Osita Nwanevu, writer, discusses Tom Wolfe's work, exploring wealth, consumerism, and subcultures in America post-World War II.
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Quick takeaways
Tom Wolfe's prose style reflected a lively yet often lazy conservative mind that made sense of America's garish and dismal present.
The host admires the cultural shifts in America after World War II, exploring subcultures and recognizing the complexity of post-war transformation.
Deep dives
The Fascination with Cultural Changes
The podcast episode delves into the perspective of wealth and consumerism, highlighting the negative aspects associated with them, such as narcissism. However, the host of the podcast also expresses genuine admiration for the cultural shifts occurring, particularly in the 1970s and 1980s. The hot rod culture and rock and roll, for instance, are praised for their innovation. Las Vegas is described as a spiritually vacant place, yet the host marvels at the aesthetic developments it brings forth, labeling it as something new and unique to America. Overall, the episode explores how these changes reflect a shift in American life after World War II, with the host not being easily classified as a conservative.
Translating Subcultures and Expressing Creativity
The podcast highlights the host's role as a translator for various subcultures that emerge as a result of prosperity. These subcultures, such as stock car racing in the South, the development of hippie culture in San Francisco, and artists like Andy Warhol in New York City, serve as evidence of the evolving American economy and way of life. The host's fascination lies in gathering diverse examples from different parts of the country and constituencies, which reveals the complexity and interesting nature of the post-World War II transformation. This approach goes beyond simplistic categorizations and showcases the host's willingness to recognize and analyze pop culture alongside high art.
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Exploring Wealth, Consumerism, and Subcultures in America
Writer Osita Nwanevu joins for a rip-roaring conversation about legendary prose stylist, "new journalist," and novelist Tom Wolfe. Reviewing a new documentary about Wolfe ("Radical Wolfe" on Netflix), Osita writes, "Behind the ellipses and exclamation points and between the lines of his prose, a lively though often lazy conservative mind was at work, making sense of the half-century that birthed our garish and dismal present, Trump and all."
Answered herein: is Tom Wolfe a good writer? What kind of conservative is he? How does his approach compare to other "new journalists" like Joan Didion and Garry Wills? And what's the deal with the white suit?