Guest Aaron Moulton, curator of the controversial 2022 exhibition at the Ujazdowski Castle in Warsaw, discusses his exhibit 'The Influencing Machine' exploring the activities of the Soros Centers for Contemporary Art. They explore magical thinking, perception management, and the impact of foundations and NGOs in art and politics. The conversation delves into the motivations of artists, the role of artists in the digital age, art as a PR tactic, and the complexity of philanthropy. They also touch on TV's role in mediating events, conspiracy theories and anti-Semitism, the Open Society Institute, and alternative art history. The chapter concludes with discussions on manipulation in Eastern Europe, propaganda, weaponized spiritual practices, scandalous exhibitions, and the refusal to align in politics.
