Omar El Akkad

It's 2074 and a suicide bomber has killed the President of the United States. Months later Marines open fire on protesters killing dozens. The Second American Civil War has just begun and once again the North and South are pitted against each other. This is all according to the dystopian world chronicled in Omar El Akkad's novel, American War. El Akkad's imagined, yet familiar, world is reflective of today's deep political and societal fissures, but it also pushes us to understand the universal language of war and ruin, to what happens after the violence begins and why it's so hard to end.In this episode of Throughline, we immerse ourselves in El Akkad's 'what could be' to understand larger questions about history, humanity, and American exceptionalism.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Omar El Akkad, a journalist and acclaimed author of "American War" and "What Strange Paradise," discusses his latest non-fiction work critiquing Western hypocrisy regarding the Gaza conflict. He reflects on how identity and storytelling shape perceptions of war and migration. Focusing on America's moral failures, he examines the impact of political systems on the Palestinian plight and the emotional complexities faced by individuals in conflicting cultural realms. Through personal anecdotes, he emphasizes the urgent need for meaningful advocacy and understanding in today's society.

Omar El Akkad, a US-based writer and journalist known for his powerful essays, dives deep into the complexities of Western perceptions of justice and accountability influenced by his Middle Eastern childhood. He discusses the troubling parallels between the narratives surrounding Gaza and historical conquests in North America. El Akkad also sheds light on the ethical dilemmas journalists face amidst misinformation in conflict reporting. His reflections on grassroots movements and the emotional burden of addressing violence provide a compelling commentary on political and moral challenges.