Switched on Pop

Why are there no new Christmas songs? One one hand, there's more holiday songs than we’ll ever need. Every year pop stars drop countless holiday-themed album.But despite the annual glut of Christmas releases, few of these new songs join the rotation of holiday classics. On Billboard's Holiday Hot 100 chart right now, there's only four songs from the past ten years that have made it to the top fifty.We listen to each of these holiday hits—from Kelly Clarkson, Ariana Grande, Justin Bieber, and the Jonas Brothers—and and ask if these songs can go the distance and become the 21st century members of the Christmas music canon.Songs Discussed - PlaylistKelly Clarkson - Underneath the TreeAriana Grande - Santa Tell MeJustin Bieber - MistletoeJonas Brothers - Like It's ChristmasThe Bird and the Bee - You and I at Christmas TimeLoretta Lynn - White Christmas BlueWoody Goss - One for OneSharon Jones and the Dap Kings - 8 Days of HannukahJenny Owen Youngs, Tancred, John Mark Nelson - Fireside Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whether you’re a TikTok fanatic, or the app’s K-hole-inducing stream of content has forced you to delete it from your phone, its influence on music is undeniable. In 2020 the platform bragged that over 70 artists on the platform signed with major labels. TikTok’s success was linked to pandemic-related stay-at-home orders -- people were stuck at home and musicians couldn’t tour. And while trending dances and songs on TikTok may turn over weekly, with a billion monthly users, the social media platform has industry power. In 2021, Billboard’s Hot 100 was overflowing with TikTok hits -- over 175 according to the company -- more than twice that of last year. While major artists like J Balvin and Taylor Swift use the platform, TikTok’s algorithm is surprisingly good at exposing aspiring artists. Take Tai Verdes for example. While working his day job at the Verizon store. Ty set his mind on using TikTok to launch his musical career. When he released a video singing his song “Stuck In The Middle” in his Prius, millions saw him for the first time. Tai’s music has since been heard at Lollapalooza and on Top 40 radio. But like so many overnight successes, he built it up over years of practice and creative releases. If you want to know how social media has fundamentally changed music, you need to hear Tai’s Verdes tell his story to Switched On Pop’s Charlie Harding. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Robert Plant is in his own words “cold” and “prickly” while speaking about his new album with Alison Krauss, Raise The Roof. First thing upon joining the Zoom call from London, Plant jovially launches into the much misattributed quote “talking about music is like dancing about architecture.” But he is neither callous, nor coy. For Plant the music is ineffable, a joyous celebration of friendship, and a kindred love of song that he shares with Krauss and producer T-Bone Burnett. Their album follows up from their 2007 Grammy award winning album Raising Sand. Both albums are steeped in americana and roots music, favorites that the trio traded across the Atlantic over many years of friendship. There are few hints of Plant’s Led Zeppelin or Krauss’ Union Station. Instead their collaboration sounds timeless, haunting and melancholic. Their idiosyncratic sound emerged from an entirely organic process, a method that both parties are happy to share, but reticent to analyze. Switched On Pop’s co-host Charlie Harding spoke with Plant and Krauss about the making of Raise The Roof.SONGS DISCUSSED - Spotify Playlist Robert Plant, Alison Krauss - Quattro (World Drifts In), The Price of Love, Go Your Own Way, Trouble With My Love, Can’t Let Go, It Don’t Bother Me, You Led Me To The Wrong, Last Kind Words Blues, High and Lonesome, Going Where The Lonely Go, Somebody Was Watching Over Me Calexico - Quattro (World Drifts In) The Everly Brothers - The Price of Love Anne Briggs - Go Your Own Way Bert Jansch - Go Your Own Way Sandy Denny - Go Your Own Way Led Zeppelin - The Battle of Evermore Betty Harris - Trouble With My Love Lucinda Williams - Can’t Let Go Bert Jansch - It Don’t Bother Me Ola Belle Reed - You Led Me To The Wrong Geeshie Wiley - Last Kind Words Blues  Merle Haggard - Going Where The Lonely Go Pops Staples - Somebody Was Watching  Learn more about your ad choices. Visit podcastchoices.com/adchoices

2021 marks the 50th anniversary of the release of the Beatles’ final album, Let it Be. To commemorate the occasion, the remaining members of the band have remixed the album and unleashed an eight-hour-plus documentary directed by Peter Jackson that lays bare the making of the record. For super-fans this video memoir reveals a lot about the messiness of the creative process: The Beatles nearly broke up while making it! Author Tim Riley says that the band approached Let It Be with an aesthetic challenge: to get back to playing as a live band. But the original release of the album deviated from that mission and received mixed reviews. Over the decades, The Beatles have revisited this work with multiple mixes and alternative takes that try to show the original spirit of this direct-to-tape, live album. Charlie and Nate listen back, warts and all, to get to the heart of this enigmatic project.Songs DiscussedThe Beatles - I Saw Her Standing There, I Want To Hold Your Hand, Strawberry Fields, Dig A Pony, Good Golly Miss Molly, I’ve Got A Feeling, One After 909, Get Back, Two Of Us, The Long & Winding Road, Let It Be, I Me MineLittle Richard - Tutti FruttiMoreRead Tim Riley's works on The Beatles Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we are having a blast feeling really sad. Guest Brittany Luse, cohost of the acclaimed podcast For Colored Nerds, joins Nate and Charlie to dig into this fall's slate of breathtaking breakup albums from Adele, Kacey Musgraves, Summer Walker, and Mitski.Some have been calling this confluence of releases, "sad girl autumn," but the melancholy moment goes beyond gender, with even Bruno Mars and Anderson .Paak's leaning into the lachrymose on their album An Evening With Silk Sonic. On top of all this, Taylor Swift has stormed the charts with her re-recording of her hit album Red and the ten-minute version of fan-favorite breakup song "All Too Well."We take the opportunity to mine this gold rush of emotions and diagnose every type of heartbreak on the radio dial.Songs discussed:Taylor Swift - All Too Well (Taylor's Version)Summer Walker - Throw it AwaySilk Sonic - Put On a SmileAdele - Easy On MeMitski - The Only HeartbreakerKacey Musgraves - JustifiedMoreListen to Brittany's podcast For Colored NerdsWatch Guy Winch's talk How To Fix a Broken HeartWeep along to our playlist of breakup albums Learn more about your ad choices. Visit podcastchoices.com/adchoices

Merging hip hop and Indigenous culture, rap duo Snotty Nose Rez Kids are creating a sound that goes hard for a cause. On tracks like “War Club” with DJ Shub, Yung Trybez and Young D connect Indigenous protests to the Black Lives Matter movement, and on “Boujee Natives,” Snotty Nose Rez Kids celebrate traditional culture through a modern lens. But as much as this music has a message, it also bangs, and SNRK’s new album After Life runs the gamut of emotions; from tackling police brutality on “Red Sky at Night” to celebrating their community on “Wild Boy.”Their first tour since COVID brought them to Los Angeles, where Nate talked to the band repping the Haisla Nation about pipeline protests, reclaiming the term “savage,” and how the hell the Disney movie Pocahontas ever got greenlit.Songs DiscussedSnotty Nose Rez Kids - Red Sky At Night, War Club, Creator Made An Animal, Sink or Swim, Boujee Natives, Wild Boy, Northern Lights, Something ElseMegan Thee Stallion - SavageJay Z and Kanye West - OtisKendrick Lamar - AlrightCheck out a playlist of our favorite SNRK tracks Learn more about your ad choices. Visit podcastchoices.com/adchoices

From time to time, it is our constitutional duty to provide an update to the people on the current state of pop. What are the sounds? Who’s making the hits? What are they singing about? We take the musical temperature by consulting the charts, the platforms, and the people.MORECat Zhang’s review of PinkPantheress’ “Passion” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Swedish supergroup ABBA is releasing their first album in forty years, making this the perfect time for Nate and Charlie to investigate what makes their music so beloved and reviled in equal measure. For every ABBA stan, there’s a hater lurking, like legendary pop critic Robert Christgau, who once said of the group: “We have met the enemy, and they are them.” That suspicion was earned through ABBA’s musical catchiness and lyrical earnestness, but regardless of how you feel about their music, their compositional acumen cannot be denied.The longevity of their songs is testament to that musical brilliance. So after breaking down the vocal contrast, musical maximalism, and studio wizardry used to concoct world-beating hits like “Super Trouper,” “Mamma Mia,” and “Dancing Queen,” Nate and Charlie turn their ears to the band’s latest singles, “Don’t Shut Me Down” and “I Still Have Faith in You,” to determine whether the newest releases represent a return to classic form or a departure into new sonic realms.Songs DiscussedABBA - Super Trouper, Mamma Mia, Dancing Queen, Don’t Shut Me Down, I Still Have Faith in You Learn more about your ad choices. Visit podcastchoices.com/adchoices

It. Has. Been. A. Year. We’ve felt it; you’ve felt it. Sometimes, it’s comforting to consider how universal that overwhelming sense of blah is. Other days, woof, it can be tough to see the light. That’s the subject of today’s episode, brought to you by our producer Megan Lubin.When Megan hit an especially low point earlier this year, she noticed something in the music she was listening to: Über-popular artists making explicit references to the state of their mental health and the things they do to cope with it. It made her want to know more about the impact of those lyrics, so she dug around and found an academic who studies that very thing: Alex Kresovich, a Ph.D. candidate at the University of North Carolina’s Hussman School of Journalism and Media who has authored a bunch of studies on mental health and popular music. In today’s episode, we walk through one of those studies with him and learn how influential lyrical content can be — even when you’re not paying super-close attention. Alex’s research, and research like it, opens up the possibility that pop artists are an underestimated asset when it comes to mental-health messaging. “People like to point at pop music as a source of problems, not a source of solutions,” he says. Alex sees his job as guiding the scientific community toward new data that could change how we understand the value of pop-music lyrics — “laying the railroad ties,” as he puts it.In the second half of today’s episode, we talk to an artist who has taken the concept of music as medicine to a whole new level. Over the course of her career, Esperanza Spalding has reimagined the music-making process — transforming it from one designed to meet her label’s commercial needs to one designed to meet the mental-health needs of her immediate community. With her new album Songwrights Apothecary Lab, Spalding offers up a collection of songs for “releasing the heaviness of a seemingly endless blue state,” for “steadying the vast-spinning ‘potential hurt’ analysis triggered by the bliss of new romance,” and for “slowing down and remembering to make space/time for your elders.” Spalding made clear that this way of “musicking” is nothing new:It’s like the oldest thing ever….we’re playing with the origin of music. The origin of music being: a response to others in your community, in your surroundings. And the response is intuitive! When you hum for a baby or when you’re sitting with somebody who is grieving and you, you feel compelled to hum, or when you’re excited and go, “Wow!” That’s music!Spalding’s view of music these days opened our eyes wide to the true healing power of individual songs and just how accessible music is when we need it.Songs Discussedgirl in red - SerotoninBillie Eilish - Getting OlderJulia Michaels ft. Selena Gomez - AnxietyJ. Cole ft. kiLL edward - FRIENDSLil Nas X - VOIDKehlani - 24/7Kendrick Lamar - uJuice WRLD - Lucid DreamsPanic! At the Disco - King of the CloudsShawn Mendes - In My BloodAriana Grande - breathinLogic, Alessia Cara, Khalid - 1-800-273-8255Billie Eilish ft. Khalid - lovelyLil Uzi Vert - XO Tour Llif3Esperanza Spalding - Formwela 3Esperanza Spalding - Formwela 6Esperanza Spalding - Formwela 10 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam Sanders is one of our favorite friends of the podcast. His NPR show, It's Been A Minute, has released an outstanding three part series exploring crossover in pop music. We want to share with you the 2nd episode form that series on the legacy of Janet Jackson.From It's Been A MinuteOn the 35th anniversary of Janet Jackson's first No. 1 Billboard Hot 100 hit, we look back at Control, her career-defining album that changed the trajectory of pop music in the late '80s and '90s. In the second episode of a three-part series exploring crossover in pop music, we look at Jackson's musical and cultural legacy over the years. We also reconsider how Jackson was vilified after her Super Bowl XXXVIII appearance, and why. Episode art by Blake Cale for NPRAll episodes in the series There Was Nothing Like 'Soul Train' On TV. There's Never Been Anything Like It Since Janet Jackson Once Had 'Control' of the Charts. We Don't Give Her Enough Credit 1999's 'Latin Explosion' chased crossover hits. Today, Latino artists don't need them Learn more about your ad choices. Visit podcastchoices.com/adchoices