Ben Morea, a veteran radical artist and activist, shares his journey through Black Mask and Up Against the Wall Motherfucker, where he fused art with activism during the tumultuous 1960s–70s. Abigail Susick, a scholar of surrealism, reflects on the impact of political art, while Breanne Fahs connects feminism and sabotage to radical practices. They dive into guerrilla tactics, critique the commodification of art, and explore the role of psychedelics in consciousness. Their spirited discussion unveils the importance of humor and spontaneity in contemporary protests.
