“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”

How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.

Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.

http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1

www.creativeprocess.info
www.oneplanetpodcast.org
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Photo: Jodie Foster, Kali Reis ·  Photograph by Michele K. Short/HBO

Christine van den Berg

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