Max Igan, an Australian artist and activist, fiercely critiques globalism from his temporary home in Mexico. He shares his dramatic exit from Australia, driven by fears of government scrutiny, and emphasizes the importance of trusting intuition. Delving into societal manipulation, Igan explores how historical narratives shape identity and power dynamics. He discusses civilization resets and lost technologies, urging critical examination of mainstream histories, while advocating for awareness surrounding the dire situation in Gaza and the dangers of digital control.