Fiona Smyth

Fiona Smyth, an academic who authored "Pistols in St Paul's," discusses the historical development of acoustics in music venues. Trevor Cox, a Professor of Acoustic Engineering, reveals the latest breakthroughs in sound clarity and venue design. Jess Gillam, a talented saxophonist, shares her unique experiences playing in various acoustic settings. They explore how architectural design influences music enjoyment, the evolution of sound science, and the emotional effects of acoustics on performances, taking listeners on a melodic journey through sound and space.

Fiona Smyth, an Assistant Professor in Architectural History and Theory at the University of Cambridge, delves into the fascinating relationship between architecture and acoustics. She highlights her groundbreaking book, discussing how buildings can function as musical instruments. Fiona explores the intersection of science and music in architectural design, revealing historic collaborations that shaped acoustic understanding. She also touches on wartime challenges in acoustical design and the evolution of testing methods blending technology with human insight.

Fiona Smyth, a historian of architecture and science, dives into the intriguing intersection between acoustics and architecture. She recounts a fascinating 1951 scientific demonstration at St Paul’s Cathedral, exploring whether buildings can act as musical instruments. The discussion highlights key innovations in acoustic measurement during the 20th century, wartime adaptations for concert venues, and the pivotal roles women played in music and acoustics post-war. Smyth's insights reveal how aesthetic design can harmonize with sound quality to elevate public architecture.