Cheryl Thompson

Cheryl Thompson, Canada Research Chair in Black Expressive Culture, delves into the intricate history of blackface in Canadian performance from 1812 to 1895. She uncovers how minstrel shows intertwined with Black identity and diverse Canadian cultures, highlighting pivotal moments like the influence of Ira Aldridge and Stephen Foster. The discussion unveils the complex legacy of blackface, the migration of cultural practices, and the evolution of Black performers reclaiming their narratives amidst societal challenges, sparking vital conversations about race and representation.