New Books in Chinese Studies

In the past four hundred years, the cultural position of Taiwan has been undergoing a series of drastic changes due to constant political turmoil. From the early seventeenth century to the late twentieth century, the ruling power of Taiwan shifted from Spaniard and Dutch to the Late-Ming Zheng regime, then to the Qing court and imperial Japan, and finally to the Kuomintang (KMT) government from China. In this regard, Taiwan has long been regarded as a supplementary addition to its cultural Other: China, Japan, or imperial western powers, despite its rich Aboriginal cultures. To create a self-claimed subjectivity, the localist camp of the island has been promoting the Taiwanese consciousness via political movements and literary writings in a century-long campaign. Its focus on the native soil and experience is well connected with the Sinophone studies, which has been a prominent field across geographical and disciplinary barriers.As Taiwan’s community grows more diverse, Taiwan literature is enriched by a series of locally based writings that draw attention to a specific space and/or to the division between places. In the twentieth century, more and more Taiwanese writers are no longer content with a singular place or dual comparison in their literary creations. Rather, they have started to recognize the plurality of Taiwaneseness and thus re-create an ambiguous form of the Taiwanese subjectivity in response to the conflict and compromise between political beliefs and ethnic groups in a cross-cultural light.To further engage with the multifaceted cultural expressions of Taiwan, Chia-Rong Wu's Remapping the Contested Sinosphere: The Cross-Cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) speaks to the current framework of Sinophone studies by focusing on modern Taiwan and its entanglement with cultural China, Chinese diasporas, nativist trend, and Aboriginal consciousness. Recognizing the unresolved ethnic issues of Taiwan, this study explores different dimensions of ethnoscape in response to the cross-cultural landscape of Taiwan and beyond, while at the same time taking into account the intertwining of the official history and the individual, or ethnic, memory of Taiwan.Chia-rong Wu is a Senior Lecturer of Chinese Studies at the University of Canterbury, New Zealand. He is also the author of Supernatural Sinophone Taiwan and Beyond (Cambria, 2016).Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in inter-Asian and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Who are the Wa of Myanmar and how, in three decades, have they built a force that is now the largest non-state military actor in Asia-Pacific? How does China’s economic, political, and military support for the Wa factor into the Chinese Belt and Road Initiative? What role might the Wa play in the unfolding political crisis in the wake of the February 1, 2021 coup in Myanmar, and Covid-19 pandemic? In this episode, Bertil Lintner discusses these topics and more, related to his recent book The Wa of Myanmar and China’s Quest For Global Dominance from NIAS Press (2021).Bertil is Swedish journalist who has lived permanently in Thailand since 1979. He is a full-time correspondent for Asia Pacific Media Services and writes regularly for Asia Times, The Irrawaddy and other publications. He has written 20 books on Asian politics and history.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In Affect, Narratives and Politics of Southeast Asian Migration (Routledge, 2021), Carlos M. Piocos explores the politics of gendered labor migration in Southeast Asia through the stories and perspectives of Indonesian and Filipina women presented in films, fiction, and performance to show how the emotionality of these texts contribute to the emergence and vitality of women's social movements in Southeast Asia. By placing literary and filmic narratives of Filipina and Indonesian domestic workers in Hong Kong and Singapore within existing conversations concerning migration policies, he offers an innovative approach towards examining contemporary issues of Asian migration. Furthermore, through rich ethnographic accounts, the book unpacks themes of belonging and displacement, shame and desire, victimhood and resistance, sacrifice, and grief to show that the stories of Filipina and Indonesian migrant women don't just depict their everyday lives and practices but also reveal how they mediate and make sense of the fraught politics of gendered labor diaspora and globalization. Contributing to the "affective turn" of feminist and transnational scholarship, the book draws insight from the importance and centrality of affect, emotions, and feelings in shaping discourses on women's subjectivity, labor, and mobility. In addition, the book demonstrates the issues of vulnerability and agency inherent in debates on social exclusion, human rights, development, and nation-building in Southeast Asia. Offering an innovative and multidisciplinary approach to analyses of Asian migration, this book will be of interest to academics in the fields of Asian Studies, literary and cultural studies, film studies, gender and women's studies, and migration studies.Carlos M. Piocos III is a professor in the Literature Department at De La Salle University. He has published widely on gender and transnationalism in international peer-reviewed journals and his monograph, Narratives, Affect and Politics of Southeast Asian Migration, was published in 2021.Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. Many contemporary scholars have sought to rehabilitate Chinese Decadence but have found it difficult to dissociate it from the negative connotations of tuifei. More importantly, few have reconnected Decadence with its steadfast pursuit of intellectual pleasure and unique paradoxes or explored the specific socio-historical conditions and cultural dynamics that gave rise to Decadence.Decadence in Modern Chinese Literature and Culture: A Comparative and Literary-Historical Reevaluation (Cambria Press, 2020) is the first comprehensive study of Decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. Meanwhile, the socialist system, by first fostering strong senses of elitism among certain privileged groups and then rescinding its ideological endorsement and material support, played a crucial role in the emergence of Chinese Decadent literature in the European sense.Decadence in Modern Chinese Literature and Culture is an important book for scholars and students interested in Decadence, modern Chinese literature and cultural history, Asian studies, and comparative literature.This book is in the Cambria Sinophone World Series headed by Victor H. Mair (University of Pennsylvania).Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In An Urban History of China (Cambridge UP, 2021), Toby Lincoln offers the first history of Chinese cities from their origins to the present. Despite being an agricultural society for thousands of years, China had an imperial urban civilization. Over the last century, this urban civilization has been transformed into the world's largest modern urban society. Throughout their long history, Chinese cities have been shaped by interactions with those around the world, and the story of urban China is a crucial part of the history of how the world has become an urban society. Exploring the global connections of Chinese cities, the urban system, urban governance, and daily life alongside introductions to major historical debates and extracts from primary sources, this is essential reading for all those interested in China and in urban history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking. The book also discusses Wong’s influence on other filmmakers in Hong Kong and around the world.The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2014) will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong’s films in particular.Gary Bettinson is a senior lecturer in film studies at Lancaster University, UK. He is editor of Asian Cinema, Directory of World Cinema: China and author (with Richard Rushton) of What is Film Theory? An Introduction to Contemporary Debates.Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Today I spoke to Nick R. Smith to talk about how China's expansive new era of urbanization threatens to undermine the foundations of rural life, which he writes about in his recently published book The End of the Village: Planning the Urbanization of Rural China (U Minnesota Press, 2021). Centered on the mountainous region of Chongqing, which serves as an experimental site for the country's new urban development policies, The End of the Village analyzes the radical expansion of urbanization and its consequences for China's villagers. It reveals a fundamental rewriting of the nation's social contract, as villages that once organized rural life and guaranteed rural livelihoods are replaced by an increasingly urbanized landscape dominated by state institutions. Throughout this comprehensive study of China's "urban-rural coordination" policy, Nick R. Smith traces the diminishing autonomy of the country's rural populations and their subordination to larger urban networks and shared administrative structures. Outside Chongqing's urban centers, competing forces are at work in reshaping the social, political, and spatial organization of its villages. While municipal planners and policy makers seek to extend state power structures beyond the boundaries of the city, village leaders and inhabitants try to maintain control over their communities' uncertain futures through strategies such as collectivization, shareholding, real estate development, and migration. As China seeks to rectify the development crises of previous decades through rapid urban growth, such drastic transformations threaten to displace existing ways of life for more than 600 million residents. Offering an unprecedented look at the country's contentious shift in urban planning and policy, The End of the Village exposes the precarious future of rural life in China and suggests a critical reappraisal of how we think about urbanization.Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In the Qing dynasty (1644-1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty.The Peking Gazette in Late Imperial China: State News and Political Authority (U Washington Press, 2021) presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state's inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette's evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power.Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Laurence Coderre’s Newborn Socialist Things: Materiality in Maoist China (Duke UP, 2021) is an exciting book that considers Chinese socialist culture seriously in terms of materiality and theory by tracing the contours of Maoist China through the heretofore unexpected lens of the commodity and consumerism. In Coderre’s book, the “newborn socialist thing,” a critical concept developed by theorists working to give shape to the coming utopia, is both a historical object and a model that provides the conceptual mapping for her project. Across six chapters that handle terrain as diverse as sounding practices, political theory textbooks, porcelainware, and mirrors, Coderre shows that the newborn socialist thing is much more than a discrete object but rather an “un-thing-like” constellation of objects and bodies that function in relation to each other. In her own words: “instead of distinguishing an object from its production, usage, and discursive apparatus, an old or newborn thing brought all these together into a single conceptual entity, comprising both human and nonhuman actors” (6). In attending to the expansiveness and ambiguity of the newborn socialist thing, the book innovatively explores the media environment of revolution as it negotiates the troubling, enduring fact of commodity culture. The project, of great worth in its own terms, is underscored by the author’s desire to understand Chinese contemporary consumer culture. Indeed, the book’s short conclusion is pregnant with suggestion, asking readers to consider postsocialism not merely in terms of rupture with a failed socialist project, but as an inheritor of the relationalities developed in the era of the newborn socialist thing.Interview conducted by Julia Keblinska, Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Mozina’s Knotting the Banner: Ritual and Relationship in Daoist Practice (U Hawaii Press, 2021) weaves together ethnography, textual analysis, photography, and film, inviting readers into the religious world of Daoist practice in today’s south China by exploring one particular ritual called the Banner Rite to Summon Sire Yin, as practiced in central Hunan province.Performed as the first public ritual by a Daoist apprentice at his own ordination, the Banner Rite seeks to summon Celestial Lord Yin Jiao, the ferocious martial deity who supplies the exorcistic power to protect and heal bodies and spaces from illness and misfortune. A lot is at stake. If the apprentice cannot successfully summon the deity in front of his village community and the pantheon of gods in attendance, he would not be able to be ordained that day and would risk losing the confidence of villagers who might hire him in the future.Through a close reading of the ritual in its social and historical contexts, Mozina shows that the efficacy of rituals like the Banner Rite is driven by the ability of a master to form an intimate relationship with exorcistic deities like Yin Jiao, which is far from guaranteed. Mozina reveals the ways in which such ritual claims are rooted in the great liturgical movements of the Song and Yuan dynasties (960–1368) and how they are performed these days amid the social and economic pressures of rural life in the post-Mao era.Knotting the Banner will be of interest to students and scholars of Daoism and Chinese religion and will also appeal to historians of religion and anthropologists, especially those working on ritual.Noelle Giuffrida is a professor and curator of Asian art at the School of Art and the David Owsley Museum of Art at Ball State University. Her research focuses on Chinese art, particularly the history of collecting and exhibiting premodern works in American museums after World War II and the visual culture of Daoism in late imperial China. Her teaching and curatorial experience extend broadly both temporally—from Neolithic to contemporary—and cross-culturally to China, Korea, and Japan, as well as to South and Southeast Asia. Her book Separating Sheep from Goats: Sherman E. Lee’s Collecting of Chinese Art in Postwar America (University of California Press, 2018) uses American curator and museum director Sherman E. Lee (1918–2008) as a lens through which to investigate the history of collecting and exhibiting Chinese art. Email her at ngiuffrida@bsu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies