Barry Hertz

Barry Hertz, film editor at The Globe and Mail, dives into the heated debate surrounding the documentary 'The Road Between Us' at the Toronto International Film Festival. He discusses the initial pull of the film amidst political controversy and its eventual reinstatement. Hertz examines the balance festivals must strike between artistic freedom and public opinion. He highlights the broader implications of this incident for future programming choices and the challenges cultural institutions face in addressing sensitive global topics.

Barry Hertz, Deputy Arts Editor and Film Editor for The Globe and Mail, discusses Hollywood's surprising shift towards right-leaning content, highlighted by the success of the provocative documentary "Am I Racist?". He delves into the rise of conservative streaming platforms like Daily Wire Plus, emphasizing the demand for entertainment that aligns with conservative values. The conversation also critiques how major studios are responding to political pressures and navigates the creative stagnation in blockbuster filmmaking, particularly with Pixar's latest projects.

Film critic Barry Hertz from the Globe and Mail and CBC's Jackson Weaver dive into the rich legacy of the Toronto International Film Festival as it celebrates 50 years. They discuss TIFF's unique impact on cinema and its role in elevating unexpected films, while also examining its significance for Canadian filmmakers. The pair reflect on TIFF's origins, challenges during the pandemic, and the enduring popularity of 'The Princess Bride.' They also navigate the future, addressing the need for accessibility and the balance between industry insiders and everyday moviegoers.

Barry Hertz, Deputy Arts Editor and Film Editor at The Globe and Mail, delves into the surprising success of the documentary 'Am I Racist?' and its implications for Hollywood. He discusses how conservative media, particularly the Daily Wire, is reshaping the film landscape with productions like 'Lady Ballers.' Hertz highlights the challenges creatives face as studios navigate political backlash while trying to maintain diverse representation. The conversation also critiques the oversimplification in modern blockbusters that often ignore significant social issues.

In this engaging discussion, Barry Hertz, film editor at The Globe and Mail, explores the evolving landscape of movie theaters. He reveals how options like 4DX and ScreenX are reshaping the cinema experience, enticing viewers with immersive formats. Hertz also discusses the financial struggles of major chains and the shift towards Premium Large Format screenings. With streaming services on the rise, he sheds light on the industry's challenges and what the future holds for cinema lovers.