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Drew Boughton
Production designer for The Man in the High Castle. Discussed the challenges of creating a period piece that never existed and how fascism co-opts culture.
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Dec 1, 2016
• 29min
The Man In the High Castle
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Drew Boughton, the production designer for The Man in the High Castle, shares insights on crafting an alternate history where the Axis powers won WWII. He discusses the challenges of creating a period that never existed, blending reality with fiction. The conversation dives into how fascism distorts culture and identity, shaping a world where societal norms collapse. Boughton also reflects on the moral complexities faced by characters like John Smith, illustrating the thin line between complicity and resistance in an unsettling reality.
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