Eric Drott, Associate Professor of Music Theory at the University of Texas at Austin, delves into the complex relationship between streaming music and capitalism. He highlights how streaming services have reshaped music categorization and consumer behavior, often reflecting identity in the digital economy. Drott tackles issues like consumer surveillance, revenue distribution inequities for artists, and the impact of AI-generated music. His analysis pushes us to reconsider the commodification of music and its implications for the future.

Eric Drott, Associate Professor of Music Theory at the University of Texas at Austin and author of "Streaming Music, Streaming Capital," dives into the intricate web of music streaming and capitalism. He discusses how platforms like Spotify reshape music consumption and categorization, influencing both artists and listeners. Drott also examines the ethical dilemmas around data usage in the music industry, highlighting concerns about surveillance and biases. His insights on the changing landscape reveal a tumultuous relationship between music, culture, and economic forces.

Eric Drott, an Associate Professor of Music Theory at the University of Texas at Austin, delves into the intricate political economy of music streaming. He discusses how platforms like Spotify reshape genres and listener experiences, exposing economic challenges and the manipulative use of data analytics. Drott also highlights the implications of consumer surveillance, risks of streaming fraud, and the struggles of artists in a commercially-driven landscape. His insights paint a vivid picture of how streaming intertwines with wider issues like capitalism and social reproduction.