Nathalie Olah, a writer and cultural critic known for her books 'Steal As Much As You Can' and 'Bad Taste', joins the discussion to unpack 'Love Actually'. They explore its nostalgic take on British identity amidst a post-9/11 landscape, critiquing the film’s simplistic portrayals of love, race, and class. Olah highlights the disconnection and infidelity within its narratives, while also addressing the politically charged context of the Blair era. The conversation reveals how the film offers an escapist yet flawed reflection of societal issues.

Writer and critic Nathalie Olah discusses the politics of taste and its impact on self-image and belonging. Topics include minimalism, posh people's indifference to style, the evolving meaning of the hoodie, and our right to enjoy supermarket pizza.