New Books in Chinese Studies

On the podcast today, I am joined by Mai Corlin, who is researcher at the department of cross-cultural and regional studies in the University of Copenhagen. Mai will be talking about her new book, The Bishan Commune and the Practice of Socially Engaged Art in Rural China (Palgrave Macmillan, 2020)Mai’s book examines the new rural reconstruction movement in Bishan village, Anhui province. She uses the Bishan Commune as a case study to explore the ways that art and culture can revive regional economies. The book´s focus is the socially engaged art projects in the Chinese countryside, with the artists and intellectuals who are involved, the villagers they meet and the local authorities with whom they negotiate. In recent years an increasing number of urban artists have turned towards the countryside in an attempt to revive rural areas perceived to be in a crisis. The vantage point of this book is the Bishan Commune. In 2010, Ou Ning drafted a notebook entitled Bishan Commune: How to Start Your Own Utopia. The notebook presents a utopian ideal of life based on anarchist Peter Kropotkin’s idea of mutual aid. In 2011 the Commune was established in Bishan Village in Anhui Province. The main questions of this book thus revolve around how an anarchist, utopian community unfolds to the backdrop of the political, social and historical landscape of rural China, or more directly: How do you start your own utopia in the Chinese countryside? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

For all the talk of China being a peaceful country with no aggressive intentions, it has behaved like most other rising powers – spending lots of money on its military. But what do we know of how that military is used? James A. Siebens is the editor of China’s Use of Armed Coercion: To Win Without Fighting (Routledge, 2023). Listen to him in conversation with Owen Bennett-Jones.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In this captivating translation of the imaginative prose essay collection Wild Grass (1927) and experimental memoir Morning Blossoms Gathered at Dusk (1928), Eileen J. Cheng expertly showcases the range and imagination of Lu Xun (1881–1936), generally considered to be the father of modern Chinese literature. Combined, these two books include stories and essays that touch on a wide range of topics including fallen leaves, alms seekers, dreams, dead fires, and all the different individuals who inspired Lu Xun’s writing. Through surreal prose and unreliable narrators, the books consider wide-reaching questions: What does it mean to be human? How can we know anything? Is pursuing self-knowledge necessary, even if it is impossible?Each translation is accompanied by an introduction that effectively situates the story within the life and work of Lu Xun. As a whole, Eileen’s translation Wild Grass and Morning Blossoms Gathered at Dusk (Harvard University Press, 2022) is an intriguing read, and for anyone who is used to Lu Xun’s more straightforward prose, it is entirely eye-opening, showing a radically different side to this canonical writer.Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In this vivid and highly original reading of recent Chinese history, Scents of China: A Modern History of Smell (Cambridge University Press, 2023) Dr. Xuelei Huang documents the eclectic array of smells that permeated Chinese life from the High Qing through to the Mao period. Utilising interdisciplinary methodology and critically engaging with scholarship in the expanding fields of sensory and smell studies, she shows how this period of tumultuous change in China was experienced through the body and the senses. Drawing on unexplored archival materials, readers are introduced to the 'smellscapes' of China from the eighteenth to mid-twentieth century via perfumes, food, body odours, public health projects, consumerism and cosmetics, travel literature, fiction and political language. This pioneering and evocative study takes the reader on a sensory journey through modern Chinese history, examining the ways in which the experience of scent and modernity have intertwined.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature (Columbia UP, 2022) offers a powerful argument for remapping global Chinese literature and world literature.Cheow Thia Chan is assistant professor of Chinese studies at the National University of Singapore. His research interests include modern Chinese literature, Singapore and Malaysian Chinese Literature, Southeast Asian Chinese Studies, Diaspora Studies, and Urban Studies.Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.Dr. Suvi Rautio is an anthropologist of China. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

This episode, which is co-hosted with Tandee Wang, features a conversation with Dr. Wendy Cheng, author of Island X: Taiwanese Student Migrants, Campus Spies, and Cold War Activism. Published in November 2023 by the University of Washington Press, Island X delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s.Often depicted as compliant model minorities, Island X reveals that many Taiwanese students were deeply political, shaped by Taiwan's colonial history, and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination. Under the distorting shadows of Cold War geopolitics, the Kuomintang regime and collaborators across US campuses attempted to control Taiwanese in the diaspora through extralegal surveillance and violence, including harassment, blacklisting, imprisonment, and even murder. Drawing on interviews with student activists and extensive archival research, Cheng documents how Taiwanese Americans developed tight-knit social networks as infrastructures for identity formation, consciousness development, and anticolonial activism. They fought for Taiwanese independence, opposed state persecution and oppression, and participated in global political movements.Raising questions about historical memory and Cold War circuits of power, Island X is a testament to the lives and advocacy of a generation of Taiwanese American activists. Our conversation today focuses on contextualizing Taiwanese student activism during the Cold War to provide greater nuance to existing frameworks of Asian American activism within Asian American studies.Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara. Tandee Wang (he/him) is a PhD student in History and Asian American Studies at the University of California, Santa Barbara. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Florence Mok's book Covert Colonialism: Governance, Surveillance and Political Culture in British Hong Kong, c.1966-97 (Manchester UP, 2023) is timely and exciting for those who are interested in colonial governance and autonomy of the colonial polity. This is a long-ignored area in which colonial historians have made major interventions. Moving away from the existing focus on theories by political scientists and sociologists, this book uses under-exploited archival and unofficial data in London and Hong Kong to construct an empirical study of colonial governance and political culture in Hong Kong during a critical period. From 1966 to 1997, while in mainland China, the Cultural Revolution broke out and caused chaos, in other British colonies beginning or having completed decolonisation, in Hong Kong, the Star Ferry riots in 1966 gave rise to the setup of Town Talk, later MOOD, and then Talking Points, which were used to monitor and construct public opinions and feedback to policy making by the colonial government, thus titled ‘Covert Colonialism’.With seven cases featuring different communities, Florence shows how Hong Kong has become a democratic polity through these strategies mobilised by the colonial government. Failing to import the Western democratic framework into Hong Kong, the colonial government implemented an indirect way to allow the public to participate in the policymaking process and gradually shift Hong Kong people’s sentiments towards both mainland China and its coloniser. This book challenges the erroneous myth of political apathy and stability in Hong Kong, which was embraced by politicians. It will also generate meaningful discussions and heated debates on comparisons between ‘colonialism’ in different spaces and time: between Hong Kong and other former British colonies; and between colonial and post-colonial Hong Kong.Florence Mok is a Nanyang Assistant Professor of History at Nanyang Technological University. She is a historian of colonial Hong Kong and modern China, with an interest in environmental history, the Cold War and state-society relations. She received her BA and MA in History from Durham University. She completed her PhD in History at the University of York in 2019. Her doctoral research examined governance and political culture in 1970s Hong Kong. Her postdoctoral project explored Chinese Communist cultural activities in colonial Hong Kong during the Cold War. She is currently studying the history of natural disasters and crisis management.Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include exploring overseas Chinese cultural identity and critical heritage studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In the early 1990s, Mongolia began a transition from socialism to a market democracy. In the process, the country became more than ever dependent on international mining revenue. Nearly thirty years later, many of Mongolia's poor and rural feel that, rather than share in the prosperity the transition was supposed to spread, they have been forgotten.Moral Economic Transitions in the Mongolian Borderlands (UCL Press, 2023) analyzes this period of change from the viewpoint of the rural township of Magtaal on the Chinese border. After the end of socialism, the population of this resource-rich area found itself without employment or state institutions yet surrounded by lush nature and mere kilometers from the voracious Chinese market. A two-tiered resource-extractive political-economic system developed. At the same time as large-scale, formal, legally sanctioned conglomerates arrived to extract oil and other resources, local residents grew increasingly dependent on the Chinese-funded informal, illegal cross-border wildlife trade. More than a story about rampant capitalist extraction in the resource frontier, this book intimately details the complex inner worlds, moral ambiguities, and emergent collective politics constructed by individuals who feel caught in political-economic shifts that are largely outside of their control.Hedwig Amelia Waters is a Horizon Europe European Research Area Postdoctoral Fellow at Palacky University in the Czech Republic.Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Why do so many contemporary Chinese artists use porcelain in their work? How do artists make sense of the legacy that porcelain has in China, and how do they use it to transmit ideas about China, Chinese art, and Chinese culture?In New Export China: Translations across Time and Place in Contemporary Chinese Porcelain Art (University of California Press, 2023), Alex Burchmore explores the place of ceramics in the work of four artists: Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho. By unpacking the history of porcelain production and export in China, the way artists make use of the unique features of ceramics, and the global reception of ceramics, Burchmore effectively demonstrates why understanding ceramics is central to understanding Chinese contemporary art. Filled with wonderfully nuanced readings of artworks and equally beautiful images, this book is sure to be of interest to readers looking to learn more about contemporary art and porcelain, and anyone looking to think about phrases like "Chinese art" and "mass production" in new ways. Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies