In our ongoing exploration of tension, the time has come to examine conflict. It can be shaped and delivered in numerous ways, but you have to know the core conflict before you can make anybody feel tense about it. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mary Robinette Kowal, science fiction and fantasy author, discusses her transition from puppetry to writing and how it influences her work. They explore the role of puppetry in creating lifelike characters, express their love for sci-fi and fantasy, and talk about their latest novel with martini recipes. They also discuss using Scrivener for writing, the challenges of voice to text technology, and recommend 'Craft in the Real World' and 'Unrelenting' as noteworthy books.

Discover the power of voice in writing through a close reading of 'This is How You Lose the Time War'. Explore the unique voices of characters, the impact of diverse voices on narrative depth, and crafting character voices in audiobook narration. Get inspired to emulate strong voices in your own writing and join the Patreon community for ad-free content.

How do you slowly reveal the supernatural in an obviously supernatural story? How can you prepare your audience for a reveal without disclosing it too quickly? If someone is familiar with your writing, they know the genre and what to expect from it. We talk about how we work within these confines while also making space for surprises, magic, and the supernatural. Homework:Do a reread or rewatch of something with a big reveal (like the reveal in "Dark One: Forgotten.") Think about how your understanding of the story has changed since you have that information earlier.Also prepare for our upcoming Deep Dive, by reading through Howard Tayler's Schlock Mercenary. And feel free to re-listen to our interview with Howard earlier this year, here.Thing of the Week:Nope, directed by Jordan PeeleCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What are the best practices for collaboration? How do you write in an established intellectual property (IP)? How do you write a new story in an established world? We dive into working with an individual or a group. We hear stories from our hosts about how they have navigated creative endeavors with different types of collaboration.Homework:Grab something on your TBR (to be read) pile and pick a random paragraph from it. Use that as the opening for a short story.Also prepare for our upcoming Deep Dive (starting in two episodes), by reading through Howard Tayler's Schlock Mercenary.Thing of the Week:The Original by Brandon Sanderson and Mary Robinette KowalMentioned Links:Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSign up for our newsletter: https://writingexcuses.comSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Let's take all our tension tools and apply them in tiny ways. A big application of tension might be an argument between two characters about a course of plot-important action. Microtension might be those characters arguing about how long to boil eggs. In this episode we'll explore some favorite applications of microtension, and the ways in which it can be layered to ramp up the larger, plot-focused tension. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Award-winning author Mary Robinette Kowal answers intriguing questions on characters revolting in stories, surprises in writing difficulties, and building histories for book worlds. Insights on handling unexpected character developments and crafting rich, interconnected worlds with character perspectives. Explore worldbuilding in the Schlock Mercenary universe and the role of character history in shaping dynamic narratives.

“Show don’t tell” is probably the most famous advice given to writers. But. . . we don’t necessarily agree. In our final episode of our deep dive into publishing, we tackle advice: How do you give it? When do you not? Our hosts tell us about the advice they wish they followed and the things they don’t tell their students. Also: Mary Robinette teaches us a trick about puppet fingers. Homework:Write a letter to yourself a year ago describing what kind of skills are they going to need in order to confront the challenges that are coming.We've finished our 8 episode deep dive into Publishing Is Hard! Next week, we'll be diving into Dan's audiobook "Dark One: Forgotten." Please find this and listen to it! (It's only 6 hours long)Thing of the Week:Stone Soup - Newsletter by Sarah GaileyMentioned Links:https://www.publishingishard.com/this-is-not-advice/https://www.publishingishard.com/get-jigae-with-it/Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramTwitterFacebookSign up for our newsletter: https://writingexcuses.comSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Back in February, with Episode 18.8, we began exploring the process of writing a mystery story. That episode led us into a series of six episodes about tension, and the tools we use to create and manage it. And now, with this episode (and a toolbox full of tension) we're ready (we hope!) to revisit the creation of mystery stories. Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. It was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this podcast, they do a close reading of Red's opening narration to analyze how voice communicates character and world effectively. They discuss drawing readers' attention to key details, suggest rewriting sentences from a work in progress, and provide writing tips. The hosts explore the impact of language on character and world-building, delve into Red's complex nature, and prioritize time and self-care. They also discuss free indirect speech, storytelling techniques, and crafting intriguing plot twists.