Giles Martin may be the son of famed Beatles record producer Sir George Martin, but he’s also an acclaimed producer and composer in his own right. He’s worked on projects with The Rolling Stones, Elton John and Metallica, and is celebrated for his work remastering albums from The Beatles, including Sgt. Pepper’s, Abbey Road, and The White Album. Last October Giles’ remaster for Revolver was released along with never-before-heard home demos and outtakes from The Beatles. Giles was able to separate the original 1966 mono recording tracks with the help of director Peter Jackson’s audio team, who used AI technology. Giles' resulting mix allows listeners to hear the original recordings with clarity and precision like never before. On today’s episode Rick Rubin talks to Giles Martin about his approach to remastering the Beatles and the responsibility that comes along with it. Giles also talks about growing up in the music industry, why he didn’t have a stereo in his house as a young boy, and how he became his dad’s ears in studio sessions after his father lost his hearing. You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.See omnystudio.com/listener for privacy information.

Today we have part two of Rick Rubin’s conversation with producer and composer, Giles Martin. In part one, Giles talked about his delicate work remastering classic Beatles albums. Today we’ll hear Giles talk about his dad, Sir George Martin, who never second guessed his own genius. Giles also shares hilarious stories from his time as a teenager living at his father’s storied studio that was destroyed by a volcano in the Caribbean. Plus, he talks about the time he was fired and then rehired by Martin Scorsese. You can follow Rick Rubin's new podcast, Tetragrammaton, at https://podcasts.apple.com/us/podcast/tetragrammaton-with-rick-rubin/id1671669052 You can hear a playlist of some of our favorite Beatles songs remastered by Giles Martin HERE.See omnystudio.com/listener for privacy information.

Today, Sonos announced a new line of speakers — the Era 100 and the Era 300 — with the latter finally taking on this format that has been a hit-or-miss experience for music lovers, supporting Amazon Music and Apple Music’s spatial audio. Though spatial format Dolby Atmos has been supported on the Sonos Arc soundbar, the Era 300 signals a music-first approach to its speakers supporting 3D soundscapes. Sonos CEO Patrick Spence believes this is the right time to do it. “We didn’t know that, in 2022, 85 of the top Billboard 100 artists would actually release Atmos tracks, but they did,” Spence says. “We feel like we’re at an inflection point.”On board with Sonos for this shift in music listening is record producer Giles Martin, who mixed the first-ever spatial audio album (a remix of Sgt. Pepper’s Lonely Hearts Club Band, The Beatles album that his father, George Martin, originally produced) and several albums and live experiences in Dolby Atmos since. Martin is also the senior vice president of sound experience at Sonos and was involved in the development of the speaker. “When you’re building a product which has multi sort of use and orientations, you do prioritize ... in a way of, what’s the wow factor?” Martin explains. “The wow factor, which I think is truly extraordinary out of the 300, is the fact that it does spatial out of a single box. And it’s really compelling.”Both Patrick and Giles joined Verge editor-in-chief Nilay Patel for The Vergecast to talk about the new speakers, supporting spatial audio, and why this is the time to do it. Learn more about your ad choices. Visit podcastchoices.com/adchoices