Esther Leslie, a Professor of Political Aesthetics, Kevin McLaughlin, a Professor of English, and Carolin Duttlinger, a German Literature expert, illuminate the complex life of Walter Benjamin. They discuss his innovative ideas on art and media, particularly the concept of 'aura' and the impact of reproducibility. The conversation reveals Benjamin's struggles during his exile in France and his significant work on the Arcades Project, exploring the tension between capitalist culture and artistic expression. His tragic end further highlights the personal cost of his intellectual journey.

Melvyn Bragg and guests discuss one of the most celebrated thinkers of the twentieth century. Walter Benjamin (1892-1940) was a German Jewish philosopher, critic, historian, an investigator of culture, a maker of radio programmes and more. Notably, in his Arcades Project, he looked into the past of Paris to understand the modern age and, in The Work of Art in the Age of Mechanical Reproduction, examined how the new media of film and photography enabled art to be politicised, and politics to become a form of art. The rise of the Nazis in Germany forced him into exile, and he worked in Paris in dread of what was to come; when his escape from France in 1940 was blocked at the Spanish border, he took his own life. With Esther Leslie Professor of Political Aesthetics at Birkbeck, University of LondonKevin McLaughlin Dean of the Faculty and Professor of English, Comparative Literature and German Studies at Brown UniversityAndCarolin Duttlinger Professor of German Literature and Culture at the University of OxfordProducer: Simon Tillotson

Esther Leslie, a renowned translator and scholar of Walter Benjamin, joins cultural critic Kevin Jackson to explore Benjamin's legacy through his short fiction in 'The Storyteller.' They delve into his narrative style, influences, and empathy for marginalized voices. Curators Elena Sudokova and Dolya Gavanski discuss the evolving ideals of the Soviet Superwoman and the complexities of women's roles in Soviet history. Leah Broad reinterprets Edvard Munch's life, emphasizing how personal tragedy infused his artistic expression, while Fay Bound Alberti examines our shifting understanding of emotions and human identity.