Chris Welch reviews Sonos' Ace headphones, while Sonos CEO Patrick Spence talks about the app redesign. The podcast also explores the downfall of MoviePass and the future of cinemas. Smart home gadgets for renters and retro smart locks are discussed, highlighting the convenience and security they offer.

Today, Sonos announced a new line of speakers — the Era 100 and the Era 300 — with the latter finally taking on this format that has been a hit-or-miss experience for music lovers, supporting Amazon Music and Apple Music’s spatial audio. Though spatial format Dolby Atmos has been supported on the Sonos Arc soundbar, the Era 300 signals a music-first approach to its speakers supporting 3D soundscapes. Sonos CEO Patrick Spence believes this is the right time to do it. “We didn’t know that, in 2022, 85 of the top Billboard 100 artists would actually release Atmos tracks, but they did,” Spence says. “We feel like we’re at an inflection point.”On board with Sonos for this shift in music listening is record producer Giles Martin, who mixed the first-ever spatial audio album (a remix of Sgt. Pepper’s Lonely Hearts Club Band, The Beatles album that his father, George Martin, originally produced) and several albums and live experiences in Dolby Atmos since. Martin is also the senior vice president of sound experience at Sonos and was involved in the development of the speaker. “When you’re building a product which has multi sort of use and orientations, you do prioritize ... in a way of, what’s the wow factor?” Martin explains. “The wow factor, which I think is truly extraordinary out of the 300, is the fact that it does spatial out of a single box. And it’s really compelling.”Both Patrick and Giles joined Verge editor-in-chief Nilay Patel for The Vergecast to talk about the new speakers, supporting spatial audio, and why this is the time to do it. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week I sat down with Patrick Spence, the CEO of Sonos, and Eddie Lazarus, his Chief Legal Officer. I wanted both Patrick and Eddie on the show to talk about when a company like Sonos makes the decision to head to the courts and increasingly, Congress. Sonos has long accused other tech giants of stealing its tech, but in 2019 it actually sued Google for patent infringement. Sonos recently won that lawsuit at the US International Trade Commission, which ruled that Google infringed all five patents Sonos brought to court. I wanted to understand how Patrick and Eddie decided to take the risk of a lawsuit here – Sonos claims Google actually infringes over 150 patents, so how did they pick.. Five.. to sue over? Links:Sonos sues Google for allegedly stealing smart speaker techSonos CEO will testify to lawmakers after suing GoogleGoogle countersues Sonos for patent infringementSonos sues Google for infringing five more wireless audio patentsA judge has ruled that Google infringed on Sonos’ patentsSonos says Google is blocking it from offering more than one voice assistant at onceTranscript:https://www.theverge.com/e/22719377Credits:Decoder is a production of The Verge, and part of the Vox Media Podcast Network.Today’s episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino and our Executive Producer is Eleanor Donovan.   Learn more about your ad choices. Visit podcastchoices.com/adchoices