Alissa Wilkinson

Alissa Wilkinson, a film critic for The New York Times, teams up with Nicole Sperling, a culture reporter based in Los Angeles, to reflect on the cinematic highlights of 2025. They delve into notable films like 'Sinners' and 'One Battle After Another,' exploring themes of activism and cultural impact. The conversation also examines industry trends, including Warner Brothers' successes and the implications of consolidation in Hollywood. Don't miss their critics’ picks and insights into the future of cinema!

Join James Poniewozik, chief television critic for The New York Times, and Alissa Wilkinson, movie critic and documentary expert, as they dive into the booming world of streaming documentaries. They discuss Ken Burns's contribution to the genre, recount personal memories of PBS documentaries, and explore the rise of true crime. From the poignant storytelling in 'The Last Dance' to recommendations like 'Pee-wee as Himself' and the introspective 'Camera Person,' this conversation highlights the evolution and variety of documentary filmmaking today.

Alissa Wilkinson, a New York Times film critic renowned for her keen insights, discusses her journey into film critique and reveals her top movie picks for 2024. The conversation spans the cultural impact of cinematic storytelling and the challenges of maintaining authenticity in blockbuster filmmaking. They explore faith themes in horror films, examining how they illuminate belief and doubt. Plus, Alissa shares cherished Christmas movie memories, blending nostalgia with a heartfelt reflection on what makes these films resonate.

Alissa Wilkinson, a film critic at The New York Times and author of 'We Tell Ourselves Stories', dives deep into the narrative prowess of Joan Didion. She uncovers how Didion viewed stories as survival mechanisms in chaotic times. The conversation touches on the interplay of Hollywood and politics, the resurgence of nostalgia, and the role of storytelling in addressing trauma. Wilkinson intriguingly questions if Scripture is merely another constructed narrative, highlighting the complexities of cultural memory amidst contemporary conspiracy theories.

Alissa Wilkinson, a New York Times movie critic and author of "We Tell Ourselves Stories," delves into Joan Didion's reflections on how Hollywood shaped American politics. They explore Didion's unique lens on storytelling amid chaos and her critique of political superficiality seen in figures like the Reagans. Wilkinson emphasizes Didion's belief that narrative influences perception, highlighting the contrast between cinematic expectations and the complexities of reality. The discussion also touches on Didion's lasting impact on California culture and modern political dynamics.