City Ballet The Podcast

City Ballet The Podcast is back! In the lead up to the return of two of Pam Tanowitz's ballets to the stage this spring—Gustave le Gray No. 1, from 2019, and Law of Mosaics, which premiered in 2022—Former Principal Dancer Russell Janzen and current Soloist Miriam Miller join Hear the Dance host Silas Farley to discuss working with the singular choreographer. As both dancers describe, Tanowitz's unique approach to ballet and generosity in the studio make familiar steps new, freeing the performers to challenge themselves and discover new aspects of their own artistry. (1:14:37) Written by Silas Farley Edited by Emilie Silvestri Reading List: Reality Hunger: A Manifesto by David Shields Béla Bartók by David Cooper The Prickly Rose: A Biography of Viola Farber by Jeff Slayton Merce Cunningham by Roger Copeland Four Quartets by T.S. Eliot Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Law of Mosaics (2012) by Ted Hearne All music performed by the New York City Ballet Orchestra

NYCB dancers Emily Kikta and Peter Walker discuss the challenges and rewards of partnering in ballet. They share memories of learning from Jock Soto, emphasize the importance of communication, and reflect on the intricate dynamics of dancing pas de deux both onstage and off. The episode highlights the precision, elegance, and deep bond required for successful partnerships in the ballet world.

Jenelle Manzi, a City Ballet Corps de Ballet Member and Get Golden founder, shares her journey dealing with injuries and food allergies, leading her to create anti-inflammatory recipes. She discusses starting her business while performing full-time and the impact of a colleague's comment. Topics include wellness, entrepreneurship, community in dance, and individualized exercise approaches.

NYCB Director of Costumes, Marc Happel, joins The Rosin Box hosts to discuss the history of costume design in ballet, from Balanchine's powderpuff tutu to modern fittings. They explore the importance of fabric choices, collaborations with dancers, and the evolution of ballet costumes. The discussion also delves into Happel's journey from Broadway to NYCB's Costume Director role, showcasing the dynamic relationship between dance, fashion, and collaboration.

Explore the musical complexities and visual inspirations of Stravinsky's Symphony in Three Movements, from major to minor chords, cinematic influences, and the joyous finale symbolizing Allied victory. Delve into the tight construction, tension, dissonance, and the deliberate musical choices made by Stravinsky to convey conflict, tension, and triumph.

Former Principal Dancers Silas Farley, Bart Cook, and Maria Calegari discuss George Balanchine's Liebeslieder Walzer, sharing memories of the iconic ballet's interpretation, challenging choreography, and the gift it was for dancers. They explore the technical demands, emotional depth, and fluid transitions in staging the performance, highlighting the intricate dynamics of dance choreography and music collaboration. The podcast delves into the themes of love, sadness, and unity in ballet, showcasing the artistic growth and unique approach of Balanchine in this timeless piece.

Principal Dancer Tiler Peck discusses her upcoming choreographic debut with New York City Ballet, emphasizing her musicality in choreography and the joy she found working with the dancers. The episode explores her journey from dancer to mature ballerina, challenges faced during COVID, collaborative creation of a ballet piece, significance of mentorship, and the inspiration behind 'Concerto for Two Pianos'.

Former Principal Dancer Kay Mazzo, Repertory Director Christine Redpath, and Principal Dancer Unity Phelan discuss Jerome Robbins' In the Night. They explore the ballet's representation of human relationships, emotional expression in choreography, and the intimate connections between dancers on stage. The podcast reflects on the dynamics of love and conflict, the importance of authentic expression in dance, and the artistic evolution of ballet performance.

Soloist Sara Adams shares her experience with pointe shoes and tips for preparing them for performances, including changing pairs frequently during The Nutcracker. The podcast explores the history and evolution of pointe shoes, customization for dancers, and the sentimental value of worn shoes. The discussion also touches on the importance of toe protection, individuality in shoe makers, and the intricacies of pointe work in ballet.

Colleen Megley and Kristen Segin discuss NYCB's educational programs, including Family Saturdays and Access Programs. They emphasize George Balanchine's commitment to outreach. Segin describes Workshop Weekends as 'dance camp' for adults. The podcast explores the impact of these programs on both Company members and participants.