James Poniewozik

James Poniewozik, Chief television critic for The New York Times, and Manola Dargis, Chief film critic for The New York Times, dive into the state of entertainment in 2024. They discuss the pervasive 'mid-TV' phenomenon, criticizing the mediocrity of recent shows. Sequels dominate the film landscape, with Dargis highlighting both beloved and divisive films of the year. Throughout, they emphasize innovative storytelling, urging a move away from formulaic content in both television and cinema. Recommendations for standout productions also shine through.

Join James Poniewozik, the Chief TV Critic for The New York Times, and culture reporter Alexis Soloski as they dissect the standout television of 2025. They explore the rise of conspiracy-driven narratives and reflect on the much-anticipated return of 'Severance.' Alexis highlights the revival of romantic comedies with 'Too Much,' while James praises the humor in 'Dying for Sex.' With insights on new shows like 'The Lowdown' and 'Andor,' this lively discussion illuminates the year's most intriguing trends and guilty pleasures.

Join James Poniewozik, chief television critic for The New York Times, and Alissa Wilkinson, movie critic and documentary expert, as they dive into the booming world of streaming documentaries. They discuss Ken Burns's contribution to the genre, recount personal memories of PBS documentaries, and explore the rise of true crime. From the poignant storytelling in 'The Last Dance' to recommendations like 'Pee-wee as Himself' and the introspective 'Camera Person,' this conversation highlights the evolution and variety of documentary filmmaking today.

James Poniewozik, television critic for The New York Times and author of 'Audience of One,' dives into the fascinating intersection of late night TV and politics. He reflects on Jimmy Kimmel's recent return and how it symbolizes shifting viewer habits. The discussion highlights Trump's role as a TV character and how his threats towards media can affect free speech. James analyzes the future of late night, pondering its relevance in a rapidly changing landscape, where online clips overshadow traditional broadcasts.

James Poniewozik, TV critic for The New York Times, shares his family’s binge-watching rituals during quarantine, emphasizing how TV serves as essential self-care and bonding. Tejal Rao, also from The Times, discusses the restaurant industry's pandemic struggles and finds joy in rewatching memorable food scenes from films. They explore the emotional connections these experiences foster, highlighting both the comfort of shared viewing and the nostalgia of culinary cinema in difficult times.