The MoMA Magazine Podcast

The future of this complex emotion is still being written, but its history can offer interesting insights on our present day. “ Everybody fundamentally wants to be loved…to feel like they belong,” says historian Fay Bound Alberti. “But many people don’t find that, or they think  about romantic love as the answer to all of their problems.” As a result, many of us end up feeling something else entirely: loneliness. Recent scientific research has described loneliness as a “modern epidemic,” an experience that can pose a threat to our health. While there is truth to these claims, they risk simplifying the complexity of this experience. For this year’s Valentine’s Day episode of the Magazine podcast we speak to Professor Fay Bound Alberti, author of A Biography of Loneliness. She guides us through the history of this emotion—its roots in the modern era and the ways it has been depicted in the work of artists. The podcast also revisits last year’s conversation with Dr. Stephanie Cacioppo; alongside Professor Alberti, she offers strategies for reframing our perceptions of love and loneliness. Access a transcript of the conversation at https://www.moma.org/magazine/articles/1184

Hear from artists, writers, and therapists about what happens when art and grief collide. When was the last time you grieved? What is for a person or an animal? A place or a thing? Did you experience grief at the loss of something intangible? These questions are not meant to cause pain. Rather, they offer an opportunity to acknowledge the grief that may be hiding within us—even if it’s been several years since you experienced the loss. Many artists have used their talents to document, understand, and share their experiences of death, dying, grief, and loss. In this Magazine podcast episode, we discuss three of these artists: Kay WalkingStick, Georg Kolbe, and Käthe Kollwitz. We’ll explore how grief entered their lives and how art helped them see it in new ways. We’ll also hear from a somatic therapist and a thanatologist (a person who studies death and grief). Together, they’ll help us make sense of this complex experience that affects our bodies, minds, and spirits, and discuss the role of art in helping us heal.   Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1178

Society ridiculed the modern art she loved, so Lillie P. Bliss set out to create a museum to house it. It might be hard to imagine, but there was a time when the work of modern artists like Vincent van Gogh, Henri Matisse, and Paul Cézanne was ridiculed by the public. Despite all the criticism, three women founded a museum dedicated to art that was new. In this edition of the Magazine podcast, we explore the life and work of Lillie P. Bliss, one of MoMA’s three founders and a passionate advocate for modern art. Bliss is also the subject of MoMA’s exhibition Lillie P. Bliss and the Birth of the Modern. Described by her niece as “the most typical Victorian daughter,” the dutiful Bliss nonetheless defied not only society but her parents by going on to build an art collection that became the cornerstone of The Museum of Modern Art. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1169

A hundred years later, a Surrealist artwork continues to inspire curiosity in all who encounter it. “It is an object that—once you’ve seen it, it’s there in your imagination forever,” says former MoMA senior curator Anne Umland about Meret Oppenheim’s Surrealist Object. Objects conservator Caitlin Gozo Richeson had a similar reaction on seeing the fur-lined teacup, saucer, and spoon for the first time as a MoMA intern. “I remember seeing it in the galleries and just being floored,” she recalls. “For me, it’s always been one of those objects that is just so burned into my memory and my senses.” Oppenheim’s Object is one of the most celebrated works in MoMA’s collection—and for good reason. It’s an artwork full of wonder and humor, often leaving us with more questions than answers. For this edition of the Magazine podcast, we plumb the mysteries of an artwork that has come to embody Surrealism, an artistic and literary movement celebrating its 100th anniversary this year. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1133

Jazz in the Garden, Episode Three: “Return to the Garden” An overwhelmingly popular series of jazz concerts in MoMA’s Sculpture Garden in 1985 proved…a little too popular, and it would be nearly a decade before live jazz was once again a regular occurrence at the Museum. In our third and final episode, hear about a new generation of musicians who revived the legacy of jazz at the Museum in the 1990s, and brought it into the 21st century. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Strauss Waltz Medley.” Written by Johann Strauss II. Performed by the United States Air Force Band. Public domain recording; “The Thrill Is Gone.” Written by Ray Henderson and Lew Brown. Performed by Claudia Acuña. Used by permission. By arrangement with Warner Chappell Music; “Mambo Jazz.” Written (as “Titorama”) by Chris Washburne. Performed by Chris Washburne and the Syotos Band. Used by permission. Courtesy Wash and Burne Music; “Moon Bird.” Written by Myra Melford. Performed by Myra Melford’s The Tent. Used by permission. Courtesy Myra Melford; “Malinke’s Dance.” Written by Marty Ehrlich. Performed by the Marty Ehrlich Sextet. Used by permission. Courtesy Marty Ehrlich

Hear from current and former teens about their experiences of growing up queer. When was the last time you thought about your teenage self? For a lot of us, our teenage years were an uncomfortable time. Sure, there were some good moments, but there were also a lot of confusing thoughts and big emotions that we couldn't figure out. For Pride 2024, we invite you to enter the world of Open Art Space (OAS), MoMA’s weekly drop-in program for LGBTQ+ high school students and their allies. You’ll hear from different community members about the ways they discovered and embraced their identity as queer people. They discuss what it was like growing up queer, the role of art in their lives, and the places and spaces that played a vital role in making them feel safe.

Jazz in the Garden, Episode Two: “One Magic Summer” After a golden age of big names and big crowds throughout the 1960s, by the mid 1970s live jazz at MoMA had become something of an afterthought. But a magical summer of performances in 1985—including landmark concerts by the Art Ensemble of Chicago, “Butch” Morris, and the “saxophone colossus” himself, Sonny Rollins—put the music back at center stage. Join us for our second episode, and hear the story from Rollins and others who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Now’s the Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing; “Uncle.” Written by Roscoe Mitchell. Performed by the Art Ensemble of Chicago. Courtesy of Universal Music Group. By arrangement with Art Ensemble of Chicago Publishing; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA’s Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you’ll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “That’s a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now’s The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

Hear how this popular crop is helping craft a more sustainable future in Mexico. What do corn, craft, and Mexico have in common? The answer to this question comes in the form of Totomoxtle, a project and materials created by designer Fernando Laposse in collaboration with the village of Tonohuixtla. On view through July 7 in the exhibition Life Cycles: The Materials of Contemporary Design, Totomoxtle is an example of how good design can do more than please the eye—it can offer new pathways to preserving cultures, supporting local communities, and bringing balance to an ecosystem that has been exploited for far too long.  For this Earth Month edition of the Magazine podcast, we sat down with Laposse to discuss the origins of his Totomoxtle project and how corn is helping build a more sustainable future for people and planet. Access a transcript of the conversation here: https://www.moma.org/magazine/articles/1062

Is art the secret to everlasting love? It’s no secret that some of the most powerful art has been inspired by love, that singular, indescribable feeling that, as it turns out, we are all capable of experiencing. “We all have the 12 brain areas that are critical for love,” says Dr. Stephanie Cacioppo, a leading figure in the neuroscience of social connections. It doesn’t matter if that love we feel is for our friends, our community, or our romantic partners, the only thing that changes between these relationships is the intensity we feel and see in the brain. What’s more, when we embrace that love, amazing things can happen and our brains become stronger. In this Valentine’s Day episode of the Magazine Podcast, we’re exploring the science of love and how art can help foster it. We’ll hear from Dr. Cacioppo about her research, and from a couple who met at MoMA more than 50 years ago. Together, they’ll teach us that we don’t need to look far for love—sometimes we’ll find it where we least expect. Access a transcript of the conversation here: moma.org/magazine/articles/1027