Waylon Wong

Waylon Wong, an NPR journalist covering markets and business, examines Scott Bessent’s focus on Japan’s yen purchases and U.S. Treasury bonds. Cooper Katzmukim, an NPR technology and economics reporter, explores why Patagonia could become an unlikely AI data-center hub. The summer box office also gets a reality check: record revenue, but fewer movie tickets sold.

Waylon Wong, co-host of NPR's The Indicator, and Travell Anderson, journalist and host of Seated, dive into the magical world of Wicked: For Good. They discuss the film's emotional highs, standout performances by Cynthia Erivo and Ariana Grande, and how cinematic elements enhance the storytelling. The duo critiques character development and the political themes compared to the original novel, exploring the balance of personal narratives against the backdrop of wickedness. Plus, they share what’s making them happy, from a Disney pianist to a heartwarming dog rescue account.

Waylon Wong, co-host of NPR’s The Indicator, brings sharp commentary and quick takes. He shares a surprisingly warm read of a high-concept rom-com. The conversation jumps between satirical intent, worldbuilding and political implications. There are lively reactions to casting, queer representation, and whether the film leans conservative or playful.

Waylon Wong, co-host of NPR's daily economics podcast The Indicator, and Candice Lim, writer and former producer, dive into the Netflix adaptation of People We Meet On Vacation. They discuss the film's tonal issues and lost nuances compared to the beloved book. The pair laments the exclusion of vital character development and the impact of setting changes. Nevertheless, they commend the leads and select charming moments. Plus, they share what's making them happy, from book recommendations to favorite songs.

Waylon Wong, co-host of NPR's Indicator from Planet Money, joins to debate the worst Christmas movies ever. The panel dives into the flaws of classics like 'Love Actually,' where Waylon argues its rom-com merits crumble under problematic plotlines. Aisha critiques 'I Believe in Santa' for its troubling messages, while Stephen laments 'Jingle All the Way' for celebrating commercialism. Glen highlights the campy charm of 'Scrooge & Marley,' showcasing the sincerity among its imperfections. The discussion wraps up with a lively vote for the worst!