Chloe Petts, a rising comedian known for her engaging stand-up tour 'How you see me, how you don't,' shares her daily routine and the balancing act of comedy and life. She humorously discusses the absurdity of relying on smartphones during bathroom breaks and the challenges of performing for different audience types. Their chat also delves into morning routines, the comedy scene, and whimsical reflections on life in London, mixing light-heartedness with relatable insights about managing work and leisure.
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Phone-Free Mornings
Chloe Petts suggests removing phones from the bedroom and using an analog alarm.
This creates phone-free thinking time before the day begins.
question_answer ANECDOTE
Early Risers
Max Rushden's two-and-a-half-year-old wakes up at 5 a.m. every day.
Even with various sleep strategies, children don't wake up like adults.
question_answer ANECDOTE
Pajama Preferences
Chloe Petts enjoys wearing men's pajamas from M&S or Fat Face.
She appreciates the waffle material and pockets for night snacks.
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Heartburn is an autobiographical novel by Nora Ephron, inspired by her marriage to and divorce from Carl Bernstein. The story follows Rachel Samstat, a food writer, who at seven months pregnant discovers her husband Mark Feldman's affair with Thelma Rice. The novel vividly depicts the breakdown of their marriage, interspersed with recipes and anecdotes that humanize the characters. It explores themes of love, betrayal, and revenge, all presented with Ephron's characteristic wit and humor[2][4][6].
The Thursday Murder Club
Richard Osman
The Thursday Murder Club follows four friends—Joyce, Elizabeth, Ibrahim, and Ron—living in the Coopers Chase retirement village. They meet weekly in the Jigsaw Room to discuss unsolved crimes. When a local developer, Ian Ventham, is found dead, the club becomes involved in their first live case. As more bodies are discovered, the group works with the police, particularly PC Donna de Freitas and DCI Chris Hudson, to solve the murders. The novel blends humor, wit, and suspense, highlighting the unique skills and backgrounds of the elderly sleuths, including Joyce's nursing experience, Elizabeth's mysterious past, Ibrahim's psychiatric expertise, and Ron's trade union leadership. The story is told through a mix of Joyce's diary entries and third-person narratives, reflecting Osman's television production style[2][3][5].