New Books in Chinese Studies

Shakespeare’s plays enjoy a great deal of popularity across the world, yet most of us study Shakespeare's local productions and scholarship. Shakespeare & East Asia (Oxford University Press, 2021) addresses this gap through a wide-ranging analysis of stage and film adaptations related to Japan, South Korea, China, Singapore, and Taiwan. The book builds on Alexa Alice Joubin’s already extensive publication record regarding the circulation of Shakespeare’s plays in East Asia. In particular, it expands on her previous book, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009).Shakespeare & East Asia focuses on post-1950 adaptations that were produced in, distributed across, or associated with East Asia. Joubin offers a nuanced view of what it means to think about Shakespeare and East Asia by carefully considering the international circulation of various stagings and films. She identifies a quartet of characteristics that distinguish these adaptations: innovations in form, the use of Shakespeare for social critiques, the questioning of gender roles, and the development of global patterns of circulation. The varied body of Shakespearan adaptations she examines are alternately funny, dramatic, and thought-provoking, but never boring.Several of the works described in both the interview and the book are available online through the Global Shakespeares Video and Performance Archive.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently completing Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, a book about contemporary media and Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Authoritarian regimes have often been discussed in contrast to democratic governments and defined in terms of what they lack--namely, democratic features. Dr. Elina Sinkkonen highlights the need for a new method of conceptualizing authoritarian regimes on their own terms, by including variables like personalization, centralization, and state control over economic assets. Focusing on these factors allows for better quantification and understanding of how governments and regimes change. Dr. Sinkkonen discusses the example of Xi Jinping's China and explains the degrees to which technological innovations and the COVID pandemic have affected the CCP leadership.Elina Sinkkonen is a senior research fellow at the Finnish Institute of International Affairs and a specialist in authoritarian governance.Satoko Naito is a docent at the Centre for East Asian Studies, University of Turku.Read Dr. Sinkkonen's article "Dynamic dictators: improving the research agenda on autocratization and authoritarian resilience" in Democratization, mentioned in the episode (open access) here.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In this episode, I had the pleasure of speaking to Peggy Wang about her new book, The Future History of Contemporary Chinese Art (Minnesota University Press, 2021). In the book, Wang asks readers to reconsider the term “global” and “world” in relation to the (often simplistically interpreted) artistic projects of some of the most famous Chinese artists of the postsocialist period. A meticulously researched chapter is devoted to: Zhang Xiaogang, Wang Guangyi, Sui Jianguo, Zhang Peili, and Lin Tianmiao. In each case, Wang argues that their oeuvres are critical projects that are shaped by and comment upon artists’ and art critics’ self-understanding as Chinese actors in ambivalent relation to the newly accessible “Western art world.” The book’s theoretical claims will of course speak to scholars of art history as well as Chinese literature and culture. I would be remiss not to mention, however, how excited I am by the teaching potential of this text, both as a foundation from which to understand the complexity of contemporary Chinese art and a wonderful model for students just learning research methodologies.Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

How has digital communication technologies impacted the dynamics of political contention in China? What is the role of mobile technology in the country with the world’s largest number of mobile and internet users? Why is there little domestic resistance about surveillance and technology-related privacy risks in China during the pandemic? Jun Liu, Associate Professor in the Department of Communication, University of Copenhagen, Denmark, shares his book Shifting Dynamics of Contention in the Digital Age: Mobile Communication and Politics in China (Oxford UP, 2020) with the Nordic Asia Podcast.In his talk with Joanne Kuai, PhD candidate at Karlstad University, Sweden and affiliated PhD at the Nordic Institute of Asian Studies, Jun Liu introduces his work on mobile communication and political activism based on first-hand in-depth interview and fieldwork data. He also draws on one of his latest papers to explain how China’s unprecedented measures to mobilise its diverse surveillance apparatus played a crucial part in the country’s containment of the ongoing coronavirus pandemic.Jun Liu’s research stands at the intersection of communication, technology, politics, and society, with particular attention to the social, cultural, and political implications of digital communication. Drawing upon theories from communication, sociology, and political science, his research focuses on how digital technology interacts with socio-cultural forms and settings and generates new power dynamics in politics in specific cultural and institutional contexts such as authoritarian regimes like China.The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.About NIAS: www.nias.ku.dkTranscripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The Thirties and Forties were some of the first instances of aerial bombardment of civilian populations—and an indication of their destructive power. We often point to the Nazi bombing in Guernica, Spain in 1937—immortalized by Pablo Picasso—as the first instance of what happens when “the bomber gets through”, to paraphrase then-Prime Minister Stanley Baldwin.But just a few months later, across a continent, the world got a glimpse of what bombardment would look like in one of the world’s most built-up and international cities of the time: Shanghai, and “Bloody Saturday”: August 14th, 1937.Paul French’s Bloody Saturday: Shanghai's Darkest Day (Penguin Australia: 2018), recently republished by Penguin’s Southeast Asia arm, is a short telling of what happened on that fateful day.In this interview, Paul and I talk about what happened in Shanghai on August 14th, and what it tells us about the nature of the city, the foreigners that lived there, and how the rest of the Sino-Japanese War developed.Paul French was born in London, educated there and in Glasgow, and lived and worked in Shanghai for many years. His book Midnight in Peking: How the Murder of a Young Englishwoman Haunted the Last Days of Old China (Penguin Group USA: 2012) was a New York Times Bestseller, a BBC Radio 4 Book of the Week, a Mystery Writers of America Edgar award winner for Best Fact Crime and a Crime Writers’ Association (UK) Dagger award for non-fiction. Both Midnight in Peking and City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai (Picador USA: 2018) are currently being developed for television. More can be found on Paul French’s blog China Rhyming.In our interview, we also mention another one of Paul’s works: Through the Looking Glass: China's Foreign Journalists from Opium Wars to Mao (Hong Kong University Press: 2009)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bloody Saturday. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Controversy over the medicinal uses of wild animals in China has erupted around the ethics and efficacy of animal-based drugs, the devastating effect of animal farming on wildlife conservation, and the propensity of these practices to foster zoonotic diseases. In Mao's Bestiary: Medicinal Animals and Modern China (Duke UP, 2021), Liz P. Y. Chee – Senior Research Fellow at the Asia Research Institute and Lecturer at Tembusu College, both at the National University of Singapore – traces the history of the use of medicinal animals in modern China. While animal parts and tissue have been used in Chinese medicine for centuries, Chee demonstrates that the early Communist state expanded and systematized their production and use to compensate for drug shortages, generate foreign investment in high-end animal medicines, and facilitate an ideological shift toward legitimating folk medicines. Among other topics, Chee investigates the craze for chicken blood therapy during the Cultural Revolution, the origins of deer antler farming under Mao and bear bile farming under Deng, and the crucial influence of the Soviet Union and North Korea on Chinese zootherapies. In the process, Chee shows Chinese medicine to be a realm of change rather than a timeless tradition, a hopeful conclusion given current efforts to reform its use of animals.Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Re-Orienting China: Travel Writing and Cross-Cultural Understanding (U Regina Press, 2016) challenges the notion of the travel writer as imperialistic, while exploring the binary opposition of self/other. Featuring analyses of rarely studied writers on post-1949 China, including Jan Wong, Jock T. Wilson, Peter Hessler, Leslie T. Chang, Hill Gates, and Yi-Fu Tuan, Re-Orienting China demonstrates the transformative power of travel, as it changes our preconceived notions of home and abroad.Drawing on her own experience as a Chinese expat living in Canada, Leilei Chen embraces the possibility of productive cross-border relationships that are critical in today's globalized world.Leilei Chen is a literary translator, bilingual writer, instructor, and researcher. She published the Mandarin version of Steven Grosby's Nationalism: A Very Short Introduction (Oxford University Press) with Nanjing’s Yilin Press in 2017 and Hong Kong’s Oxford University Press in 2020. She is the author of Re-orienting China: Travel Writing and Cross-cultural Understanding (University of Regina Press, 2016). Her poetry and prose translations, and poetry and personal essays appear in literary anthologies such as Home: Stories Connecting Us All (Embracing Multicultural Community Development, 2017), Looking Back, Moving Forward (Mawenzi House, 2019), Beyond the Food Court: An Anthology of Literary Cuisines (Laberinto Press, 2020); as well as in journals and magazines in Canada and beyond. She teaches at the Department of English and Film Studies at the University of Alberta and serves as Vice President (West Canada) of the Literary Translators Association of Canada.Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework.Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.Peilin Liang is Associate Professor of Theatre Studies at the National University of Singapore. She is the director of A Home on the Island, a transnational Practice as Research (PaR) project in applied theater.Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

It’s a great pleasure to welcome Colin Thubron to the Asian Review of Books podcast. Travel writer and novelist, Colin has written countless books that bring faraway sights and peoples to English-speaking readers–many of which covered regions in China, Russia, Central Asia and elsewhere on the Asian continent.In this episode, Colin and I talk about The Amur River: Between Russia and China (Harper, 2021), which traces the path of the Amur from its origins in Mongolia to its end-point in the Pacific Ocean. We also discuss what means to be a travel writer in today’s world—which has undergone a recent and rapid expansion, and even more recent and rapid collapse, of travel.Colin Thubron is an acclaimed travel writer and novelist, and the winner of many prizes and awards. His first books were about the Middle Eas—Damascus, Lebanon and Cyprus. But later he was drawn to the lands which he says his generation was brought up to fear: the Soviet Union and Communist China.In 1982 he traveled by car into the Soviet Union, a journey described in Among the Russians (Ulverscroft: 1989). From these early experiences developed his classic travel books: Behind The Wall: A Journey Through China (Random House: 1987), The Lost Heart of Asia (Random House: 1994), In Siberia (Penguin: 2000), Shadow of the Silk Road (Chatto & Windus: 2006) and To a Mountain in Tibet (Chatto & Windus: 2011).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Amur River. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies