Eric G. Wilson

Eric G. Wilson, a Professor of English and film scholar, dives into John Boorman's groundbreaking film Point Blank. He explores its thrilling formal style, blending genres like neo-noir and dark comedy, and critiques capitalist dehumanization. Wilson highlights Lee Marvin's layered performance shaped by personal trauma and examines the film's experimental editing, portraying fragmented identity. He also discusses the film's ambiguous ending and its lasting influence on cinema, showcasing how Point Blank remains relevant and compelling across generations.