridge UP, 2020), Anne Gerritsen asks how this kiln complex could manufacture such quality, quantity and variety. She explores how objects tell the story of the past, connecting texts with objects, objects with natural resources, and skilled hands with the shapes and designs they produced. Through the manufacture and consumption of Jingdezhen's porcelains, she argues, China participated in the early modern world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

From glove puppets of Chinese origin and Hakka religious processions, to wartime political theatre and contemporary choirs and dance groups, the diverse performance practices of ethnic Chinese communities throughout Southeast Asia highlight the complexity of minority self-representation and sense of identity of a community that is often considered solely in socioeconomic terms. Each performance form is placed in its social and historical context, highlighting how Sino-Southeast Asian groups and individuals have represented themselves locally and nationally to the region's majority populations as well as to state power.In this episode, Dr Josh Stenberg talks to Dr Natali Pearson about Sino-Southeast Asian self-representation in performance arts, and challenges essentialist readings of ethnicity or minority. In showing the fluidity and adaptability of Sino-Southeast Asian identities as expressed in performance and public display, Dr Stenberg enriches our understanding of Southeast Asian cultures and art forms, Southeast Asian Chinese identities, and transnational cultural exchanges.Dr Josh Stenberg is a Senior Lecturer in Chinese Studies in the School of Languages and Cultures at the University of Sydney. A scholar of Sino-Southeast Asian performance and literature, he examines the intersection of ethnic and political identity through the cultural performance of minority ethnic communities. He is the author of Minority Stages: Sino-Indonesian Performance and Public Display (University of Hawaii Press, 2019). In 2020, Dr Stenberg was awarded an Australian Research Council (ARC) Discovery Early Career Researcher Award (DECRA) to conduct further research into the reception of China's state-funded cultural diplomacy initiatives among Overseas Chinese communities in multicultural societies.For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that celebrated his rule: garden tours, banquets, entertainments, and gift giving. Stephen Whiteman's book, Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe (University of Washington Press in 2020) draws on resources and methods from art and architectural history, garden and landscape history, early modern global history, and historical geography to reconstruct the Mountain Estate as it evolved under Kangxi, illustrating the importance of landscape as a medium for ideological expression during the early Qing and in the early modern world more broadly. Examination of paintings, prints, historical maps, newly created maps informed by GIS-based research, and personal accounts reveals the significance of geographic space and its representation in the negotiation of Qing imperial ideology. The first monograph in any language to focus solely on the art and architecture of the Kangxi court, Where Dragon Veins Meet illuminates the court’s production and deployment of landscape as a reflection of contemporary concerns and offers new insight into the sources and forms of Qing power through material expressions.Suvi Rautio is a Postdoctoral Researcher at the University of Helsinki. As an anthropologist, her interests delve into themes, such as Chinese state-society relations, space and memory, to deconstruct the social orderings of marginalized populations living in China and reveal the layers of social difference that characterize the nation today. suvi.rautio@helsinki.fi Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Abe Shinzō is seen today through many lenses: as the longest-serving prime minister in the history of Japan; as a pragmatic leader with a consistent policy vision and a commitment to the art of statecraft; as a nationalist whose strong historical revisionist beliefs led him to make inflammatory moves that opened old wounds and antagonized Japan’s neighbors. In his new biography, The Iconoclast: Shinzō Abe and the New Japan (Hurst, 2020), Tobias Harris presents a painstakingly researched, engagingly written, and fair assessment of Abe’s political career and legacy.Beginning with Abe’s familial connection to the leaders of the Meiji Restoration, Harris show how the political dynasty linking Abe to his father Abe Shintarō and his grandfather Kishi Nobusuke played significant—and often controversial—roles in the political history of Japan dating back to the 1930s. Readers will witness Abe’s gradual rise through the ranks of the Liberal Democratic Party and his complex relationships with leading figures in both Japanese and US political circles. Harris skillfully analyzes the failure of Abe’s first premiership, the lessons he learned during his time in the political wilderness, and his path to reelection in 2012, which marked the beginning of his historic second administration.Harris’s balanced discussion of the Abe administration’s accomplishments and failures leaves no stone unturned, providing insight into everything from the Abenomics program and Abe’s efforts to revise the postwar constitution to an insider’s view of his diplomatic engagement with the Obama and Trump administrations and his attempts to improve Japan’s international relations. Readers predisposed to dislike Abe because of his revisionist perspective on Japanese history will be challenged to see him in a wider context, and Harris raises poignant questions about Abe’s missed opportunities for his champions to consider.Steve Wills is Associate Professor of History at Nebraska Wesleyan University and one of the hosts of the New Books in East Asian Studies series. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” (University of Hawaii Press, 2020) is a fascinating study of the transcultural underpinnings of Medieval East Asian Buddhist traditions with an emphasis on Shinra Myōjin, a deity integral to the institutional development of the Medieval Japanese Tendai faction, the Jimon. It demonstrates the linkage between continental Buddhist Culture and Buddhism in Medieval Japan through the intersectionality of various subjective and objective actors such as, traveling monks from Japan bound for China, merchants and other immigrants from the Korean peninsula, archetypal old man and pestilence deities, as medieval Japanese aristocrats and Shungendō practitioners in the theoretical space of the East Asian Mediterranean. For those interested in transcultural Buddhist studies, Tendai Buddhism, and the diffusion of Buddhism in East Asia, more broadly this interview with Sujung Kim, Associate Professor of Religious Studies at DePauw University, should be an enjoyable and insightful listen.Trevor McManis is a novice monk in a branch of the Vietnamese, Línjǐ school at Phước Sơn temple in Modesto, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1990, the Japanese government introduced the Nikkei-jin (Japanese descendant) visa and since then it has attracted more than 190,000 Nikkei Brazilian nationals to Japan. In Jesus Loves Japan: Return Migration and Global Pentecostalism in a Brazilian Diaspora (Stanford UP, 2019), Dr. Ikeuchi points out that “Unlike Japanese migrants in early twentieth-century Brazil, Brazilian migrants in twenty-first-century Japan lack solid governmental support from their home country, sufficient socioeconomic capital, and birthright citizenship.” Trapped in a suspended time and space of the precariousness of unskilled labor, Dr. Ikeuchi argues that many Brazilian migrants turned to Pentecostalism, a religion that allowed these people who have been “putting aside living” and feeling “neither here nor there” in Japan to find temporal and cultural belonging.Suma Ikeuchi is an Assistant Professor in the Department of East Asian Languages & Cultural Studies, University of California, Santa Barbara.Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In the past decade alone, more than ten million corpses have been exhumed and reburied across the Chinese landscape. The campaign has transformed China's graveyards into sites of acute personal, social, political, and economic contestation.In The Chinese Deathscape. Grave Reform in Modern China, three historians of China, Jeffrey Snyder-Reinke, Christian Henriot, and Thomas S. Mullaney, chart out the history of China's rapidly shifting deathscape. Each essay grapples with a different dimension of grave relocation and burial reform in China over the past three centuries: from the phenomenon of "baby towers" in the Lower Yangzi region of late imperial China, to the histories of death in the city of Shanghai, and finally to the history of grave relocation during the contemporary period, examined by Mullaney, when both its scale and tempo increased dramatically. Rounding off these historical analyses, a colophon by platform developers David McClure and Glen Worthey speaks to new reading methodologies emerging from a format in which text and map move in concert to advance historical argumentation.The Chinese Deathscape is published as part of Stanford University Press’ digital project series which aims to confer the same level of academic credibility on digital projects as academic print books receive. Innovative yet unostentatious, this platform sets new standards for combining interactive, scalable spatial exhibits with academic long-form narrative.Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow. Among many other projects, he runs his own Youtube channel.Luca Scholz is Lecturer in Digital Humanities at the University of Manchester (UK). His research focuses on European and spatial history. He tweets at @DrLucaScholz.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Studies on marriage migration often portray marriage migrants as victims of globalization and patriarchy. Although there are intersecting oppressions among female migrant workers, the tendency to conflate marriage migration with sex trafficking among humanitarian organizations and scholars lead to erasure of divergent experiences.In her book, Elusive Belonging: Marriage Immigrants and "Multiculturalism" in Rural South Korea (University of Hawai’i Press, 2018), Minjeong Kim challenges this narrative by showing how the feeling of belonging eludes a simple binary between authenticity of love [read as inclusion] and exclusion. Through in-depth interviews with thirty-five Filipinas, twenty-five Korean husbands, and eight Korean community members, Kim explores emotional citizenship created between couples, in-law families, as well as the transnational network of Filipina migrants. As scholarship on citizenship and migration highlights the importance of emotions in creating communities and identities for migrants in their host countries, Kim shows how Filipina’s social identities, along with their locations, intersect with multiplicity of emotions to shape their belonging within diverse national, familial, and co-ethnic spaces. Through her rich ethnography of international marriage couples in rural South Korea, Kim reminds us of the danger of victim narrative that can flatten marriage migrants’ experiences, and offers us a new way of thinking about citizenship that is shaped by migrants themselves through a multiplicity of emotions.Minjeong Kim is Associate Professor and Department Chair of Sociology at San Diego State University. Her research areas include gender, family and international migration, as well as Asian American studies and the media.Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies