New Books in Chinese Studies

The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China (Columbia UP, 2021) draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Present-day relations between ‘the West’ and each of China, Russia and North Korea are often fractious to say the least, yet today’s global atmosphere of menace or crisis just as often has to do with history as it does with contemporary disagreements. All states of course seek ‘usable pasts’ which may or may not be in conflict with one another, but as Katie Stallard shows in Dancing on Bones, leaders in each of Beijing, Moscow and Pyongyang have of late gone to particularly great lengths to shape historical narratives which justify their grip on power.Drawing on years of on-the-ground reporting and research in each of these three critically important countries, Stallard mixes analysis of political and historical events with first-hand interviews and reportage to offer a vivid sense of how history is put to ever-changing uses and why this matters. Accessibly written and richly referenced, Dancing on Bones: History and Power in China, Russia and North Korea (Oxford UP, 2022),sheds compelling light on often-under-considered connections between three countries which share much beyond their status as perceived ‘revisionist’ powers.Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In this timely book, award-winning journalist and longtime Hong Konger, Louisa Lim, weaves together Hong Kong's fraught political and social history with her own first hand account of the spirit of an indelible city. In her latest book, Indelible City: Dispossession and Defiance in Hong Kong, published by Riverhead Books in April 2022, Lim reflects on attempts at the erosion of Hong Kong identity, to be replaced with a future that Beijing seeks to impose. Since the British takeover in 1842, through to the tumultuous period of political upheaval to 2020,  Lim weaves the personal stories of local Hong Kongers to provide an authentic, textured account of a place, its people and a spirit which continues to endure. Long-time Hong Konger Lousia Lim is a Senior Lecturer in audio-visual journalism, culture and communication at The University of Melbourne. She spent many years as a journalist in Hong Kong and China. Her first book, The People's Republic of Amnesia: Tiananmen Revisited, was shortlisted for the Orwell Prize for Political Writing and the Helen Bernstein Prize for Excellence in Journalism. She co-hosts The Little Red Podcast, an award-winning podcast on China. Jane Richards is a doctoral student at the University of Hong Kong. You can find her on twitter where she follows all things related to human rights and Hong Kong politics @JaneRichardsHK Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Yi’s eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival.In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty.This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival.Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Ban Wang's book China in the World: Culture, Politics, and World Vision (Duke University Press, 2022), traces the evolution of modern China from the late nineteenth century to the present. With a focus on tensions and connections between national formation and international outlooks, Wang shows how ancient visions persist even as China has adopted and revised the Western nation-state form. The concept of tianxia, meaning “all under heaven,” has constantly been updated into modern outlooks that value unity, equality, and reciprocity as key to overcoming interstate conflict, social fragmentation, and ethnic divides. Instead of geopolitical dominance, China’s worldviews stem as much from the age-old desire for world unity as from absorbing the Western ideas of the Enlightenment, humanism, and socialism. Examining political writings, literature, and film, Wang presents a narrative of the country’s pursuits of decolonization, national independence, notions of national form, socialist internationalism, alternative development, and solidarity with Third World nations. Rather than national exceptionalism, Chinese worldviews aspire to a shared, integrated, and equal world.Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century China (Stanford UP 1997), Illuminations from the Past (Stanford UP 2004), History and Memory (in Chinese, Oxford UP, 2004), and Narrative Perspective and Irony in Chinese and American Fiction (2002). He edited Words and Their Stories: Essays on the Language of the Chinese Revolution (Brill, 2010); Chinese Visions of World Order (Duke UP 2017). He co-edited Trauma and Cinema (Hong Kong UP, 2004), The Image of China in the American Classroom (Nanjing UP, 2005), China and New Left Visions (Lexington, 2012), and Debating Socialist Legacy in China (Palgrave, 2014).Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In Chinese Communist Espionage: An Intelligence Primer (Naval Institute Press, 2019), authors Mathew Brazil and Peter Mattis present an unprecedented look into the murky world of Chinese espionage. An introduction-cum-reference guide, the book describes the institutions, operations, individuals, and ideology that have shaped modern China’s intelligence apparatus.On the podcast, we talk about the role of ideology in the production and consumption of intelligence, why China’s intelligence services managed the transition to the digital age so effectively, who China thinks is winning the intelligence contest with the United States, and more. Dr. Mathew (Matt) Brazil is a senior analyst at BluePath Labs in Washington, DC, and he is currently working on a second book which will be a narrative account of Beijing's contemporary espionage and influence offensive. Before helping to write Chinese Communist Espionage, he worked as a soldier, diplomat, export controller, and corporate security investigator. He has spent over eight years living and working in China.Peter Mattis has worked on a range of China-related issues in the U.S. government and within think tanks. Recently, he served in government as the Senate-appointed Staff Director on the Congressional-Executive Commission on China. He began his career as a counterintelligence analyst at the Central Intelligence Agency, and he was a fellow at The Jamestown Foundation when he wrote Chinese Communist Espionage: A Primer.John Sakellariadis is a 2020-2021 Fulbright US Student Research Grantee. He holds a Master’s degree in public policy from the School of International and Public Affairs at Columbia and a Bachelor’s degree in History & Literature from Harvard University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Forging Leninism in China: Mao and the Remaking of the Chinese Communist Party, 1927–1934 (Cambridge University Press, 2022) is a re-examination of the events of the Chinese revolution and the transformation of the Chinese Communist Party from the years 1927 to 1934. Describing the transformation of the party as 'the forging of Leninism', Dr. Joseph Fewsmith offers a clear analysis of the development of the party. Drawing on supporting statements of party leaders and a wealth of historical material, he demonstrates how the Chinese Communist Party reshaped itself to become far more violent, more hierarchical, and more militarized during this time. He highlights the role of local educated youth in organizing the Chinese revolution, arguing that it was these local organizations, rather than Mao, who introduced Marxism into the countryside. Dr. Fewsmith presents a vivid story of local social history and conflict between Mao's revolutionaries and local Communists.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Red Silk: Class, Gender, and Revolution in China's Yangzi Delta Silk Industry (Harvard UP, 2020) is a history of China's Yangzi Delta silk industry during the wars, crises, and revolutions of the mid-twentieth century. Based on extensive research in Chinese archives and focused on the 1950s, the book compares two very different groups of silk workers and their experiences in the revolution. Male silk weavers in Shanghai factories enjoyed close ties to the Communist party-state and benefited greatly from socialist policies after 1949. In contrast, workers in silk thread mills, or filatures, were mostly young women who lacked powerful organizations or ties to the revolutionary regime. For many filature workers, working conditions changed little after 1949 and politicized production campaigns added a new burden within the brutal and oppressive factory regime in place since the nineteenth century. Both groups of workers and their employers had to adapt to rapidly changing circumstances. Their actions--protests, petitions, bribery, tax evasion--compelled the party-state to adjust its policies, producing new challenges. The results, though initially positive for many, were ultimately disastrous. By the end of the 1950s, there was widespread conflict and deprivation among silk workers and, despite its impressive recovery under Communist rule, the industry faced a crisis worse than war and revolution.Robert Cliver is Professor of History at California State Polytechnic University, Humboldt. He has published widely on the labor history of modern China, including in Labor History and Cross-Currents: East Asian History and Culture Review.Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Feminisms with Chinese Characteristics (Syracuse University Press, 2021), co-edited by Ping Zhu and Hui Faye Xiao, offers an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. There are twelve chapters in this interdisciplinary collection. It addresses the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.Ping Zhu is associate professor of Chinese literature at the University of Oklahoma. She is the author of Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture and the coeditor of Maoist Laughter. She is also the acting editor-in-chief of the biennial literary journal Chinese Literature Today, which will become Chinese Literature and Thought Today in 2022.Hui Faye Xiao is professor of Chinese literature at the University of Kansas. She is the author of Family Revolution: Marital Strife in Contemporary Chinese Literature and Visual Culture and Youth Economy, Crisis, and Reinvention in Twenty-First-Century China: Morning Sun in the Tiny Times.Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality.First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stands out for its queer and trans themes. The Membranes reveals the diversity and originality of contemporary speculative fiction in Chinese, exploring gender and sexuality, technological domination, and regimes of capital, all while applying an unflinching self-reflexivity to the reader’s own role. Ari Larissa Heinrich’s translation brings Chi’s hybrid punk sensibility to all readers interested in books that test the limits of where speculative fiction can go.Chi Ta-wei is a renowned writer and scholar from Taiwan. Chi’s scholarly work focuses on LGBT studies, disability studies, and Sinophone literary history, while his award-winning creative writing ranges from science fiction to queer short stories. He is an associate professor of Taiwanese literature at the National Chengchi University.Ari Larissa Heinrich is a professor of Chinese literature and media at the Australian National University. They are the author of Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body (2018) and other books, and the translator of Qiu Miaojin’s novel Last Words from Montmartre (2014).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies