Madeline Grant, the Assistant Editor at The Spectator, joins a lively discussion where she critiques the decline of authenticity in period dramas, arguing that modern adaptations often prioritize contemporary sensibilities over historical accuracy. Max Jeffery dives into the intriguing case of the Cambridge bike bandit, while Tanya Gold provocatively explores the commercialization of intimacy through the sale of bathwater, shedding light on its implications. Meanwhile, Matthew Parris reflects on the hidden narratives of history, and Calvin Po reveals the V&A East Storehouse’s innovative approach to museum accessibility.
