Anna McMullan, a Professor of Theatre and co-Director of the Beckett International Foundation, joins Benjy Francis, South African director known for his groundbreaking all-black cast of Waiting for Godot during apartheid, and Garry Hynes, artistic director of Druid Theatre. They explore how Beckett reshaped theatre, the philosophical underpinnings of the play, and its interpretations across global contexts. Francis shares insights on the political impact of his directorial debut, while Hynes discusses contemporary relevance and casting debates.
