Bookclub

Philippa Gregory, queen of historical fiction, talks about her best-selling tale of lust, jealousy and betrayal, The Other Boleyn Girl. James Naughtie presents and a group of readers ask the questions.The novel charts the lives of Anne Boleyn, and her sister Mary, thought to be the mistress of Henry VIII before Anne.Each in their turn are "the other Boleyn Girl", pawns of their fiercely ambitious, conniving family who in the novel use the girls to advance their own positions at the court of Henry VIII. Philippa Gregory will be talking about her fascination with Anne Boleyn's lesser known sister and about the lines between working with fact and fiction; and how she drew on her research to create the claustrophobic detail of palace life in Tudor England.Philippa Gregory depicts Mary, aged just 13, as little more than a child when she is presented to Henry and ordered by her family to serve her King and country by becoming his mistress. Inevitably though, the King's eyes soon begin to wander and Mary is overlooked, helpless to do anything but aid her family's plot to advance their fortunes, replace her with Anne and give Henry the greatest gift of all: a son and heir.July's Bookclub choice : Mrs Palfrey at the Claremont by Elizabeth Taylor Producer : Dymphna Flynn.

Ross Raisin is a young writer who won much praise for his debut novel God's Own Country in 2008. He discusses the book with James Naughtie and a group of readers.It's the story of Sam Marsdyke who's a troubled nineteen year old young man living on a remote farm in the North Yorkshire Moors. It's a place of beauty and Sam resents the incomers, be they the ramblers he spies upon, or the new neighbours who've just moved up from London. Sam is one of contemporary fiction's unforgettable characters; thanks largely to his use of the local dialect - words like beltenger, raggald or snitter. But these words don't get in the way of the reading, and part of the success of Sam's language is its confirmation of his isolation. There's an ambiguity for the reader about whether Sam's early mishaps in the novel are intentional, such as the neighbour's boy getting food poisoning from Sam's welcoming gift of hand picked mushrooms. But Ross Raisin says that for him, as Sam's creator, there's no ambiguity. Later in the novel, Sam's demise is swift, dark and frightening; and it's Ross's achievement that the reader still feels sympathy for him. Producer : Dymphna Flynn June's Bookclub choice : The Other Boleyn Girl by Philippa Gregory.

Anne Enright talks to James Naughtie and readers about her 2007 Man Booker prize-winning novel The Gathering.The book was the surprise win of that year - beating Ian McEwan's On Chesil Beach. Chair of Judges Howard Davies proclaimed the novel had one of the best closing sentences of any he had ever read.The Gathering of the title is the wake of Liam Hegarty who has committed suicide by walking into the sea at Brighton. His sister Veronica, one of the remaining nine siblings, narrates. In an exploration of uncertainty and recollection, she imagines the lives and thoughts of her grandparents' generation, and the hazy memories from her own childhood. And as family gather for the funeral, this big, brawling Irish family's history begins to spill out and show its cracks. Anne will be talking to her readers about the darkness in the novel, but also about how the Gathering provides the consolation of humour even in the grimmest situations - such as the scene where the family guard Liam's open coffin in Dublin.May's Bookclub choice : God's Own Country by Ross RaisinUp coming recordings - ELIZABETH TAYLOR - MRS PALFREY AT THE CLAREMONTDAVID BADDIEL WILL BE OUR GUIDE TO THIS NOVELMonday 28 May 5.40pm BBC Bush House Aldwych London WC2 4PHTo apply for tickets, go to the BBC Radio 4 website and follow the links to BookclubProducer : Dymphna Flynn.

Alan Hollinghurst talks to James Naughtie and readers about his 2004 Man Booker prize-winning novel The Line of Beauty.Framed by the general elections of 1983 and 1987 which returned Margaret Thatcher to power, The Line of Beauty is a story of love, class, sex and money - and AIDs. It won praise for the way it crawls deep under the skin of 1980's Britain. Protagonist Nick Guest is a young, gay Oxford graduate of modest means who is invited to stay with the wealthy Fedden family at their Notting Hill home. The father Gerald is a conservative MP consumed by by his rising status within the party; his wife Rachel is from the landed gentry - and therefore old money; daughter Catherine is a manic depressive, whilst Nick has had a crush on the son Toby since their time together at University.However, there is far more to this book than mere social satire. "It's about someone who loves things more than people. And who ends up with nothing, of course. I know it's bleak, but then I think it's probably a very bleak book, even though it's essentially a comedy." This is Nick speaking about Henry James' book The Spoils of Poynton, which he has been turning into a (doomed, of course) film script. However, in a typical instance of Hollinghurst's sharp irony, both the reader and Nick himself realise just as he speaks these words that he might as well be discussing his own narrative in The Line of Beauty.April's Bookclub choice : Anne Enright's The Gathering Producer : Dymphna Flynn.

James Naughtie and readers talk to the American writer and artist Art Spiegelman about his graphic novel Maus.First published in short frames in his experimental comic RAW in the 1970s, Maus the book has become a publishing phenomenon, selling over two million copies world wide.It tells the story of his parents, Vladek and Anja Spiegelman, from their first meeting in pre-war Poland to their survival of the death camps at Auschwitz and Dachau and their move to New York after the war.Part of the success of the book is Art's portrayal of the characters as animals. The Jews are mice, the Germans cats, the Poles pigs and the Americans dogs. The mouse metaphor, he says, came naturally to him as a comic book writer. He wanted to keep the scale of the book small, and with Maus, all he wanted to do was tell a story, he never wanted to change the world, he's too pessimistic for that.The story follows the birth of his elder brother Richieu, who was poisoned by an aunt rather than face capture; how his parents were hidden by generous Poles, and then betrayed to the SS as they paid to be smuggled over the border to safer Hungary. As well as the force of this story, Art Spiegelman talks about the powerful subplot which shows the difficult relationship between father and son, and what it could be like for the child of Holocaust survivors. In Maus, Art refuses to sentimentalise or sanctify his father the survivor; and in the same way his self-portrait is unflinching in its honesty.Producer : Dymphna FlynnMarch's Bookclub choice : The Line of Beauty by Alan Hollinghurst.

Hunter Davies talks to James Naughtie and readers about his biography of The Beatles, first published in 1968. Recorded at the Cavern, Liverpool.In 1966-68 Hunter Davies spent eighteen months with the Beatles at the peak of their powers. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to their friends, family and colleagues. He hung out in Abbey Road studios whilst they recorded Sgt Pepper's Lonely Hearts Club Band. At the end of sessions the Beatles happily let him pick up scraps of paper with half written lyrics on them, before the cleaners could tidy up. In the early 1980s he realised they were worth more than his house, and he gave them to the nation; the lyrics to Yesterday he saved now sit alongside the Magna Carta in the British Library. All four Beatles were committed to the book, and Hunter was able to spend time with their families, John's Aunt Mimi, and Ringo's mother and stepfather as they settled into their swanky new bungalows far from the screaming fans in Liverpool. He even found John Lennon's estranged father, Freddie Lennon, who was washing dishes in a hotel not far from John's new home in Surrey - and Hunter introduced John to him after many years. Looking back at the book some forty years later, Hunter regrets not writing more about witnessing the Lennon and McCartney song writing process; he saw the genesis of songs like Getting Better and Across the Universe.And although the book was first written and published before the group's acrimonious split, Hunter says that George was already fed up of being a Beatle, and John was listless and bored. Bookclub with Hunter Davies is a fascinating account of the heady days of the Beatles' success. At the time he thought the bubble would burst and that they would be replaced in people's affections - though not his own.Producer : Dymphna FlynnFebruary's Bookclub : Maus by Art Spiegelman.

December's Bookclub author is Sebastian Barry. Well known as a successful dramatist and novelist, his literary career became stellar when he won the 2008 Costa Book of the Year Award with this month's chosen book, The Secret Scripture; and he is considered one of Ireland's greatest living writers.The novel is told by Roseanne, who is uncertain of her age; she thinks she is now one hundred. She's been incarcerated in asylums in Ireland for over sixty years, and is writing the story of her life, on pieces of paper that she hides under the floor boards of her room.This is the Secret Scripture of the title; which comes from a poem by an Irish nationalist poet, Thomas Kettle, who fought for the British in World War I. As the book unfolds, we discover the why and the how of her incarceration. The second narrator of the novel is Roseanne's psychiatrist Dr William Grene, who must judge whether Roseanne can be released into society as the hospital is about to close. As he comes to know her, he becomes fascinated by her and the history - which is the history of twentieth century Ireland - that she represents.Sebastian Barry tells readers how he uses his own family in his fiction and how the character of Roseanne came from hearing about a great aunt who had been shunned by the rest of the family - the only thing known about her was her great beauty. His was a family beset with secrets, and his mother, Joan O'Hara (a famous actress of her day), was a "consummate un-coverer of secrets".January's Bookclub choice : 'The Beatles' by Hunter Davies.Producer : Dymphna Flynn.

Iain Banks, a Scottish author known for his darkly comedic style, dives into his provocative debut, The Wasp Factory. He shares the unsettling journey of Frank, a troubled teenager, shaped by his own childhood experiences with creativity and caution. The discussion unveils how Banks crafts shocking narratives that blend humor and horror, all while dissecting themes of identity and belief. He gives insight into the book's startling conclusion and his intention to challenge readers' perceptions of morality and madness.

Arundhati Roy talks to James Naughtie and readers about her Booker prize winning novel The God of Small Things.It's Arundhati Roy's first and so far only book of fiction and it took the literary world by storm, winning the Booker Prize in 1997. It's a story about the childhood experiences of fraternal twins whose lives are destroyed by the "Love Laws" that lay down "who must be loved, and how, and how much". The book is a description of how the small things in life affect people's behaviour and their lives, and with a love affair between characters of different backgrounds, shows how cruel the caste system could be. Arundhati Roy talks about why she's never written fiction since, and how she's not ruling out a return to the genre. She describes how her training as an architect was useful in the planning of this multi-layered story, with its complex time frames which owe a debt to James Joyce's Ulysses.November's Bookclub choice : The Wasp Factory by Iain Banks.Producer : Dymphna Flynn.

Mohsin Hamid talks to James Naughtie and readers about his bestselling book The Reluctant Fundamentalist. This edition of Bookclub will be broadcast just two days after the novel has been featured as Radio 4's Book at Bedtime, and it's a timely choice as we approach the tenth anniversary of 9/11. Shortlisted for the Man Booker Prize in 2007 The Reluctant Fundamentalist is a sparse, gripping, short novel that tackles the complex issues of Islamic fundamentalism and America's 'war on terror' with sympathy and balance.It's the story of Changez, a high-flying young Pakistani man living in New York at the time of the attacks, whose life is turned around on that day, and who in the aftermath returns to his native Pakistan. Changez tells his life story to an unnamed stranger, an American man, at a tea house in Lahore. Readers may recognise the same device was used by Albert Camus in his novel The Fall - and Mohsin Hamid acknowledges the debt to the French novel.As night falls, the tension grows between the Changez and the American and a sense of mystery and suspense grows page by page. Who is this American? Is he a spy? Does he have a gun in his pocket, and what exactly has the 'reluctant fundamentalist' come to believe? This novel has one of the most ambiguous endings in contemporary fiction and readers will be telling Mohsin Hamid how they think it finishes.October's Bookclub choice : 'The God of Small Things' by Arundhati Roy.Producer : Dymphna Flynn.