Mohammad Rasulaf, an Iranian filmmaker, shares insights from his secretive project 'The Seed of the Sacred Fig,' highlighting the struggles of cinema under Iran's oppressive regime. Joined by Vulture.com writer Nate Jones, they discuss the intricacies of the Oscars' International Film category, revealing the challenges of representation and the restrictive submission rules. Amid tales of resilience and censorship, they explore the need for reform in how international films are recognized, sparking a vibrant conversation on the evolving landscape of global cinema.
