Art of the Cut

On today's episode of Art of the Cut, Steve talks with the editors behind Marvel’s limited series, The Falcon and the Winter Soldier. Rosanne Tan, ACE, and Todd Desrosiers have worked on major series such as Mr. Robot, Homecoming, and The Umbrella Academy, and recently teamed up on AMC's NOS4A2. Now they're picking up the shield from Avengers: Civil War to move the Marvel franchise forward. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with Oscar-nominated editor Dody Dorn, ACE, and first assistant editor Carlos M, Castillón. They both have a long list of high-profile projects under their respective belts, including Iron Man, Memento, and Fury, but they first worked together on Zack Snyder's Justice League. And now they've teamed up again on Snyder's latest film, the zombie action flick Army of the Dead, to tackle a unique and intense VFX-heavy workflow. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with award-winning Editor Adam Gough, ACE. Adam's notable resume includes the acclaimed 2019 film Roma, for which he earned the BAFTA for Best Editing. More recently, he teamed up with acclaimed director Spike Lee on the war drama Da 5 Bloods. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with Editor Zack Arnold, ACE. If you’re looking for a "typical" editor, Zack doesn’t fit the sedentary backroom stereotype. When he’s not cutting primetime TV like Empire, Glee, and Cobra Kai, he’s training for American Ninja Warrior, and helping creative professionals stay healthy, motivated, and productive.  Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with Assistant Editor Ruth Antoine, whose work includes The King’s Man, The Dig, Maleficent, and Pokémon Detective Pikachu. Ruth is the first recipient of the BFE Outstanding Assistant Editor award. It’s exciting to see an award specifically for assistant editors, and hearing the story of her career and accomplishments make for one of the best interviews we've ever hosted. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with Hollywood editor Evan Schiff about his latest project, Nobody. Evan has built a career working on action films, including the John Wick series, Star Trek Into Darkness, and Mission Impossible: Ghost Protocol, and in this interview he shares how he forged that path. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

On today's episode of Art of the Cut, Steve talks with the ACE Eddie-nominated trio behind Borat Subsequent Moviefilm. As you might imagine—if you’ve seen the film—the editing challenges were extraordinary. Meet Craig Alpert, Michael Giambra, and James Thomas, and learned how they turned chaos into comedy in Sacha Baron Cohen's latest feature. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.