Focusing on what he calls ‘mobile production’, Kevin Sanson (Queensland University of Technology) discusses the spatial configuration of creative relationships in film and television, and the logistical role of labour in making and maintaining those relationships. Yuening Li (Maynooth University) speaks about her work examining the place of digital payment services in our lives and the social media functions of fintech. Finally, as part of the CresCine (www.crescine.eu) project comparing film markets in small European nations, Cathrin Helen Bengesser and Jakob Isak Nielsen (Aarhus University) report initial insights relating to audienceperceptions of domestic productions, and also trends in genre popularity.