Switched on Pop

Ross Golan is no stranger to Switched on Pop. This week, the songwriter and host of the hit podcast And The Writer Is… joins Charlie for a BONUS episode (cue siren) about the surprising lessons learned from a collective seven years behind the interview mic. Tune in as Ross and Charlie discuss the infinite shelf-life of classic songwriting techniques, the happy accidents behind some of your favorite hit songs, and the essential qualities of a good listener.Find more Ross on Switched on Pop in Episode 58, ‘What’s to Love About Ed Sheeran?’, and catch more of And The Writer Is… when Season 5 premiers this Monday, September 9th — anywhere you listen to podcasts.Episodes discussed:#80 How to ‘Make Me Feel’ with Lizzo#123 What BTS’s “Boy With Love” ft. Halsey Can Teach Us About K-pop#99 Entering Beard Phase (with Mike Posner)#107 How Streaming Changed the Sound of PopSongs Discussed:Lizzo - Truth HurtsSister Nancy - Bam BamPaul Anka - Put Your Hand on My ShoulderBTS ft. Halsey - Boy with LuvAriana Grande - Break Free Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this very special episode, we join forces with the hilarious podcast OFF BOOK. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show. Stay tuned for deep thoughts about what separates pop music from musicals, wild speculation about the origin of the word “vamp,” and an ENTIRE FREAKING MUSICAL COMPOSED FROM SCRATCH that will make you laugh your face off. This is not one to miss.Find more episodes of Off Book on their website h.earwolf.com/off, or anywhere you find podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Make Me Feel," is the first hit from Janelle Monáe's 2018 album Dirty Computer,  and a sensual song about the fluidity of desire. In the pre-chorus, the singer proudly expresses that she is a "sexual bender." Fans have embraced the song for breaking free of normative sexual expectations. But these non-binary statements aren't limited to the lyrics. The message is reinforced with musical concepts drawn from the blues, Prince and Michael Jackson. To help break down this track, Nate and Charlie are joined by singer/rapper Lizzo. She and Monáe both collaborated with Prince, making Lizzo uniquely qualified to unwind his influence on the song. We also discuss Lizzo's song "Truth Hurts" and her podcast "Good As Hell" where she talks to the queens of hip hop. Hands down, Lizzo is one of the most talented, knowledgable and fun guests. You don't want to miss this episode.Songs DiscussedJanelle Monáe - Make Me FeelMichael Jackson - The Way You Make Me FeelMichael Jackson - Beat ItFats Domino - Blueberry HillPrince - KissYing Yang Twins - Wait (The Whisper Song)Lizzo - Truth HurtsSister Nancy - BamDon't miss Lizzo's podcast "Good As Hell" on Spotify Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we're revisiting an episode inspired by a pair of classic VH1 shows: “Behind the Music” and “Where Are They Now?”Our subjects are two songs representing the lunatic fringe of 90s culture, “Cotton Eyed Joe” and “How Bizarre.”In the course of our musicological investigation, we uncover dark truths about these seemingly anodyne hits that will make you question everything you know about pop music.And in the end, we reach a definitive answer to a perennially vexing question: “WTF was 90s music so weird?”Songs DiscussedRednex:Cotton Eye JoePop in an OakThe Way I MateCotton Eyed Joe:Fiddlin John CarsonBob Wills and his Texas PlayboysKaren DaltonChieftainsNina SimoneOMC:How BizarreRight On Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every year, critics and media outlets the world over put out definitive song-of-summer guides based on... well, we’re not always entirely sure. Certainly popularity, as measured by streams and radio play; not to mention that bewildering feeling that creeps up some time mid-July, prompting whispered exclamations of: “man, this song is everywhere.” But the most ubiquitous track isn’t necessarily the one you’ll have on repeat on those steamy summer commutes to work, nor is it the song you’ll want soundtracking this year’s vacations, graduations, summer flings and backyard cookouts.In this episode, we abandon the pursuit of a single song of summer, and ask the question we’re more interested in: What does summer sound like? To answer that question, we asked you, our listeners, and got some downright awesome suggestions in return. Your voicemails covered everything from Hot Girl Summer anthems and nostalgia-inducing dance jams, to globally infused collaborations and just-released future-feeling indie rock cuts. Today, we travel across the full spectrum of summer feels, and the music that comes through when we need it the most.Songs DiscussedMUNA - Number One FanAmber Mark - Put You OnJonas Brothers - Only HumanShawn Mendes, Camila Cabello - SeñoritaCharlie XCX, Christine and the Queens - GoneBTS, Zara Larsson - Brand New DayKaty Perry - Teenage DreamPost Malone - SunflowerLil Nas X, Billy Ray Cyrus - Old Town RoadPinkfong - Baby Shark Khalid - BetterMegan Thee Stallion - Big ol’ FreakMegan Thee Stallion, Juicy J - Simon SaysSaweetie - My TypePetey Pablo - Freak-A-LeakCity Girls - Act UpMegan Thee Stallion, DaBaby - Cash ShitClairo - Sofia HAIM - Summer GirlLou Reed - Walk on the Wild SideMother’s Daughter - Miley CyrusRosalía - Aute CutureAriana Grande - NASABANKS - GimmeGrimes, Hana - We appreciate powerLizzo - Truth HurtsPaul McCartney - JetDon Henley - The Boys of SummerSantana, Rob Thomas - SmoothBritney Spears - ToxicThe Slits - I Heard it Through the Grapevine Missy Elliott - SlideFreddie Gibbs, Madlib - CataractsVampire Weekend - 2021Misc extrasListen to all of these songs and more on the Switched on Pop Songs of Summer 2019 Playlist. NoteIn this episode we made light of PTSD by using the term irreverently - thanks to listener feedback we're better aware of how destructive such diminishing comments can be to people dealing with trauma. We apologize for the misuse and will strive to avoid it in the future.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The sound of R&B is difficult to pin down. Since the 1950s, the label has been used both as a genre and as a catch-all for the entirety of black popular music. Soul, funk, disco and even hip-hop have at times been covered by this "R&B" umbrella. On Chance The Rapper's new album, The Big Day, all of these influences come through—and he's not alone. On recent Kehlani records, 90s R&B and 2000s trap both play a role. But both these artists are a far cry from the 50s R&B sounds of Sam Cooke. To understand how R&B has changed over time, we consult with Trevor Anderson, manager of Billboard's R&B/Hip Hop chart. Then we speak with R&B super-producer Oak Felder to understand how R&B is progressing and what it might become.Songs DiscussedChance The Rapper – Hot ShowerChance The Rapper – I Got YouSam Cooke – You Send MeElvis Presley – Crying In the ChapelThe Temptations – I Can’t Get Next To YouMtume – Juicy FruitBiggie – JuicyToni Braxton – Breath AgainJanet Jackson – That’s The Way Love GoesBoys II Men – I’ll Make Love To YouLauryn Hill – Doo Wop (That Thing)Diddy – I’ll Be Missing You (feat. Faith Evans & 112)Nelly – DilemmaKehlani – DistractionSWV – WeakAaron Hall – I Miss YouUsher – You Make Me WannaBrandy – Sit-in Up In My RoomDru Hill – In My BedSilk – Freak MeDemi Lovato – Sorry Not SorryJodeci – Cry For youMariah Carey – Vision of LoveKehlani Everything Is YoursChance The Rapper – All Day LongQueen – Fat Bottom GirlsDiana Ross – I’m Coming OutFor an in depth history of R&B on Billboard, read Chris Molanphy's feature on Pitchfork. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the live action remake of the Lion King, Beyoncé, (who voices Nala in the film), recorded and curated a companion soundtrack called The Gift. She worked with leading Afropop stars to expose the music of the continent to a global audience. In her piece, “Diversity Is in the Details: What Beyoncé’s 'The Lion King: The Gift' Gets Right and Wrong,” Okayplayer music editor Ivie Ani argues that the album highlights music while unintentionally treating the continent as a monolith. Ani joins Switched On Pop to break down this album and what it means for Afropop.Songs DiscussedBeyoncé, Jay-Z, Childish Gambino, Oumou Sangaré – MOOD 4 EVAOumou Sangaré – Diaraby NenBurna Boy – JA ARAFela Kuti – Water No Get EnemyFena, MDQ, Mayonde, Kagwe, Blinky Bill – PARTY NATIONListen to Blinky and Ivie’s East African playlist recommendationsLeave us a voicemail about your favorite songs of summer: 385-626-6179 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why is it that every hip restaurant plays the same music? When Eater restaurant editor Hillary Dixler Canavan kept hearing similar songs while dining for work assignments, she compiled a playlist of what she heard. It included songs by LCD Soundsystem, M83, Grimes, Biggie, Beck and the like. Her subsequent article about this music, “This Is Every Generically Cool Restaurant’s Playlist,” went viral.She’d captured the elusive sound of small plate dining. But what left her guessing was why this sound? And how did it reach so many restaurants in cities across the U.S.? She brought this question to Switched On Pop to understand why this 00s mostly indie sound was the ideal background for post-industrial chic establishments.Investigating the issue, she discovered a small bubble of music selectors who curate these lists for businesses. She spoke with Yvette Bailhache, a D.C. based music selector for restaurants and bars about how these lists are made. And she asked Jonathan Shecter, founder of the Las Vegas based background music service Playback Prodigy, about what makes an ideal background sound. What she discovered is surprising. The sounds in the background may dictate more of our foreground than you’d expect.Music DiscussedLCD Soundsystem - I Can ChangeM83 - Midnight City Grimes - GenesisIce Cube - It Was A Good DayWu-Tang Clean - CREAMThis Will Destroy You - KitchenListen to Hillary’s Every Restaurant Playlist and for more stories and news on food, subscribe to Eater's podcast Upsell Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lil Nas X licensed the beat for “Old Town Road” from an e-commerce platform. He originally bought a non-exclusive copy of the backing track for just $29.99 from a 19 year old Dutch record producer called YoungKio. And he’s not the first hitmaker to do so. Desiigner, Bryson Tiller and Queen Naija have all made hit songs from internet beats. These beats are big business. The arguable market leader, BeatStars, has paid its producers over $50M since its inception in 2008. The platform allows producers to market their beats to MCs and singers, boasting 340,000 active sellers and 1.5M tracks. BeatStars CEO Abe Batshon originally created the company to connect artists who may not live in the music industry hubs in L.A., N.Y., Nashville and Atlanta. His global ambitions were realized—producers on the platform come from all over the world. They release a steady stream of new music, marketing their original and sound-a-like beats to aspiring and emerging artists everywhere turning into ad music, Instagram stories and even Billboard Hot 100 hits. While BeatStars increases access to music, could this commoditization of music devalue the creative process? We speak with Abe as well as producers on the platform—songwriter Breana Marin and producer Dansonn—to understand how online beat selling is effecting the sound of pop music.Music Discussed:Lil Nas X - Old Town RoadBryson Tiller - Don’tYBN Nahmir - Rubbin off the PaintDesiigner - Panda’Queen Naija - MedicineCERTIBEATS - MojoBEATDEMONS - NohoBrytiago ft Bad Bunny - NETFLIXXXBreana Marin’s BeatStars pageDansonn’s BeatStars pageListen to “Bouncing On The Band Stand” by Marian Hill’s Jeremy Loyd (Clear Eyes) and Charlie (Charlatan). You can even license it for $29.99 for your own production.Vote for Switched On Pop in this year's People's Choice Podcast Awards! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shawn Mendes’ hit song “If I Can’t Have You” is so ridiculously catchy that Charlie had it stuck in his head after the first chorus. How is that possible?! Declamation, or the way that text is set to music, is a big part of the song’s appeal—every word that Mendes sings is perfectly in rhythm. In this episode we use Mendes’ latest track to explore creative declamation throughout history. How do artists from Whitney Houston to Queen to Taylor Swift keep finding new ways to sing the word “somebody”? Why did the composer Georg Friedrich Handel get in trouble for a bit of awkward text setting in one of the most famous pieces of Baroque music? And, does Beyoncé even know how to pronounce “sandcastles”? Finally, Mendes’ hit leads us to ask: is “incorrect” declamation is something to celebrate, or criticize? Learn more about your ad choices. Visit podcastchoices.com/adchoices