New Books in Chinese Studies

During the Qing dynasty in China, a wide variety of people participated in a lottery game named weixing (“surname guessing”), which had participants placing bets on the surnames of civil service examination candidates. A fiercely competitive process, those who passed the various levels of the civil service and military examinations could climb the social ladder and obtain status in their communities and be considered for important positions in the government and military. The results of these examinations were not only highly anticipated by the exam takers themselves but also–with the introduction of weixing–by an enthusiastic community of players who bet on the success of candidates with less common surnames.In this episode, En Li, assistant professor of modern East Asian history at the University of Texas at Dallas and author of Betting on the Civil Service Exmaninations: The Lottery in Late Qing China (Harvard University Asia Center, 2023), explores the fascinating history of this lottery game–from the longer history of games and betting in China and the origin of weixing to its regulation by the government to raise revenue and the spread of the game beyond China’s borders through Chinese diasporic communities to Southeast Asia and North America. The book considers the game from multiple perspectives–government officials, players, and lottery game runners. En Li thoughtfully reflects on the book and the process of producing it and points to the larger significance of both weixing and the civil service examinations in Chinese society and life and the risk, reward, and loss involved.Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

During the Republican period (1912–1949) and after, many Chinese Buddhists sought inspiration from non-Chinese Buddhist traditions, showing a particular interest in esoteric teachings. What made these Buddhists dissatisfied with Chinese Buddhism, and what did they think other Buddhist traditions could offer? Which elements did they choose to follow, and which ones did they disregard? And how do their experiences recast the wider story of twentieth-century pan-Asian Buddhist reform movements?Based on a wide range of previously unexplored Chinese sources, Esoteric Buddhism in China: Engaging Japanese and Tibetan Traditions, 1912–1949 (Columbia UP, 2023) explores how esoteric Buddhist traditions have shaped the Chinese religious landscape. Wei Wu examines cross-cultural religious transmission of ideas from Japanese and Tibetan traditions, considering the various esoteric currents within Chinese Buddhist communities and how Chinese individuals and groups engaged with newly translated ideas and practices. She argues that Chinese Buddhists’ assimilation of doctrinal, ritual, and institutional elements of Tibetan and Japanese esoteric Buddhism was not a simple replication but an active process of creating new meanings. Their visions of Buddhism in the modern world, as well as early twentieth-century discourses of nation building and religious reform, shaped the reception of esoteric traditions. By analyzing the Chinese interpretation and strategic adaptations of esoteric Buddhism, this book sheds new light on the intellectual development, ritual performances, and institutional formations of Chinese Buddhism in the twentieth century.To understand the broader forces that shaped the debates about esoteric Buddhism in modern China, please also check Wu Wei's article, "Buddhism and Superstition: Buddhist Apologetics in the Anti-Superstition Campaigns in Modern China," which is open access and can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

For centuries, the vastness of the Chinese market tempted foreign companies in search of customers. But in the 1970s, when the United States and China ended two decades of Cold War isolation, China’s trade relations veered in a very different direction. In Made in China: When US-China Interests Converged to Transform Global Trade (Harvard University Press, 2024) Dr. Elizabeth Ingleson shows how the interests of US business and the Chinese state aligned to reframe the China market: the old dream of plentiful customers gave way to a new vision of low-cost workers by the hundreds of millions. In the process, the world’s largest communist state became an indispensable component of global capitalism.Drawing on Chinese- and English-language sources, including previously unexplored corporate papers, Ingleson traces this transformation to the actions of Chinese policymakers, US diplomats, maverick entrepreneurs, Chinese American traders, and executives from major US corporations including Boeing, Westinghouse, J. C. Penney, and Chase Manhattan Bank. Long before Walmart and Apple came to China, businesspeople such as Veronica Yhap, Han Fanyu, Suzanne Reynolds, and David Rockefeller instigated a trade revolution with lasting consequences. And while China’s economic reorganisation was essential to these connections, Ingleson also highlights an underappreciated but crucial element of the convergence: the US corporate push for deindustrialization and its embrace by politicians.Reexamining two of the most significant transformations of the 1970s—US-China rapprochement and deindustrialization in the United States—Made in China takes bilateral trade back to its faltering, uncertain beginnings, identifying the tectonic shifts in diplomacy, labor, business, and politics in both countries that laid the foundations of today’s globalized economy.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Today I had the great pleasure of talking to Associate Professor Jennifer Dorothy Lee on her new book, Anxiety Aesthetics: Maoist Legacies in China, 1978-1985 (U California Press, 2024). Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978-80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997).Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Bandits in Print: "The Water Margin" and the Transformations of the Chinese Novel (Cornell UP, 2023) uses the classic novel The Water Margin (Shuihu Zhuan) to examine the world of print in early modern China. Scott W. Gregory traces the way this beloved novel about outlaw heroes, honor, corruption, and brotherhood was adapted and changed by different editor-publishers. While in other contexts print and printing brought stability to texts, Scott shows how in the Ming print itself was an agent of textual change.Bandits in Print is a refreshing take on this traditional novel, one that highlights how malleable Water Margin really was. This book is sure to appeal to those interested in Chinese literature, Ming history, and print culture, as well as those who want to know more about the interaction between manuscript and print in the early modern world.In addition to being an Associate Professor at the University of Arizona, Scott is also co-director of the Center for East Asian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Even as most contemporary states look to history in order to legitimize their existence in some way or other, the past – and narrations of it – hold particular weight in China. This is not a new phenomenon, for which pasts to elevate and which to suppress has long been a concern for both intellectuals and those seeking to rule the states and empires which have occupied the space now forming the People’s Republic of China.Today’s Chinese Communist Party under Xi Jinping is no exception to this, and indeed is making unusually strenuous efforts to circumscribe an acceptable vision of the past. Yet, as Ian Johnson’s beautifully put together and captivatingly written new book Sparks: China's Underground Historians and Their Battle for the Future (Oxford UP, 2023) shows, no small number of scholars, film-makers, artists, writers and researchers continue to work to ensure that less convenient histories endure into the future. Based on years of research and experience, this is a powerful – and ultimately cautiously hopeful – book about the possibility for ordinary people to keep hold of often-painful but vitally important pasts. Working to make this more likely, Ian Johnson also heads the China Unofficial Archives project.Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and socialism and empire in Eurasia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

China’s rise to global prominence is a pretty good contender for the most important world development in the past 30 years. But now the question is how Beijing managed to be successful on the international stage–let alone how large that success is—with fierce debates between hawks and doves in the West and elsewhere.Jeremy Garlick tries to offer an explanation of China’s success and how Beijing is trying to remake the international system in Advantage China: Agent of Change in an Era of Global Disruption (Bloomsbury, 2023)Jeremy is an associate professor in the Department of International and Diplomatic Studies at the Prague University of Economics and Business and the director of the Jan Masaryk Centre for International Studies. His first book is The Impact of China’s Belt and Road Initiative: From Asia to Europe (Routledge: 2019), and his second is Reconfiguring the China-Pakistan Economic Corridor (Routledge: 2022)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Advantage China. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Scholar Shu Yang discusses how the 'shrew' archetype persisted and influenced the 'new woman' in modern China, revealing a new origin story for symbols of female empowerment. Yang provides detailed readings of sources, examining the historical context and wider meaning of the shrew in newspaper accounts, fiction, and theater. The podcast delves into the evolving status of women in Republican China, challenges traditional views on new women, explores media representations of suffragettes, and reimagines characters in modern Chinese literature.

Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (Rutgers University Press, 2023) examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (The Criminal Lu Yanshi), Shi Yu (New York Lover), Chen Qian (Listen to the Caged Bird Sing), and Rong Rong (Notes of a Couple), as well as by the Anglophone writer Ha Jin (A Free Life; A Map of Betrayal), selected TV shows (Beijinger in New York; The Way We Were), and online literature – Dr. Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, Transpacific Cartographies demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.Dr. Melody Yunzi Li is an assistant professor of Chinese Studies in the Department of Modern and Classical Languages at the University of Houston. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration studies, translation studies, cultural identities and performance studies. She is the author of Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (New Brunswick: Rutgers University Press, 2023) and the co-editor of Remapping the Homeland: Affective Geographies and Cultures of the Chinese Diaspora. (London: Palgrave McMillan, 2022). She has published in various journals including Pacific Coast Philology, Telos and others. Besides her specialty in Chinese literature, Dr. Li is also a Chinese dancer and translator.Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies